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Flute ensemble
Sheetmusic to print
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"Jacaranda" Original Tango for Flute Choir- 6 C Flutes
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1215191 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1215191 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812063. Published by Grant Horsley (A0.1215191). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for 6 C flutes and is in the key of D minor (concert) with the middle section in D major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There is also another Flute Choir version available (4 C flutes, Alto and Bass flute) as well as a Clarinet Choir version.
$14.50
13.31 €
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Flute ensemble
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Grant Horsley
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"Jacaranda" Original Tango for Flute Choir- 6 C Flutes
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Grant Horsley
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
#
Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
#
SheetMusicPlus
Nightscape. Original Tango for Flute Choir.
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1380738 Composed by Grant Horsley. Contest,Festival,Film/TV,Latin,Multicultural,Wedding,World. 35 pages. Grant Horsley #965523. Published by Grant Horsley (A0.1380738). An original Tango in concert D minor. Scored for 4 C Flutes, Alto and Bass Flute, Nightscape has a dark mysterious feel- it has 3 distinct sections. The first two sections are typical of the tango rhythms you would expect to hear- very syncopated in all parts against a strong melodic line. The 3rd section by contrast is more lyrical in nature, but the underlying tango rhythms present light punctuations in support. The final section is a return of the main theme-then onto a short coda to finish.Aimed at the intermediate player, the full score is 15 pages- parts 3 pages, and it is nearly 4 minutes long.Price is for the full score and parts.Great for concerts, events, contests etc.
$13.99
12.85 €
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Flute ensemble
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Grant Horsley
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Nightscape. Original Tango for Flute Choir.
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Grant Horsley
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SheetMusicPlus
The Court Jester. Original for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1363828 Composed by Grant Horsley. Classical,Comedy,Contest,Festival. 42 pages. Grant Horsley #948226. Published by Grant Horsley (A0.1363828). The Court Jester is intended as a descriptive piece. The Jester was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events. This piece is in ternary form.The outer sections are to represent the general clowning around and playing pranks as a mischievous Jester does. The middle section by contrast is more lyrical to demonstrate a softer side to the personality, however this quickly transcends back to the final section where jokes, pranks and laughs have their way!It should be performed very briskly and lightly to capture the overall feel of the piece. The range in total is two and a half octaves and it is 4.00 minutes in length- Set at Intermediate level, but lots of areas are less so. The whole score is on here for you to assess suitability Price is for the full score and all parts.A great addition to the repertoire.
$14.50
13.31 €
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Flute ensemble
#
Grant Horsley
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The Court Jester. Original for Flute Choir
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Grant Horsley
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Gio…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
44.03 €
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Flute ensemble
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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jmsgu3
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SheetMusicPlus
Three Uneven Dances
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817939 Composed by Adrian Dee. Contemporary. 73 pages. Adrian Dee #4413997. Published by Adrian Dee (A0.817939). This work consists of three short movements in irregular meters. The contrabass part is not optional but may be played on a regular bass flute if no contra is available. The first movement, Stomp is in 9/8, conducted in 4: (initially 3 + 2 + 2 + 2 changing to 2 + 2 + 2 + 3 halfway through) with a heavy pulse and a bluesy chord progression in E minor. The second movement, Waltz is in 3 (3 + 3 + 2) with a momentary straight 3 in the middle section. This sweet little melody in G major is a bright contrast to the aggressive first movement. The final movement, Reeling is in 5/8 (2 + 3) with a brief detour to 2/4 near the end, in E major. It is a joyous dizzy layering of twirling notes in the upper voices against a rising grounded melody in the lower voices. Each movement is 2 ½ to 3 minutes in length. This work is also available in a version for flute quartet (3 C-flutes and alto flute, or 4 C-flutes). Let me know what you think! adriandeeflute@gmail.com
$19.95
18.32 €
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Flute ensemble
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Adrian Dee
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Three Uneven Dances
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Adrian Dee
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SheetMusicPlus
"Christmas Waltz" Original for Flute Ensemble (6 C Flutes) Early Intermediate.
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1291961 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1291961 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882575. Published by Grant Horsley (A0.1291961). Christmas Waltz is a short gentle waltz for flute ensemble scored for 6 C Flutes.I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending.The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length.Price is for the full score and all parts.
$12.99
11.93 €
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Flute ensemble
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Grant Horsley
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"Christmas Waltz" Original for Flute Ensemble
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Grant Horsley
#
SheetMusicPlus
"Christmas Waltz" Original for Flute Choir. Early Intermediate.
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1291955 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882562. Published by Grant Horsley (A0.1291955). Christmas Waltz is a short gentle waltz for flute choir scored for 4 C Flutes, Alto and Bass Flute ( A version for 6 C flutes is also available)I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending.The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length.Price is for the full score and all parts.
$12.99
11.93 €
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Flute ensemble
#
Grant Horsley
#
"Christmas Waltz" Original for Flute Choir. Early Intermediate.
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Grant Horsley
#
SheetMusicPlus
Dance The Night
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1309628 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Joel Scianna. Contemporary,Film/TV,Pop. 28 pages. Joel William Music #898795. Published by Joel William Music (A0.1309628).  If you didn't hear Dua Lipa's latest bop during the Barbie movie, you've probably heard it on the radio recently! Add something modern to your Flute Choir setlist with this intricate and dynamic arrangement, scored for piccolo, four flute parts, alto flute, bass flute, and optional contrabass and contra alto flute parts. This arrangement has quick runs, spicy syncopations, great dynamic contrast, and a breakdown (Rehearsal mark E) that makes sure to feature each flute voice. Your audience will be bobbing their heads along to this recognizable dance track, and each part has its own moment to shine. Â
$25.00
22.96 €
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Flute ensemble
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Dua Lipa
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Dance The Night
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Joel William Music
#
SheetMusicPlus
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