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Mark King
Flute ensemble
Sheetmusic to print
10 sheet music found
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1
Feliz Navidad - Christmas Classic - Flute Quintet
Flute ensemble
By Jose Feliciano. Arranged by Thomas Graf. Score, Set of Parts. 8 pages. Published by Tho…
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By Jose Feliciano. Arranged by Thomas Graf. Score, Set of Parts. 8 pages. Published by Thomas Graf - the-hit-factory.com (H0.163267-243765). - Score,Set of Parts - - Thomas Graf - the-hit-factory.com
Feliz Navidad has become a classic Christmas pop song in the United States, throughout the Spanish-speaking world and internationally. This arrangement is a must have for your upcoming concert on Christmas markets. Instrumentation: Flute 1/2/3, Alto Flute, Bass Flute
$14.99
13.7 €
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Flute ensemble
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Jose Feliciano
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Feliz Navidad - Christmas Classic - Flute Quintet
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Dance The Night
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1407773 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Ralph Raymond Hays. Broadway,Disco,Film/TV,Musical/Show,Pop,Wedding. 21 pages. Ralph Raymond Hays #990395. Published by Ralph Raymond Hays (A0.1407773). The charming and rapturous dance hit from the wildly successful, Oscar nominated BARBIE is here brilliantly orchestrated and arranged by Pullitzer Prive nominated composer/arranger, Ralph Raymond Hays. Taking full advantage of the tonal pallete of the flute choir, this arrangement distinguishes itself both in derence to the original and in keping idiomatic to the ensemble. Including an optional drum set part, this arrangement is assured to delight audieneces and performers alike.
$14.99
13.7 €
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Flute ensemble
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Dua Lipa
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Dance The Night
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Ralph Raymond Hays
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Flute ensemble
#
Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
Benedicamus Domino
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.817937 Composed by Michael Praetorius (1571-1621). Arranged by Adrian Dee. Contemporary,Praise & Worship,Renaissance,Wedding. 10 pages. Adrian Dee #3511601. Published by Adrian Dee (A0.817937). This piece was originally written for vocal ensemble (Cantus I, Cantus II, Altus, Tenor I, Tenor II, Basso) and is typical of Praetorius’ flowing counterpoint and mellifluous harmonies. It would be a lovely addition to a wedding or similar ceremony, or for a quiet meditative moment in a religious service or concert program. The notes are easy, making this piece an excellent opportunity to focus on ensemble skills, such as balance and intonation. The work is only about a minute and a half in length. You might want to experiment with repeating the entire work, possibly with the top four voices (Flutes 1 & 2, alto, bass 1) up an octave. The tempo marking is only a guideline; do what feels right for your ensemble. The contrabass part may be covered by a third regular bass flute.Let me know what you think! adriandeeflute@gmail.com
$6.95
6.35 €
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Flute ensemble
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Michael Praetorius
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2, alto, bass 1) up an octave
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Benedicamus Domino
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Adrian Dee
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SheetMusicPlus
Rudolph The Red-nosed Reindeer
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.1290468 By John Denver. By Johnny Marks. Arranged by Jami Kidwell Chavez. 20th Century,Children,Film/TV,Holiday,Standards. 13 pages. Jami Kidwell Chavez #881182. Published by Jami Kidwell Chavez (A0.1290468). This is a fun arrangement of a Christmas classic.  The opening section features alto and bass flutes before kicking into the main melody.  Each part gets a chance to play part of the melody at some point during the piece. The second time through the melody kicks in a swing feel to bring a lively party feel. This will be a fun piece to add to your concert. Scored for Piccolo, 3 C flutes, alto flute and bass flute.
$12.99
11.88 €
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Flute ensemble
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John Denver
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Rudolph The Red-nosed Reindeer
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Jami Kidwell Chavez
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SheetMusicPlus
Ave Maris Stella
Flute ensemble
Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - Digital Download SKU: F2.F…
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Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - Digital Download SKU: F2.FM036 Composed by Edvard Grieg. Arranged by Robert Rainford. Score and parts. 10 pages. Forton Music - Digital #FM036. Published by Forton Music - Digital (F2.FM036). ISBN 9790708085355.Flute Choir/Ensemble - 4 Flutes, alto flute, bass flute. An ideal piece for the less experienced flute choir. 44 bars long in G major with an Allegretto tempo marking, this was originally a choral piece which has been transcribed for flute choir. Flute one and two reach top G, whilst the third and fourth part go no higher than 2nd octave D (although there are some A#'s to deal with). The alto and bass parts are very simple, allowing players less certain on these instruments to find their feet. The second half of this piece is an identical repeat of the first half, with flute one changing material with flute two, and flute three changing with flute 4. A useful concert piece.
$9.95
9.1 €
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Flute ensemble
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Edvard Grieg
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Ave Maris Stella
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Forton Music - Digital
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SheetMusicPlus
Sing Joyfully (Eb) (Flute Sextet)
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
27.43 €
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Flute ensemble
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William Byrd
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
Stabat Mater for Flute Choir (Palestrina)
Flute ensemble
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848…
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848 Composed by Giovanni Pierluigi da Palestrina. Arranged by Jeff McKeehan and Jeff McKeehan. Christmas,Easter,Renaissance,Sacred. 48 pages. Jeff McKeehan #2857263. Published by Jeff McKeehan (A0.930848). A perfect addition to the flute choir repertoire. The work, originally composed for Pope Gregory, was traditionally performed at Palm Sunday Mass, but is a joy to hear any time of the year.Duration: 8'40, using the provided tempo markings. The conductor may wish to take slower tempos, following the tradition of vocal performances of this work. In that case, a duration of 10-11 minutes is typical. An excellent demonstration of counterpoint and harmony, Stabat Mater is an enduring classic.
$12.95
11.84 €
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Flute ensemble
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Giovanni Pierluigi da Palestrina
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Stabat Mater for Flute Choir
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Jeff McKeehan
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SheetMusicPlus
Mary, Did You Know? for flute choir or flute ensemble ( christmas )
Flute ensemble
By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Pa…
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By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 28 pages. Published by a " do Ray me " flute studio production
"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g<br> <br> A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles. <br> <br> This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.<br> <br> ** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.<br> <br> My title is suited for adult, advanced players of an actual flute choir. enjoy.<br> <br> https://www.youtube.com/watch?v=2-jWPg_SS8g
$13.99
12.79 €
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Flute ensemble
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Kathy Mattea
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do Ray me "
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Mary, Did You Know? for flute choir or flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
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