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Flute Sonata
Flute ensemble
Sheetmusic to print
12 sheet music found
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1
Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed b...
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
Allegro (from "Sonata for Trumpet") (Bb) (Flute Octet)
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicul...
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813588 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 13 pages. Regis Bookshar #6429837. Published by Regis Bookshar (A0.813588). Flute Octet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Flute Octet, consisting of 8 Flutes, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Sonata in D Major for Flute Choir (K448)
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Flute ensemble
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Classical
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Wolfgang Amadeus Mozart
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Heather Bell
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Sonata in D Major for Flute Ch
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HB
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.501245 Composed by Wolfgang Amadeus Mozart. Arranged by Heather Bell. Baroque,Cla...
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Large Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.501245 Composed by Wolfgang Amadeus Mozart. Arranged by Heather Bell. Baroque,Classical,Traditional. Score and parts. 48 pages. Published by HB (A0.501245). This piece was originally written by Wolfgang Amadeus Mozart under the original name Sonata in D for Two Pianos (K448). This is an arrangement that changes the instrumentation from pianos to a choir of flutes. It is a classic piece that most people recognize when they hear it. Arranging this for Flute Choir gave it a new sweet and fun timbre whilst keeping the original charm. It is a challenging piece, that allows all members of the choir to shine in the melody while sharing the background and bass responsibilities. It is charming and fun to both play and listen to.
$15.00
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Hamburger Sonata H564
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Carl Philipp Emanuel Bach
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Myrick Crampton
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Hamburger Sonata H564
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MDC Music LLC
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1456165 Composed by Carl Philipp Emanuel Bach. Arranged by Myric...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1456165 Composed by Carl Philipp Emanuel Bach. Arranged by Myrick Crampton. Baroque,Chamber,Classical. 46 pages. MDC Music LLC #1035316. Published by MDC Music LLC (A0.1456165). The Hamburger Sonata is a wonderful example of C.P.E Bach’s empfindsamer Stil (sensitive style). Written in 1786, it emphasizes dramatic and emotional depth and is a joy to play. This arrangement substitutes a flute choir for the continuo.Arrangement (Solo Flute, F1, AF2-3. BF4. CBF 5)About 8’ minutes.
$19.99
RONDA ALLA TURCA for FLUTE CHOIR
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Kent S
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RONDA ALLA TURCA for FLUTE CHO
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WINDCREST
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1397246 Composed by Wolfgang Amadeus Mozart. Arranged by Kent S....
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1397246 Composed by Wolfgang Amadeus Mozart. Arranged by Kent S. Burchill. Chamber,Classical,Contest,Festival,Historic,Traditional. 16 pages. WINDCREST #980561. Published by WINDCREST (A0.1397246). RONDO ALLA TURCA for FLUTE CHOIR - This selection is from one of Mozart's more familiar and popular compositions for Piano, Sonata No. 11. This arrangement features the Flute Choir with the following instrumentation: Part I Soprano Flute, Part II Soprano Flute, Part III Alto Flute, Part IV Alto Flute, and Part V Bass Flute. Various parts should be doubled to achieve the desired balance for your flute choir and to provide a great experience for more players. Written in the Keys of C minor and C Major with a suggested tempo of 120 bpm, and performance duration of about 3 minutes and 40 seconds at that tempo. Difficulty level is about 4.5 on six-point scale.
$20.00
Simple Gifts (Flute Choir and Piano)
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Flute ensemble
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EASY
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Classical
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Joseph Brackett, Wolfgang Amad
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Stephen DeCesare
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Simple Gifts
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Exultet Music
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.630123 Composed by Joseph Brackett, Wolfgang Amadeus Mozart. Arr...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.630123 Composed by Joseph Brackett, Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Contest,Festival,Folk,Sacred,Standards,Traditional. 19 pages. Exultet Music #6419117. Published by Exultet Music (A0.630123). The well known Shaker song has been freshly arranged for a Flute Choir (Flute (2), Alto Flute, Bass Flute) with Piano accompaniment. This version incorporates two well known pieces by Wolfgang Amadeus Mozart (Piano Sonata Number 16 in C Major and Eine Kleine Nachtmusik). Accessible and appropriate for any church, school or concert setting.
$12.99
Scarlatti: Andante mosso for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for F
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626605. Published by jmsgu3 (A0.550385). Sonata 33 for Flute Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, church services, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. .
$38.95
Sonata No.2 in D minor (Benedetto Marcello) Flute Choir arr. Adrian Wagner
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Flute ensemble
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Classical
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Benedetto Marcello
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Adrian Wagner
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Sonata No.2 in D minor
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SheetMusicPlus
Composed by Benedetto Marcello (1686-1739). Arranged by Adrian Wagner. Baroque Period. Score, Set of Parts. 30 pages. Published by Published by Adrian...
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Composed by Benedetto Marcello (1686-1739). Arranged by Adrian Wagner. Baroque Period. Score, Set of Parts. 30 pages. Published by Published by Adrian Wagner
$20.95
Trio Sonata Op. 2 No. 8 4th Movement - for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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Jean-Baptiste Loeillet
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Katrina Agioritis
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Trio Sonata Op. 2 No. 8 4th Mo
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Musika Publishing Australia
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SheetMusicPlus
By Jean-Baptiste Loeillet (1680-1730). Arranged by Katrina Agioritis. For Flute Choir. Instructional, Baroque Period. Intermediate. Set of Parts, Score. Musika ...
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By Jean-Baptiste Loeillet (1680-1730). Arranged by Katrina Agioritis. For Flute Choir. Instructional, Baroque Period. Intermediate. Set of Parts, Score. Musika Publishing Australia #108629. Published by Musika Publishing Australia
$12.99
Sonata Pian e Forte by Giovanni Gabrieli - for Flute Choir
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Flute ensemble
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Giovanni Gabrieli
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Fabio Barnaba
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Sonata Pian e Forte by Giovann
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Fabio Barnaba
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 15 pages. Published by...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Fabio Barnaba. Classical Period, Baroque Period, Renaissance. Score, Set of Parts. 15 pages. Published by Fabio Barnaba (S0.263221). - Score,Set of Parts - Classical Period,Baroque Period,Renaissance - Fabio Barnaba
$9.99
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