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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
(2) through-composed
Not classified
1,159
Piano & keyboards
Piano solo
860
Piano, Voice
355
Easy Piano
276
Piano, Vocal and Guitar
50
Organ
43
C Instruments
37
2 Pianos, 4 hands
23
Piano Accompaniment
21
1 Piano, 4 hands
19
Piano Trio: piano, violin, cello
10
Piano Quartet: piano, 2 violins, cello
6
Accordion
5
Piano Quartet: piano, violin, viola, cello
5
Piano Quintet: piano, 2 violins, viola, cello
4
Organ, Piano (duet)
2
Harpsichord
2
2 Accordions
1
+ 12 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
49
Guitar
31
2 Guitars (duet)
8
Melody line, (Lyrics) and Chords
7
Ukulele
7
Piano, Guitar (duet)
3
4 Guitars (Quartet)
2
3 Guitars (trio)
2
Mandolin, Guitar (duet)
2
Guitar (band part)
1
Lyrics and Chords
1
Banjo
1
Dobro
1
Mandolin
1
Bass guitar
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
296
Choral 2-part
192
Choral 3-part
114
Choral Unison
60
Choral TTBB
49
Vocal duet, Piano
23
Choral SSAA
17
Choral Instrumental Pak
13
Vocal duet
11
Alto voice, Piano
6
Voice solo
4
Baritone voice, Piano
2
Low voice, Piano
2
Soprano voice, Piano
2
Choral SSATB
2
Tenor voice, Piano
2
Soli, Mixted choir and accompaniment
1
High voice
1
+ 13 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
232
2 Flutes (duet)
123
2 Clarinets (duet)
101
Flute, Oboe, Clarinet, Bassoon
76
Saxophone Quartet: 4 saxophones
74
Flute and Piano
74
Flute
70
Clarinet and Piano
68
Clarinet
67
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
66
Oboe, Piano (duet)
53
Alto Saxophone
52
2 Oboes (duet)
51
3 Saxophones (trio)
40
Tenor Saxophone and Piano
40
Tenor Saxophone
40
3 Clarinets (trio)
39
Clarinet Quartet: 4 clarinets
39
Soprano Saxophone and Piano
38
2 Recorders (duet)
38
Alto Saxophone and Piano
37
Saxophone Quintet: 5 Saxophones
37
Saxophone (band part)
34
Flute Quartet: 4 flutes
32
2 Flutes, Piano
28
Flute, Violin, Piano
27
Baritone Saxophone, Piano
27
Soprano Saxophone
25
Oboe (band part)
24
Oboe
21
Baritone Saxophone
18
Flute, Clarinet (duet)
16
Descant (Soprano) Recorder
15
Flute Trio: 3 flutes
14
Recorder
11
Oboe, Clarinet (duet)
11
Treble (Alto) Recorder
11
English horn, Piano
10
English Horn
9
Flute ensemble
7
Clarinet Ensemble
7
2 Saxophones, Piano
6
Clarinet Quintet: 5 clarinets
6
Recorder Quartet
6
Flute, Oboe, Bassoon
6
Saxophone ensemble
5
Flute, Clarinet and Bassoon.
5
Oboe, Flute
5
Bass Clarinet, Piano
5
Clarinet (band part)
4
Flute and Guitar
4
Flute, Oboe, Piano (trio)
4
Flute (band part)
4
Harmonica
3
Flute, Bassoon, and Piano
3
Flute Quintet : 5 flutes
3
Oboe, Bassoon (duet)
3
Flute, Clarinet, Piano (trio)
2
2 Clarinets, Piano
2
Flute, trombone and piano
2
Bass Clarinet
2
Flute, Oboe, Clarinet (trio)
2
Flute, Basso continuo
2
Clarinet, Cello, Piano (trio)
1
Oboe, Cello and Piano
1
Clarinette, Viola and Piano (trio)
1
Eb Instruments
1
Clarinet, Violin (duet)
1
Oboe, Violin, Piano
1
Tenor Recorder
1
Clarinet, Bassoon, Piano (trio)
1
Clarinet, Cello (duet)
1
Ocarina
1
Flute and Strings Trio
1
5 Recorders
1
Wind ensemble
1
Recorder, Piano
1
Clarinet, Bassoon (duet)
1
Oboe, Clarinet and Piano (Trio)
1
Clarinet, Guitar (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
Descent (Soprano) Recorder, Piano
1
Flute, Cello, Piano (trio)
1
Flute, Violin
1
Oboe, Bassoon and Piano
1
+ 80 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
595
Trumpet
74
Brass quartet : 2 trumpets, trombone, tuba
70
2 Trumpets (duet)
65
2 Trombones (duet)
58
Trumpet, Piano
57
2 French horns (duet)
56
Trombone
53
Trombone and Piano
49
Brass Quartet: 2 trumpets, horn, trombone
40
French horn
38
Tuba
37
French Horn and Piano
34
Tuba and Piano
29
Trumpet (band part)
22
2 Tubas (duet)
22
Trombone (band part)
18
Trumpet, Trombone (duet)
15
Brass Quartet
11
English horn, Piano
10
English Horn
9
Brass Quartet: 4 trombones
9
Euphonium, Piano (duet)
8
Brass Trio
8
Brass Quartet: 4 horns
7
3 Trombones (trio)
6
French horn (band part)
5
Brass Quartet: 4 trumpets
5
Trombone, Horn (duet)
4
3 Tubas (trio)
4
Bass Trombone and Piano
4
Bass Trombone
4
2 Trumpets, Keyboard (piano or organ)
4
3 Trumpets (trio)
3
Euphonium
3
Trumpet and Guitar
3
4 Tubas
3
Trumpet ensemble
3
2 Euphoniums (duet)
2
Trumpet, Horn (duert)
2
2 French horns, Piano
1
3 French horns (trio)
1
Euphonium, Tuba (duet)
1
Tuba (band part)
1
Horn Ensemble
1
Trumpet, Trombone, Piano
1
Trombone ensemble
1
Bass Clef Instruments
1
Bb Instruments
