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7
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Flute ensemble
Sheetmusic to print
7 sheet music found
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1
Landslide
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Flute ensemble
#
INTERMEDIATE
#
Fleetwood Mac
#
Terry Patrick Mingle
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Landslide
#
Terry Patrick Mingle
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1357709 By Fleetwood Mac. By Stevie Nicks. Arranged by Terry Pat...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1357709 By Fleetwood Mac. By Stevie Nicks. Arranged by Terry Patrick Mingle. Contemporary,Pop,Rock,Singer/Songwriter. 21 pages. Terry Patrick Mingle #942253. Published by Terry Patrick Mingle (A0.1357709). One of Fleetwood Mac and Stevie Nicks's most beloved tunes - Landslide, arranged for flute choir (3 C flutes, plus alto and bass). This arrangement will surely give your alto flute section a workout. The melody is moved around through the different parts, and is as close to the recording as possible. A lovely arrangement to add to your flute choir music collection.
$18.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Monkeys Spinning Monkeys
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Flute ensemble
#
INTERMEDIATE
#
Kevin MacLeod
#
Lisa Ochoco
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Monkeys Spinning Monkeys
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Och...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 31 pages. Lisa L Ochoco #768254. Published by Lisa L Ochoco (A0.1167899). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.Scored for flute choir – 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that can help bring out the staccato notes in the contrabass, which can also be played by any C instrument in a similar range, such as a bassoon.This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.
$15.00
Cascades for Flute Choir
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Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Sy Brandon
#
Cascades for Flute Choir
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Sy Brandon
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Br...
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Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. Published by Sy Brandon (A0.1449511). Cascades is a three-movement composition for flute choir that represents both the waterfall definition of the word and the mountain range in the Pacific Northwest. The first movement represents Multnomah Falls, the tallest waterfall in Oregon. It drops 635 feet in two tiers. The music has cascading musical figures as well as sense of power and beauty. Mt. Hood is the inspiration for second movement. Standing at 11,249 feet above sea level, this majestic mountain is dramatically visible from the valley floor and is snow covered most of the year. The music of this movement depicts the rising from the valley floor with its low to high orchestration. The almost symmetrical shape is represented by descending lines after the two climaxes.The third movement is a reminder of the relatively youngness of the Cascade mountain range. In 1980, Mt. St. Helens erupted, causing catastrophic damage to the surrounding area and loss of lives. What remains of this former symmetrical mountain is a large crater as a reminder of the volatile nature of the Cascade Range. The music of this movement is filled with tension, from the seismic tremors of the first part to the eruption itself in the second part. A final cascade, this time depicting lava flow rather than a waterfall, brings both the movement and the composition to a close.
$15.00
Sunrise
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Flute ensemble
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INTERMEDIATE
#
Sergei Taneyev
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Jeff McKeehan
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Sunrise
#
Jeff McKeehan
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.930851 Composed by Sergei Taneyev. Arranged by Jeff McKe...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.930851 Composed by Sergei Taneyev. Arranged by Jeff McKeehan. Multicultural,Romantic Period,World. 27 pages. Jeff McKeehan #5968569. Published by Jeff McKeehan (A0.930851). Sunrise was originally composed as a choral work. It takes us from the still of night, just before the first hints of dawn, and carries us on a powerful, joyous journey to the bright promise of a new day. It's truly a breathtaking work in the Russian Romantic style.Chorus members of a certain age may know this piece as Sunrise in the Orient, with English lyrics translated from the original Russian.The piccolo descant part may be omitted. Bass flutes may be divided between the bass and contra parts if desired.Sergei Taneyev was a brilliant composer and music theorist. Tchaikovsky regarded him as both a close friend and a trustworthy critic of his own compositions, and sought Taneyev's feedback on a regular basis.
$12.99
Evening Commute (flute choir)
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Flute ensemble
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Adrian Dee
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Evening Commute
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Adrian Dee
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817941 Composed by Adrian Dee. Contemporary. 90 pages. A...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817941 Composed by Adrian Dee. Contemporary. 90 pages. Adrian Dee #4574905. Published by Adrian Dee (A0.817941). This piece began as a tune in my head while I was on the bus on the way home from work one evening, hence the title. I first wrote it as a flute quartet (also available) and then arranged it for flute choir. The movements are: Traffic, Watch for Bicycles, Yield to Pedestrians, and Home Soon. The piece is playful, rhythmically challenging, a little humorous, and completely joyful. Play time is aprox. 10 1/2 minutes. Very upbeat 4th movement would make a good concert closer. Let me know what you think! adriandeeflute@gmail.com
$24.95
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