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99
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299
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57
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38 sheet music found
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1
26
Thank You For The Music
#
Flute ensemble
#
INTERMEDIATE
#
Pop music
#
Rock
#
ABBA
#
Thomas Graf
#
Thank You For The Music
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Pop. 16 pages. Thomas Graf - the-hit- factory.com #3575223. Published by Thomas...
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By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Pop. 16 pages. Thomas Graf - the-hit- factory.com #3575223. Published by Thomas Graf - the-hit-factory.com
ABBA - still unbeaten. This is the perfect song to finish your upcoming concerts. Instrumentation: Flute 1/2, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Please don\'t forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?Ns=releaseDate%7C1&recsPerPage=100 Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/t-N09vdO2Sc.
$14.99
Walking In The Air
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Flute ensemble
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INTERMEDIATE
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Christmas
#
Howard Blake
#
James-Michael Sellers
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Walking In The Air
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JMS Composer
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1309253 Composed by Howard Blake. Arranged by James-Mich...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1309253 Composed by Howard Blake. Arranged by James-Michael Sellers. Christmas,Holiday. 21 pages. JMS Composer #898434. Published by JMS Composer (A0.1309253). Written by Howard Blake for the 1982 animated film The Snowman, Walking in the Air is one of the most beloved seasonal themes. Musically relating the journey flying to the North Pole, the work contains many flowing countermelodies. This Flute Choir rendition, playable with or without Piccolo, will be a new favorite for your group in the Winter Holidays.
$12.99
The Songcord
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Flute ensemble
#
INTERMEDIATE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Och...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #763982. Published by Lisa L Ochoco (A0.1163640). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  The piccolo should always be played softly - at the equivalent volume of the group’s piano.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
The Songcord
#
Flute ensemble
#
INTERMEDIATE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Con...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #769781. Published by Lisa L Ochoco (A0.1169424). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for low flute choir – 4 altos, 3 basses, contra alto in G, and contrabass. There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
The Lost Celestial
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Flute ensemble
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INTERMEDIATE
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Stephanie Pack
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The Lost Celestial
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Stephanie Pack
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 3...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 33 pages. Stephanie Pack #1055611. Published by Stephanie Pack (A0.1478241). Imagine Pluto as a living being, journeying through the cosmos with a heart full of dreams. For decades, Pluto basked in the joy and pride of being called a planet, a respected member of the Solar System family. Pluto felt the warmth and camaraderie of its planetary siblings, sharing the vast expanse of space with a sense of belonging.But then, the day came when scientists re-evaluated their criteria for what constitutes a planet. Pluto, once brimming with pride, was told it no longer fit the mold. The news struck like a comet, leaving Pluto feeling isolated and heartbroken. The title of 'planet' was stripped away, and Pluto's status was reduced to that of a mere dwarf planet.In the shadow of its larger, more recognized siblings, Pluto felt a profound sadness. It lingered on the fringes of the Solar System, its sense of identity shattered. However, as time passed, a new understanding began to emerge. The term 'dwarf planet' was created, acknowledging Pluto's unique characteristics and the role it plays in our cosmic neighborhood.Pluto's sorrow began to lift, replaced by a sense of renewed purpose and pride. It found solace in this new classification, realizing that it wasn't forgotten or insignificant. As a dwarf planet, Pluto embraced its identity, feeling a sense of happiness and validation. It stood out in its own right, celebrated for its distinctiveness and contribution to our understanding of the universe.Pluto's journey, filled with emotional highs and lows, ultimately led to a place of acceptance and joy. It taught us all a lesson in resilience and the importance of valuing every member of our celestial family, no matter how small or different they may seem.Parts for Piccolo, 2 C Flutes, 2 Alto Flutes with C flute alternatives, 2 Bass Flutes, and ContraBass Flute.
