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Recorder Quartet
188
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93
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58
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58
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51
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48
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47
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46
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371
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79
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58
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33
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String Quartet: 2 violins, viola, cello
279
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81
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Viola
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16
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14
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14
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11
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11
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11
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9
Double Bass
8
String Trio: 3 violas
8
Harp, Violin (duet)
7
String Trio: 2 violins, cello
7
String quartet: 4 violins
7
Doublebass (band part)
7
Viola and Harp
7
2 Double basses (duet)
7
Cello (band part)
7
Harp, Voice
6
String Quartet : 4 violas
6
Cello, String Bass (duet)
5
String Quintet: 2 violins, viola, 2 cellos
5
Cello Ensemble
3
Violin, Basso continuo
2
Cello, Organ
2
Piano Trio: Violin, Viola, Piano
2
Harp and Piano
1
4 Double Basses
1
2 Cellos, Piano
1
Violin ensemble
1
Flute, Doublebass (duet)
1
Violin, Organ
1
Viola ensemble
1
2 Violins and Basso
1
Viola and Bassoon
1
2 Violas, Piano
1
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1
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PERCUSSION & ORCHESTRA
Brass ensemble
289
Concert band
221
String Orchestra
166
Orchestra
45
Chamber Orchestra
24
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19
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15
Handbells
15
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11
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8
Marching band
8
Marimba
5
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4
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3
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2
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2
Xylophone
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1
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School Ensemble
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1
Brass Quintet: other combinaisons
1
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OTHERS
You've selected:
Renaissance
Flute ensemble
Sheetmusic to print
43 sheet music found
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1
26
Canzona per sonar No 1 Ch.186 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
Flute ensemble
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, …
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.311083). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
6.91 €
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Flute ensemble
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Giovanni Gabrieli
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Canzona per sonar No 1 Ch.186
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SheetMusicPlus
Hodie Christus Natus Est for Flute Choir
Flute ensemble
Composed by Jan Pieterszoon Sweelinck (1562-1621). Arranged by Lisa L Ochoco. For Flute, F…
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Composed by Jan Pieterszoon Sweelinck (1562-1621). Arranged by Lisa L Ochoco. For Flute, Flute Choir. Renaissance, Christian, Sacred, Christmas. Intermediate. Score, Set of Parts. Published by Lisa Ochoco
$15.00
13.83 €
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Flute ensemble
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Jan Pieterszoon Sweelinck
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Hodie Christus Natus Est for Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Mit Lust tret ich an diesen Tanz (I'm delighted to join this dance) for flute sextet (piccolo, 3 flutes, alto flute and bass flute)
Flute ensemble
Composed by Ludwig Senfl (1490-1543). Arranged by David Warin Solomons. Baroque Period, Re…
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Composed by Ludwig Senfl (1490-1543). Arranged by David Warin Solomons. Baroque Period, Renaissance, Early Music. Score, Set of Parts. 11 pages. Published by David Warin Solomons (S0.200303). - Score,Set of Parts - Baroque Period,Renaissance,Early Music - David Warin Solomons
$8.00
7.38 €
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Flute ensemble
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Ludwig Senfl
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Mit Lust tret ich an diesen Tanz
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David Warin Solomons
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SheetMusicPlus
Sonata Pian e Forte by Giovanni Gabrieli - for Flute Choir
Flute ensemble
Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Ba…
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 15 pages. Published by Fabio Barnaba (S0.263221). - Score,Set of Parts - Classical Period,Baroque Period,Renaissance - Fabio Barnaba
$9.99
9.21 €
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Flute ensemble
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Giovanni Gabrieli
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Sonata Pian e Forte by Giovanni Gabrieli - for Flute Choir
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Fabio Barnaba
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SheetMusicPlus
Fum Fum Fum: for Flute Choir
Flute ensemble
Composed by Unknown. Arranged by Allison Vitek. Renaissance, Folk, Latin, Christmas. Score…
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Composed by Unknown. Arranged by Allison Vitek. Renaissance, Folk, Latin, Christmas. Score, Set of Parts. 10 pages. Published by Allison Vitek (S0.70343). - Score,Set of Parts - Renaissance,Folk,Latin,Christmas - Allison Vitek
$11.00
10.14 €
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Flute ensemble
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Unknown
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Fum Fum Fum: for Flute Choir
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Allison Vitek
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SheetMusicPlus
Greensleeves - 2016 Chamber Music Contest Entry - WOOD WIND QUINTET
Flute ensemble
Composed by Marc GARETTO. Arranged by Marc GARETTO. Baroque Period, Renaissance, European,…
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Composed by Marc GARETTO. Arranged by Marc GARETTO. Baroque Period, Renaissance, European, Fairy Tales, Wedding. Score, Set of Parts. 11 pages. Published by Marc GARETTO - Harmonie Editions (S0.115085). - Score,Set of Parts - Baroque Period,Renaissance,European,Fairy Tales,Wedding - Marc GARETTO - Harmonie Editions
$12.00
11.06 €
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Flute ensemble
