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47
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23
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16
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WOODWIND
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277
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264
Flute and Piano
230
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217
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197
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196
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183
Saxophone Quintet: 5 Saxophones
172
Flute, Oboe, Clarinet, Bassoon
172
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170
Alto Saxophone and Piano
144
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140
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120
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109
Oboe
108
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95
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85
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84
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81
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62
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60
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58
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54
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50
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46
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45
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36
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33
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32
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31
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30
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25
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22
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22
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22
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22
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21
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19
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19
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18
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17
Flute (band part)
17
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16
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16
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15
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15
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15
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14
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14
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14
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13
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12
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12
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12
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11
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11
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10
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10
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8
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7
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7
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7
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5
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5
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5
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4
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4
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Brass Quintet: 2 trumpets, horn, trombone, tuba
219
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179
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176
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164
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155
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148
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84
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79
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74
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65
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59
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56
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44
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35
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26
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20
Euphonium, Piano (duet)
20
English horn, Piano
19
Tuba (band part)
17
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15
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13
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12
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English Horn
12
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11
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8
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8
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6
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4 Tubas
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2
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1
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1
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1
3 Trombones (trio)
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STRINGS
String Quartet: 2 violins, viola, cello
417
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289
Cello, Piano
221
Violin
215
Viola, Piano
192
Viola
129
Cello
111
Double Bass
109
2 Violins (duet)
109
Violin, Cello (duet)
103
String Quintet: 2 violins, viola, cello, bass
100
Cello (band part)
100
2 Cellos (duet)
94
Double bass, Piano (duet)
92
2 Violas (duet)
85
Violin, Viola (duet)
64
Harp
64
String Trio: violin, viola, cello
55
2 Double basses (duet)
39
String Trio: 2 violins, cello
32
Viola, Cello (duet)
30
Doublebass (band part)
26
Violin (band part)
24
Viola (band part)
23
String Quintet: 2 violins, viola, 2 cellos
20
Violin, Bassoon (duet)
13
String Trio: 3 violins
11
Piano Trio: Violin, Viola, Piano
10
4 Cellos
10
Cello, String Bass (duet)
9
String Trio: 3 cellos
9
String Quartet : 4 violas
8
String quartet: 4 violins
8
Viola and Bassoon
8
String Trio: 3 violas
7
Violin, Clarinet, Piano (trio)
6
Violin, Guitar (duet)
6
2 Harps (duet)
5
String Quintet: 2 violins, 2 violas, cello
5
Violin ensemble
5
Viola ensemble
3
Violin, Tuba (duet)
3
2 Cellos, Piano
3
Flute, Doublebass (duet)
3
3 Harps
2
Harp, Flute (duet)
2
Viola, Guitar (duet)
2
String Trio: 2 violins, viola
2
Viola and Harp
2
5 Harps
2
Harp, Voice
2
3 double basses
2
Cello, Guitar (duet)
2
4 Harps
1
Harp and Piano
1
Cello Ensemble
1
2 Violas, Piano
1
String trio
1
Violoncello, Basso continuo
1
Violin, Trumpet and Piano
1
Violin, Cello, Clarinet
1
4 Double Basses
1
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PERCUSSION & ORCHESTRA
Concert band
892
Jazz Ensemble
199
String Orchestra
198
Orchestra
142
Brass ensemble
77
Handbells
49
Marching band
47
Drum (band part)
28
Drums
27
Percussion Ensemble
26
Chamber Orchestra
25
Jazz combo
23
Percussion (band part)
17
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
15
Marimba
9
Xylophone
5
2 Xylophones
3
Xylophone, Piano
3
School Ensemble
3
Big band
2
Orchestra, Violin
2
Percussion
1
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OTHERS
Musical course - Solfege
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Into You
Flute ensemble
Sheetmusic to print
22 sheet music found
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1
If I Ain't Got You
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559515 By Alicia Keys. By Alicia Keys. Arranged by Lisa Ochoco. Contemporary,Hip-Hop,R & B. 28 pages. Lisa L Ochoco #3114637. Published by Lisa L Ochoco (A0.559515). Alicia Keys said that she got the inspiration for this song after the passing away of Aaliyah. It's about how material things don't feed the soul. I hope you'll like this flute choir arrangement. This bluesy ballad is one that your audience won't expect from a flute choir, and I hope you'll enjoy adding it into your repertoire!
$14.00
12.8 €
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Flute ensemble
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Alicia Keys
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If I Ain't Got You
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Lisa L Ochoco
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SheetMusicPlus
Silent Night (Bb) (Flute Octet)
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Fra…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.32 €
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Flute ensemble
#
the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
#
Franz Xaver Gruber
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
"Weekend in Paris" Original Jazz Waltz for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1272638 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864863. Published by Grant Horsley (A0.1272638). Scored for 4 C Flutes, Alto and Bass Flute, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris.The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the full score and all parts.NB Another version for 6 C flutes, is also available as is a Clarinet Choir versions.