1
Trumpet, Cello, Piano
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
485
Violin
160
Violin, Cello (duet)
137
String Trio: violin, viola, cello
137
2 Violins (duet)
101
String Quintet: 2 violins, viola, cello, bass
93
Cello
89
Violin and Piano
82
2 Cellos (duet)
69
Viola
61
Cello, Piano
53
2 Violas (duet)
52
Viola, Piano
50
Harp
35
Violin, Viola (duet)
28
Double Bass
27
Violin (band part)
23
2 Harps (duet)
23
2 Double basses (duet)
22
Double bass, Piano (duet)
20
Viola, Cello (duet)
19
String Trio: 2 violins, cello
18
Viola (band part)
16
4 Cellos
9
String Trio: 2 violins, viola
9
String Trio: 3 violins
8
String quartet: 4 violins
6
String Trio: 3 cellos
6
String Quartet : 4 violas
5
Piano Trio: Violin, Viola, Piano
5
String Quintet: 2 violins, viola, 2 cellos
4
Doublebass (band part)
4
Violin, Guitar (duet)
4
Cello (band part)
3
Cello, Guitar (duet)
2
Harp, Violin (duet)
2
String Quintet: 2 violins, 2 violas, cello
2
2 Cellos, Piano
2
2 Violins, Piano
2
4 Double Basses
1
Violin, Clarinet, Piano (trio)
1
Violin, Organ
1
Harp, Violin, Violoncello
1
Cello, Orchestra
1
Violin, Bassoon (duet)
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
799
String Orchestra
156
Orchestra
74
Handbells
58
Brass ensemble
40
Jazz Ensemble
28
Chamber Orchestra
21
Percussion Ensemble
13
Jazz combo
10
Marimba
10
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
9
Marching band
7
Xylophone, Piano
6
Xylophone
5
Vibraphone
4
Percussion (band part)
4
Drums
2
Piano and Orchestra
1
Drum (band part)
1
+ 14 instrumentations
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(2) through-composed
Flute ensemble
Sheetmusic to print
7 sheet music found
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1
Cloud Images for Flute choir
#
Flute ensemble
#
INTERMEDIATE
#
Contemporary
#
Phyllis Avidan Louke
<
#
Phyllis Avidan Louke, ASCAP
#
Cloud Images for Flute choir
#
Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke P...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
Three Uneven Dances
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Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Adrian Dee
#
Three Uneven Dances
#
Adrian Dee
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817939 Composed by Adrian Dee. Contemporary. 73 pages. A...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817939 Composed by Adrian Dee. Contemporary. 73 pages. Adrian Dee #4413997. Published by Adrian Dee (A0.817939). This work consists of three short movements in irregular meters. The contrabass part is not optional but may be played on a regular bass flute if no contra is available. The first movement, Stomp is in 9/8, conducted in 4: (initially 3 + 2 + 2 + 2 changing to 2 + 2 + 2 + 3 halfway through) with a heavy pulse and a bluesy chord progression in E minor. The second movement, Waltz is in 3 (3 + 3 + 2) with a momentary straight 3 in the middle section. This sweet little melody in G major is a bright contrast to the aggressive first movement. The final movement, Reeling is in 5/8 (2 + 3) with a brief detour to 2/4 near the end, in E major. It is a joyous dizzy layering of twirling notes in the upper voices against a rising grounded melody in the lower voices. Each movement is 2 ½ to 3 minutes in length. This work is also available in a version for flute quartet (3 C-flutes and alto flute, or 4 C-flutes). Let me know what you think! adriandeeflute@gmail.com
$19.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Three Weelkes Madrigals for Low Flute Choir
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Flute ensemble
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INTERMEDIATE
#
Renaissance
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Thomas Weelkes
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Lisa Ochoco
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Three Weelkes Madrigals for Lo
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559609 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Rena...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559609 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 25 pages. Lisa L Ochoco #3506375. Published by Lisa L Ochoco (A0.559609). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today, 3 of which I arranged for flute choir here. These madrigals are delightful, and would be a great addition to your repertoire for any occasion. This arrangement is for 3 alto flutes, 2 basses, and 1 contra bass.