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Marc GARETTO
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Greensleeves - 2016 Chamber Music Contest Entry - WOOD WIND QUINTET
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Salvator Mundi for flute choir
Flute ensemble
Composed by John Blow (1649-1708). Arranged by David Warin Solomons. For Flute,piccolo,flu…
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Composed by John Blow (1649-1708). Arranged by David Warin Solomons. For Flute,piccolo,flute,alto flute,bass flute,contrabass flute. Renaissance,Christian,Sacred. Intermediate. Score,Set of Parts. 12 pages. Published by David Warin Solomons
$10.00
9.22 €
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Flute ensemble
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John Blow
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Salvator Mundi for flute choir
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David Warin Solomons
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SheetMusicPlus
Fantazia arr. flute choir
Flute ensemble
Composed by Byrd. Arranged by A. L. Wyver. Renaissance, Recital. 26 pages. Published by Hi…
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Composed by Byrd. Arranged by A. L. Wyver. Renaissance, Recital. 26 pages. Published by Hilltop Music Publications (S0.165205). - - Renaissance,Recital - Hilltop Music Publications
$4.50
4.15 €
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Flute ensemble
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Byrd
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Fantazia arr. flute choir
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Hilltop Music Publications
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SheetMusicPlus
Springtime Mantleth Every Bough for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.560152 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissance. 13 pages. Lisa L Ochoco #6535113. Published by Lisa L Ochoco (A0.560152). Thomas Morley was one of the most well-known English composers of madrigals during the Renaissance. His music is still widely performed by singers today. It is assumed that he studied music and/or sung under the direction of William Byrd. Morley's madrigal compositions stand out from other Renaissance pieces because of their lighter tone and quicker tempos.
$6.00
5.53 €
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Flute ensemble
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Thomas Morley
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Springtime Mantleth Every Bough for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
Sing Joyfully (Eb) (Flute Sextet)
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1449852 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #1029616. Published by Regis Bookshar (A0.1449852). Sing Joyfully - William Byrd - Flute Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest Bristish composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one, It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years so he has now transcribed, edited and arranged this wonderful selection for a Flute Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students and is perfect for concerts and recitals and perhaps even church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).This selection is readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numeous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's delightful, Sing Joyfully', will continue to entertain both peformers and audiences alike for many years to come.
$30.00
27.66 €
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Flute ensemble
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William Byrd
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Sing Joyfully
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Regis Bookshar
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SheetMusicPlus
As I Lost My Love
Flute ensemble
Flute Choir,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1427961 Composed…
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Flute Choir,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1427961 Composed by Josquin des Prez. Arranged by LuAnn Roth. Chamber,Classical,Early Music,Renaissance. 8 pages. LuAnn Roth #1008705. Published by LuAnn Roth (A0.1427961). Beautiful Renaissance vocal piece arranged for flute choir. Contrabass optional.
$10.00
9.22 €
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Flute ensemble
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Josquin des Prez
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As I Lost My Love
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LuAnn Roth
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Gio…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
44.21 €
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Flute ensemble
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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jmsgu3
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SheetMusicPlus
On the Plains Fairy Trains for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559611 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #3506531. Published by Lisa L Ochoco (A0.559611). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
6.45 €
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Flute ensemble
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Thomas Weelkes
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On the Plains Fairy Trains for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
On the Plains Fairy Trains for Low Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559612 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #3506777. Published by Lisa L Ochoco (A0.559612). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
6.45 €
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Flute ensemble
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Thomas Weelkes
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On the Plains Fairy Trains for Low Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
Angelus ad Pastores Ait for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559904 Composed by Hieronymus Praetorius. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 29 pages. Lisa L Ochoco #5374721. Published by Lisa L Ochoco (A0.559904). Not to be mixed up with Michael Praetorius or a type of ancient writing system, Hieronymus Praetorius was a German composer and organist who lived in the Renaissance / Baroque periods. He wrote mainly for the voice, and his music is not widely known outside of the church.
$14.00
12.91 €
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Flute ensemble
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Hieronymus Praetorius
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Angelus ad Pastores Ait for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
Regina Caeli Laetare for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559906 Composed by Tomas Luis de Victoria. Arranged by Lisa Ochoco. Easter,Renaissance,Sacred. 30 pages. Lisa L Ochoco #5375379. Published by Lisa L Ochoco (A0.559906). Tomás Luis de Victoria is a well-known name in Renaissance music. His compositions are still widely sung all over the world today for a good reason - they are beautiful masterpieces.