$19.99
The Skye Boat Song (Theme from 'Outlander') - Flute Choir
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Flute ensemble
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INTERMEDIATE
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Traditional
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Kate Agioritis
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The Skye Boat Song
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Musika Publishing Australia
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1410561 Composed by Traditional. Arranged by Kate Agioritis. Cel...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1410561 Composed by Traditional. Arranged by Kate Agioritis. Celtic,Film/TV,Folk,Irish. 23 pages. Musika Publishing Australia #992980. Published by Musika Publishing Australia (A0.1410561). The Skye Boat Song is a late 19th-century Scottish song recalling the journey of Prince Charles Edward Stuart (Bonnie Prince Charlie) to the Isle of Skye as he evaded capture following his defeat at the Battle of Culloden in 1746. More recently this beautiful lilting song has become known as the opening theme of television series 'Outlander'. Arranged for Flute Choir (with Alto Flute and optional Bass Flute) by Kate Agioritis. Visit our website: www.musikapublishing.com
$19.99
Won't You Be My Neighbor? (it's A Beautiful Day In The Neighborhood)
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Flute ensemble
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INTERMEDIATE
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Fred Rogers
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Lisa Ochoco
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Won't You Be My Neighbor?
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559885 Composed by Fred Rogers. Arranged by Lisa Ochoco. Broadwa...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559885 Composed by Fred Rogers. Arranged by Lisa Ochoco. Broadway,Contemporary,Film/TV,Musical/Show. 17 pages. Lisa L Ochoco #5317029. Published by Lisa L Ochoco (A0.559885). This awesome piece was the introduction theme to a children's show on PBS called Mr. Rogers' Neighborhood that aired from 1968 to 2001. His show was geared towards preschool children, and focused on their physical and emotional well-being. Mr. Rogers had a degree in music and wrote this song for him to sing at the beginning of each show.
$15.00
The Chopsticks Variations
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Flute ensemble
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INTERMEDIATE
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Contemporary
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Margo Guryan
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Lisa Ochoco
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The Chopsticks Variations
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.560050 Composed by Margo Guryan. Arranged by Lisa Ochoco. Contem...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.560050 Composed by Margo Guryan. Arranged by Lisa Ochoco. Contemporary. 28 pages. Lisa L Ochoco #6382871. Published by Lisa L Ochoco (A0.560050). Chopsticks was originally called The Celebrated Chop Waltz. It was written by a 16 year old girl named Euphemia Allen. Her brother was a music publisher, which is how it became known to the world. If you are not a proper pianist, chances are that you know how to play Chopsticks.
$14.00
Childhood (theme From "free Willy 2")
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Flute ensemble
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INTERMEDIATE
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Film/TV
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Michael Jackson
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Lisa Ochoco
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Childhood
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559645 By Michael Jackson. By Michael Jackson. Arranged by Lisa ...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559645 By Michael Jackson. By Michael Jackson. Arranged by Lisa Ochoco. Film/TV. 24 pages. Lisa L Ochoco #3586019. Published by Lisa L Ochoco (A0.559645). Michael Jackson wrote this auto-biographical song of his difficult childhood. It became the theme song for the movie, Free Willy 2, but has little in common with the film itself. Although the song met with a lot of criticism over its content, musically, it's a beautiful piece.
$15.00
Rejoice, the Lord Is King (Flute Sextet)
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Flute ensemble
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INTERMEDIATE
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Sacred music
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John Darwall
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Wesley D
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Rejoice, the Lord Is King
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Asbury Publishing
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SheetMusicPlus
Flute Choir,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.764089 Composed by John Darwall. Arranged by Wesley D. Peters. Christian,Easter,Sacred...
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Flute Choir,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.764089 Composed by John Darwall. Arranged by Wesley D. Peters. Christian,Easter,Sacred,Traditional. 11 pages. Asbury Publishing #4727647. Published by Asbury Publishing (A0.764089). This two-minute arrangement of Rejoice, the Lord Is King is appropriate for a Call to Worship, an Offertory, or a Postlude. The arrangement makes use of the hymn tune, DARWALL, which is also used for the hymn Join All the Glorious Names. A fanfare-like introduction and conclusion bookend this rousing arrangement of a well-loved hymn.Includes 1 score and the following parts:Flute 1Flute 2Flute 3Flute 4Flute 5Alto Flute (alternate part for Flute 6).
$14.99
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
"The Hunky Punks" for Flute Choir.
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Flute ensemble
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INTERMEDIATE
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Halloween
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Grant Horsley
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"The Hunky Punks" for Flute Ch
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Cont...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 46 pages. Grant Horsley #1008598. Published by Grant Horsley (A0.1427856). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 4 C Flutes, Alto and Bass Flute with optional Piccolo and Contrabass Flute parts. (A 6 C Flute version is also available.)This piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. A 6 C Flute version is also available.Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.