$6.00
"Espionage" Original For Flute Ensemble ( inc Picc and Contra)
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Flute ensemble
#
INTERMEDIATE
#
Grant Horsley
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"Espionage" Original For Flute
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Grant Horsley
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1452559 Composed by Grant Horsley. Classical,Contest,Fes...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1452559 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,Video Game. 49 pages. Grant Horsley #1031860. Published by Grant Horsley (A0.1452559). Espionage scored for Piccolo, 4 C Flutes, Alto, Bass and Contrabass Flute. (Other flute choir versions are also available) It is a descriptive exciting piece, and the intention was to make it a dramatic and mysterious in style- with a film -like storyline flowing through it. It has a calm intro going into a heavily syncopated driving 4 as the main theme punctuated by a heavy accented ostinato figure to add tension. The middle section is calmer and more relaxed where elements of the 1st theme appear in fragmented form. The intro returns once again before returning to the main theme which has slight modifications-extra accents etc, and the piece ends with the recurring stabs heard earlier before flourishing out.The ranges of the flutes are between one and a half octaves and 2 octaves depending on the part. Set at intermediate level but the full score is on the youtube link for you to assess suitability.It runs at4 Mins 35 in length. Ideal as a showpiece, contest/festival, concert etc or an additional piece for the repertoire.Price is for the full score and all parts.
$14.99
Over the Hills and Far Away
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Flute ensemble
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INTERMEDIATE
#
Traditional
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Myrick Crampton
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Over the Hills and Far Away
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MDC Music LLC
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1456672 Composed by Traditional. Arranged by Myrick Crampton. Ce...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1456672 Composed by Traditional. Arranged by Myrick Crampton. Celtic,Classical,Irish,Traditional. 25 pages. MDC Music LLC #1035740. Published by MDC Music LLC (A0.1456672). Over the Hills and Far Away is a traditional British song, dating back to at least the late 17th century. This arrangement features the piccolo. I first enjoyed this song when watching the BBC television Sharpe. Lyrics from John Tam’s recorded version:O'er the hills and o'er the mainThrough Flanders, Portugal and Spain.King George commands and we obeyOver the hills and far away.Arranged for (P, F1-5, AF 5, BF 6, Contra 7)Time: 2’ 10”.
$15.99
Thanksgiving Medley for Flute Choir
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Sacred music
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Various
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Yoel Epstein
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Thanksgiving Medley for Flute
#
Yoel Epstein
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worshi...
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pages. Yoel Epstein #3238781. Published by Yoel Epstein (A0.773303). I wish you the greatest pleasure playing these arrangements of traditional Thanksgiving songs. Thanksgiving is one of the most beautiful of holidays, a holiday filled with joy and music. We Gather Together to Ask the Lord's Blessing: Written in 1597 by Dutch composer Adrianus Valerius to celebrate Holland's victory over Spain, the tune was brought to American shores by the early Dutch settlers. Poet Theodore Baker wrote a new version of the lyrics in 1894, which became the standard Thanksgiving version. Over the River and Through the Wood: Lydia Maria Child, an outspoken abolitionist and advocate for Indian rights, wrote this poem in 1845. It was set to music by an unknown composer. Let All Things Now Living (The Ash Grove) This traditional Welsh melody (Llwyn Onn or The Ash Grove in Welsh) has inspired numerous lyricists to write words to the hauntingly beautiful tune. The poem by Katherine Davis, written in 1939, is the text most associated with Thanksgiving. Amazing Grace: Written by reprobate sailor John Newton in 1779. Known for his profanity, vulgarity and venery, he was imprisoned, beaten, and enslaved, before he reformed, and became a leading minister and hymn-writer. This is one of the most popular hymns ever written. This Land is Your Land: A traditional American tune, made famous by folksinger Woody Guthrie in 1940. Guthrie wrote the words as a rebuff to the song God Bless America, the huge hit by songwriter Irving Berlin. As a counter to Berlin's drum-beating patriotism, Guthrie would occasionally add politically charged verses expressing his support for communism. I hope you enjoy playing this as much as I enjoyed writing it. If you need other pieces of Americana for your ensemble, you might find them in Best-Loved American Folksongs, in two volumes, available here (volume 1) and here (volume 2). There are also arrangements of Battle Hymn of the Republic, Stars and Stripes Forever, America the Beautiful, and The Star-Spangled Banner. You can see them all and more at my composer page. I have also arranged three songs from the Holocaust, which I distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
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