$14.00
12.91 €
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Flute ensemble
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Tomas Luis de Victoria
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Regina Caeli Laetare for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
The Grave Mood for Flute Sextet MP3
Flute ensemble
Flute - Digital Download SKU: A0.1066464 Composed by Orazio Vecchi. Arranged by Cri…
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Flute - Digital Download SKU: A0.1066464 Composed by Orazio Vecchi. Arranged by Cristiano Vecchi. Instructional,Renaissance,Standards. Full Performance. Duration 170. Cristiano Vecchi #6076473. Published by Cristiano Vecchi (A0.1066464). Orazio Vecchi, composer of the Modenese Renaissance, created a cycle of madrigals dedicated to The various moods of modern music, contained in The Vigils of Siena. This is the first one, L'Humor Grave, arranged for Flute Sextet.Score and parts (with extra parts for several instruments) also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$1.99
1.83 €
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Flute ensemble
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Orazio Vecchi
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The Grave Mood for Flute Sextet MP3
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Cristiano Vecchi
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SheetMusicPlus
When David heard that Absalom was slain (flute sextet)
Flute ensemble
Composed by Thomas Weelkes (1576-1623). Arranged by David Warin Solomons. Renaissance, Chr…
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Composed by Thomas Weelkes (1576-1623). Arranged by David Warin Solomons. Renaissance, Christian, Jewish, Funeral. Score, Set of Parts. 12 pages. Published by David Warin Solomons (S0.262763). - Score,Set of Parts - Renaissance,Christian,Jewish,Funeral - David Warin Solomons
$9.00
8.3 €
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Flute ensemble
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Thomas Weelkes
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When David heard that Absalom was slain
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David Warin Solomons
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SheetMusicPlus
Benedictus
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 1 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 1 - Digital Download SKU: A0.1360964 Composed by Giovanni Pierlugi da Palestrina. Arranged by D Telgen. Classical,Early Music,Renaissance,Rock,Sacred. 7 pages. Neglet Music #945452. Published by Neglet Music (A0.1360964). Benedictus, from the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina, probably composed around 1562. This polyphonic piece is also known as Drones by the rock group Muse, performed a capella with new lyrics and released on their 2015 album of the same name. This arrangement takes the original SATB vocal composition and presents it for flute quartet: two C flutes, 1 alto flute, and 1 bass. It's a relatively short and simple arrangement, making it good for beginning players or those just starting to experiment with low flutes.Â
$2.99
2.76 €
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Flute ensemble
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Giovanni Pierlugi da Palestrina
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Benedictus
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Neglet Music
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SheetMusicPlus
Stabat Mater for Flute Choir (Palestrina)
Flute ensemble
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848…
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848 Composed by Giovanni Pierluigi da Palestrina. Arranged by Jeff McKeehan and Jeff McKeehan. Christmas,Easter,Renaissance,Sacred. 48 pages. Jeff McKeehan #2857263. Published by Jeff McKeehan (A0.930848). A perfect addition to the flute choir repertoire. The work, originally composed for Pope Gregory, was traditionally performed at Palm Sunday Mass, but is a joy to hear any time of the year.Duration: 8'40, using the provided tempo markings. The conductor may wish to take slower tempos, following the tradition of vocal performances of this work. In that case, a duration of 10-11 minutes is typical. An excellent demonstration of counterpoint and harmony, Stabat Mater is an enduring classic.
$12.95
11.94 €
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Flute ensemble
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Giovanni Pierluigi da Palestrina
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Stabat Mater for Flute Choir
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Jeff McKeehan
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SheetMusicPlus
Crucifixus a 8 for flute choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.579267 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.579267 Composed by Antonio Lotti. Arranged by David Warin Solomons. Baroque,Easter,Renaissance,Sacred. 11 pages. David Warin Solomons #2911909. Published by David Warin Solomons (A0.579267). Arrangement for piccolo, 4 flutes, 2 alto flutes and bass flute of Antonio Lotti's Crucifixus
$8.00
7.38 €
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Flute ensemble
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Antonio Lotti
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Crucifixus a 8 for flute choir
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David Warin Solomons
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SheetMusicPlus
When Mary to the temple went (Maria wallt zum Heiligtum) for flute sextet
Flute ensemble
Small Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.579350 Co…
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Small Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.579350 Composed by Johannes Eccard. Arranged by David Warin Solomons. Baroque,Christian,Christmas,Renaissance. Score and parts. 9 pages. David Warin Solomons #3004637. Published by David Warin Solomons (A0.579350). Arrangement of the anthem by Johannes Eccard about Simeon recognising the baby Jesus at the temple.
$10.00
9.22 €
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Flute ensemble
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Johannes Eccard
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When Mary to the temple went
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David Warin Solomons
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SheetMusicPlus
Draw on, Sweet Night for flute sextet
Flute ensemble
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.579703 Composed by Joh…
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.579703 Composed by John Wilbye. Arranged by David Warin Solomons. Renaissance. 23 pages. David Warin Solomons #3236147. Published by David Warin Solomons (A0.579703). Arrangement of John Wilbye's madrigal for instrumental sextet.
$10.00
9.22 €
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Flute ensemble
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John Wilbye
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Draw on, Sweet Night for flute sextet
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David Warin Solomons
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
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