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Flute ensemble

Stabat Mater for Flute Choir (Palestrina) Flute ensemble

Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848…(+)

Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848 Composed by Giovanni Pierluigi da Palestrina. Arranged by Jeff McKeehan and Jeff McKeehan. Christmas,Easter,Renaissance,Sacred. 48 pages. Jeff McKeehan #2857263. Published by Jeff McKeehan (A0.930848). A perfect addition to the flute choir repertoire. The work, originally composed for Pope Gregory, was traditionally performed at Palm Sunday Mass, but is a joy to hear any time of the year.Duration: 8'40, using the provided tempo markings. The conductor may wish to take slower tempos, following the tradition of vocal performances of this work. In that case, a duration of 10-11 minutes is typical. An excellent demonstration of counterpoint and harmony, Stabat Mater is an enduring classic.
$12.95 11.85 € #Flute ensemble #Giovanni Pierluigi da Palestrina #Stabat Mater for Flute Choir #Jeff McKeehan #SheetMusicPlus

Sorcerer's Apprentice Flute ensemble

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download (+)

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.817928 Composed by Paul Dukas. Arranged by Adrian Dee. Romantic Period. 85 pages. Adrian Dee #3110363. Published by Adrian Dee (A0.817928). Arranged for flute choir: picc, 4 c-flutes, 2 altos, 2 basses, contrabass and sub-contrabass optional. A difficult piece, highly chromatic and complex harmonies. Uses whistle tones and flutter-tongue. Recommended for advanced, college, or professional groups. Duration: aprox 10 minutes.Let me know what you think! adriandeeflute@gmail.com
$24.95 22.83 € #Flute ensemble #Paul Dukas #Sorcerer's Apprentice #Adrian Dee #SheetMusicPlus

Gabrieli: Jubilate Deo Ch. 136 for Flute Choir Flute ensemble

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Gio…(+)

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg.Â Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow.Â The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95 43.87 € #Flute ensemble #Giovanni Gabrieli #Gabrieli: Jubilate Deo Ch. 136 for Flute Choir #jmsgu3 #SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae SymphoniaeÂ (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager

Tears from My Eyes: Reflection & Contemplation (For Flute Choir) Flute ensemble

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.984528 Composed by Tit…(+)

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.984528 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. 72 pages. Visionary Quest Records #4313293. Published by Visionary Quest Records (A0.984528). FLUTE CHOIR: Piccolo, E Flat Flute Solo, E Flat Flute 1-2, Flute 1-3, Alto Flute 1-2, Bass Flute 1-2 Â Compose by Tito Abeleda (1964 - ) Music score plus parts = 72 pages digital download. Duration: 8:26Tears from My Eyes expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief.
$12.95 11.85 € #Flute ensemble #Tito Abeleda #Tears from My Eyes: Reflection & Contemplation #Visionary Quest Records #SheetMusicPlus

Mouton: Christmas Motet for Flute Choir Flute ensemble

Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.550372 Composed by Jea…(+)

Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616051. Published by jmsgu3 (A0.550372). A quadruple canon at the fifth. Duration: ca. 3:00, Score: 7 pages, Parts 2 pages each. Instrumentation: 3 concert flutes, 3 alto flutes, 2 bass flutes, 1 cello (optional).
$49.95 45.7 € #Flute ensemble #Jean Mouton #Mouton: Christmas Motet for Flute Choir #jmsgu3 #SheetMusicPlus

Scarlatti: Andante mosso for Flute Choir Flute ensemble

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Dom…(+)

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626605. Published by jmsgu3 (A0.550385). Sonata 33 for Flute Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, church services, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. .
$38.95 35.64 € #Flute ensemble #Domenico Scarlatti #Scarlatti: Andante mosso for Flute Choir #jmsgu3 #SheetMusicPlus

North Star - flute choir Flute ensemble

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download (+)

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1000144 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary,Instructional. 45 pages. Bellor #6491719. Published by Bellor (A0.1000144). flute choir (1 piccolo, 1 *E-flat Flute, 4 C Flutes, 1 Alto Flute, 1 Bass Flute)Duration: 5:30*If no E-flat flute is available, the part can be played on C fluteScore and PartsÂ For more information, please visit www.jenniferbellor.com.
$29.99 27.44 € #Flute ensemble #Jennifer Bellor #North Star - flute choir #Bellor #SheetMusicPlus

Bach's Bells Flute ensemble

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A…(+)

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.731709 By The Canadian Brass. By Christopher Coletti and Johann Sebastian (dp) Bach. Arranged by Lisa Ochoco. Christmas,Classical. 26 pages. Lisa L Ochoco #339973. Published by Lisa L Ochoco (A0.731709). This wonderful arrangement was written for the Canadian Brass Quintet, where Chris Coletti was a trumpet player. He took two pieces that he loved - Bach's BWV29 and the Leontovych's Carol of the Bells - and combined them into one fabulous piece. This arrangement for flute choir is mostly a transcription, but there are a few changes to notes and parts to accommodate the instrumentation. Scored for 4 C, alto, bass and contrabass flutes. There is an optional cello part that doubles the contrabass flute part, which can also be played by any bass clef C instrument in a similar range. This is for musicians with advanced-intermediate skill. Duration: 3 minutes.
$16.00 14.64 € #Flute ensemble #The Canadian Brass #Bach's Bells #Lisa L Ochoco #SheetMusicPlus