$14.50
"The Hunky Punks" Original for Flute Ensemble (6 C Flutes)
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Flute ensemble
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INTERMEDIATE
#
Halloween
#
Grant Horsley
#
"The Hunky Punks" Original for
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Grant Horsley
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1427858 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festiva...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1427858 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 41 pages. Grant Horsley #1008600. Published by Grant Horsley (A0.1427858). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for six C Flutes, this piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for full score and all parts.
$14.50
Bach: Wachet auf for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
#
 
#
Bach: Wachet auf for Flute Cho
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Conce...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Deck the halls - Christmas Carol - Polyphonic - Flute Quintet
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Flute ensemble
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INTERMEDIATE
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Christmas
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Thomas Graf
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Deck the halls - Christmas Car
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 14 pages. Published by Thomas Graf - the-hit-factory.c...
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Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 14 pages. Published by Thomas Graf - the-hit-factory.com (S0.163311). - Score,Set of Parts - Classical Period,Baroque Period,Neo-Classical,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the traditional Christmas, yuletide, and New Years' carol. The melody is Welsh dating back to the sixteenth century, and belongs to a winter carol, Nos Galan. As played by the ORIGINAL DRACHENFELSER MUSIKANTEN on CD MERRY CHRISTMAS. Big fun to play! Not difficult! Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/MzE_kFVh08c 2016 Holiday Contest Entry .
$14.99
Bach: Jesu, Joy of Man's Desiring for Flute Choir
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Flute ensemble
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INTERMEDIATE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,E...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
Still Still Still - Christmas song - 7 Parts - Flute Ensemble
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Flute ensemble
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INTERMEDIATE
#
Christmas
#
Thomas Graf
#
Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 29 pages. Published by Thomas Graf - the-hit-factory.c...
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Arranged by Thomas Graf. Classical Period, Baroque Period, Neo-Classical, Christmas. Score, Set of Parts. 29 pages. Published by Thomas Graf - the-hit-factory.com (S0.163995). - Score,Set of Parts - Classical Period,Baroque Period,Neo-Classical,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. Instrumentation: Part I (Fl./Pic.), Part II/III (Fl.), Part IV/V (Fl./Alto Fl.), Part VI (Alto Fl./Bass Fl.), Part XII (Bass Fl.) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included
$19.99
American Christmas - Mash up Rondo of best Christmas Songs - Flute Quintet
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Flute ensemble
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INTERMEDIATE
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Christmas
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Thomas Graf
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American Christmas - Mash up R
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Arranged by Thomas Graf. Christmas. Score, Set of Parts. 22 pages. Published by Thomas Graf - the-hit-factory.com (S0.163313). - Score,Set of Parts - Christmas ...
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Arranged by Thomas Graf. Christmas. Score, Set of Parts. 22 pages. Published by Thomas Graf - the-hit-factory.com (S0.163313). - Score,Set of Parts - Christmas - Thomas Graf - the-hit-factory.com
A mash up in a rondo form of some of the best Christmas songs ever: We wish you a merry Christmas - Ding dong merrily on high - Oh come all ye faithful - Jingle bells. Including a bass solo on Jingle Bells? verse, some polka and swing elements and a "Grand Finale" in maestoso ? This is the perfect arrangement for your upcoming concerts in the holiday season. Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/crCIyNfcjB4 2016 Holiday Contest Entry .
$16.99
Victoria's Secret
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Flute ensemble
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INTERMEDIATE
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Jax
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Lisa Ochoco
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Victoria's Secret
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1256790 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nila...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1256790 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Lisa Ochoco. Contemporary,Pop. 28 pages. Lisa L Ochoco #850162. Published by Lisa L Ochoco (A0.1256790). This song by Jax has a catchy tune and fun beat.  It's a song that talks about the beauty standards that women are faced with in our everyday lives.  Having struggled with body image issues herself, Jax wrote this song that directly calls out the lingerie company, Victoria's Secret, for cashing in on body issues, selling skin and bones with big boobs. The song has been an international hit. This arrangement is just so that people who love the song can play it.  I will admit that it is repetitious, but it's just a catchy tune! Scored for flute choir - 3 C, alto, bass, and contrabass flutes. If your choir doesn't have a contrabass, then it can be substituted by another bass, or any C instrument in a similar range, but it is a part that needs to be covered, as it has important (but quite simple bass lines).  There is an optional upright string bass part that doubles the contrabass an octave below.   There are 2 body percussion parts that are quite simple, but particularly important.  It's a stomp and clap (or snap).  You could also use 2 different drums, buckets, etc.  Substitute a low pitch for the stomp and a higher one for the clap. Duration: 3 minutes.
$15.00
Mussorgsky: Night on Bald Mountain for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Perio...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227 pages. Jmsgu3 #4337561. Published by jmsgu3 (A0.549955). Score: 140 pages. Duration ca. 11:00. Instrumentation: 1 piccolo, 3 concert flutes, 2 alto flutes, 1 bass flute, 1 cello (optional). Piccolo part: 7 pages, Flute 1 part: 14 pages, Flute 2 part: 13 pages, Flute 3 part: 10 pages, Alto Flute 1 part: 10 pages, Alto Flute 2 part: 11 pages, Bass Flute part: 11 pages, Cello part: 11 pages.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$58.95
Everybody Loves My Baby - Jazz Classic - Flute Choir
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Flute ensemble
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INTERMEDIATE
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Jazz
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Trad
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Thomas Graf
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Everybody Loves My Baby - Jazz
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.569369 Composed by Trad. Arranged by Thomas Graf. Jazz. 29 pages. Thomas Graf - the-hit-fact...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.569369 Composed by Trad. Arranged by Thomas Graf. Jazz. 29 pages. Thomas Graf - the-hit-factory.com #6326589. Published by Thomas Graf - the-hit-factory.com (A0.569369). One of the hottest jazz tunes ever, a real crowd pleaser - have fun!  Instrumentation: Flute 1/2/3/4, Alto Flute 3/4, Bass Flute, Piccolo (opt.)       Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!        Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...           Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic        .
$16.99
Suite for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Erik Meyer
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Suite for Flute Choir
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Erik Meyer
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1190998 Composed by Erik Meyer. Chamber,Contemporary. 44...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1190998 Composed by Erik Meyer. Chamber,Contemporary. 44 pages. Erik Meyer #790527. Published by Erik Meyer (A0.1190998). A fun, modern, and musically attractive suite of pieces for intermediate flute choir, commissioned by the Gannon University Flute Choir, Erie PA.I. Air (a whimsical 6/8 dance)II. Hymn (a gentle, sweet song)III. Ballad (a majestic tune fit for epic deeds)This Suite is for Flute Choir of at least 5 parts. The parts are flexible so that any flute choir could perform the work, regardless of size or make up:Piccolo part is optional and not required for performance.Part 5 requires an Alto or Bass flute - all other parts can use C Flute.Part 5 is written to include ContraBass Flute, for those who have one. ContraBass is not required.The Full Score is a C-score - notes are written at the sounding pitch (IE not transposed for Alto Flute).Instrument parts included:Part 0: Piccolo (optional)Part 1: C FlutePart 2: C FlutePart 3: C Flute & Alto FlutePart 4: C Flute & Alto FlutePart 5: Alto Flute & Bass Flute (marked for ContraBass)*purchasing this will give you a PDF document with a full score and set of parts. You are free to print as many parts as needed for your ensemble. Please do not share or distribue this PDF with others.*Questions? Suggestions? Requests? contact me at aemeyer.com.
$19.99
Pastoral Symphony from Messiah for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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George Frideric Handel
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Lisa Ochoco
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Pastoral Symphony from Messiah
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Och...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 12 pages. Lisa L Ochoco #737388. Published by Lisa L Ochoco (A0.1137187). Pastoral Symphony is the 13th movement in Handel's Messiah. This is the beginning of Scene 4 of the oratorio, The Annunciation to the Shepherds, after the birth of Jesus. The word pastorale in baroque music is a melody in thirds over a drone bass. Originally called Pifa, this movement was named after the shepherd bagpipers - pifferari - who used to play their instruments in the streets of Rome at Christmastime. Scored for 2 C, alto, and bass flute. If your choir has a contrabass flute, it can double the bass part. There is an optional cello part that doubles the bass an octave lower. Duration: 2.5 minutes.
$5.00
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