$14.50
13.26 €
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Flute ensemble
#
Grant Horsley
#
"Weekend in Paris" Original Jazz Waltz for Flute Choir
#
Grant Horsley
#
SheetMusicPlus
"Weekend in Paris" Original Jazz Waltz for Flute Ensemble (6 C Flutes)
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1272639 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1272639 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864865. Published by Grant Horsley (A0.1272639). Scored for 6 C Flutes, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the Full Score and all parts.NB Another Flute choir version (4 C flutes, Alto and Bass Flute) is also available as is a Clarinet Choir version.
$14.50
13.26 €
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Flute ensemble
#
Grant Horsley
#
"Weekend in Paris" Original Jazz Waltz for Flute Ensemble
#
Grant Horsley
#
SheetMusicPlus
"Christmas Waltz" Original for Flute Ensemble (6 C Flutes) Early Intermediate.
Flute ensemble
Flute Choir,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1291961 Co…
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Flute Choir,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1291961 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882575. Published by Grant Horsley (A0.1291961). Christmas Waltz is a short gentle waltz for flute ensemble scored for 6 C Flutes.I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending.The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length.Price is for the full score and all parts.
$12.99
11.88 €
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Flute ensemble
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Grant Horsley
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"Christmas Waltz" Original for Flute Ensemble
#
Grant Horsley
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SheetMusicPlus
"Christmas Waltz" Original for Flute Choir. Early Intermediate.
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1291955 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882562. Published by Grant Horsley (A0.1291955). Christmas Waltz is a short gentle waltz for flute choir scored for 4 C Flutes, Alto and Bass Flute ( A version for 6 C flutes is also available)I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy!Written in Concert C major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending.The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level.The whole piece is on the youtube link for you to assess suitability.Ideal to be added to a Christmas concert list!It is 3 minutes 15 in length.Price is for the full score and all parts.
$12.99
11.88 €
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Flute ensemble
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Grant Horsley
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"Christmas Waltz" Original for Flute Choir. Early Intermediate.
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Grant Horsley
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SheetMusicPlus
Behold The Light for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1406053 Composed by Darian Thompkins. 20th Century,Chamber,Holiday,New Age,Religious. 26 pages. Darian Thompkins #989144. Published by Darian Thompkins (A0.1406053). Behold The Light is a piece for Advanced Flute Ensembles that need a little illumination. Guiding them into a world of peaceful serenities, a realm of divine works made of cloud and wind. Beings that are light as feathers that move from place to place. Is this heaven or is this the realm of the God’s. Behold The Light begins with a very simple rhythm gradually growing into a beautiful climactic dive into a pit of peace. Where a simple and flowing line makes the audience feel as if they are floating drifting away. A soul so at peace it glides and gradually disappears into the blissful fold of light. Cluster chords are used to create a dissonance that is bright and dark symbolizing the transition from one world to the next. Enjoy this journey and I hope you enjoy this light of mine.
$4.99
4.56 €
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Flute ensemble
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Darian Thompkins
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Behold The Light for Flute Choir
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Darian Thompkins
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SheetMusicPlus
Behold The Light for Flute Choir (Flute & Piccolo Version)
Flute ensemble
Flute Choir,Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.140605…
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Flute Choir,Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.1406054 Composed by Darian Thompkins. 20th Century,Chamber,Contest,Festival,New Age,Religious. 23 pages. Darian Thompkins #989145. Published by Darian Thompkins (A0.1406054). * This version is arranged for Flute & Piccolo it will NOT include Alto & Bass Flute*Behold The Light is a piece for Advanced Flute Ensembles that need a little illumination. Guiding them into a world of peaceful serenities, a realm of divine works made of cloud and wind. Beings that are light as feathers that move from place to place. Is this heaven or is this the realm of the God’s. Behold The Light begins with a very simple rhythm gradually growing into a beautiful climactic dive into a pit of peace. Where a simple and flowing line makes the audience feel as if they are floating drifting away. A soul so at peace it glides and gradually disappears into the blissful fold of light. Cluster chords are used to create a dissonance that is bright and dark symbolizing the transition from one world to the next. Enjoy this journey and I hope you enjoy this light of mine.
$3.99
3.65 €
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Flute ensemble
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Darian Thompkins
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Behold The Light for Flute Choir
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Darian Thompkins
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.85 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.85 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
The Court Jester. Original for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1363828 Composed by Grant Horsley. Classical,Comedy,Contest,Festival. 42 pages. Grant Horsley #948226. Published by Grant Horsley (A0.1363828). The Court Jester is intended as a descriptive piece. The Jester was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events. This piece is in ternary form.The outer sections are to represent the general clowning around and playing pranks as a mischievous Jester does. The middle section by contrast is more lyrical to demonstrate a softer side to the personality, however this quickly transcends back to the final section where jokes, pranks and laughs have their way!It should be performed very briskly and lightly to capture the overall feel of the piece. The range in total is two and a half octaves and it is 4.00 minutes in length- Set at Intermediate level, but lots of areas are less so. The whole score is on here for you to assess suitability Price is for the full score and all parts.A great addition to the repertoire.
$14.50
13.26 €
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Flute ensemble
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Grant Horsley
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The Court Jester. Original for Flute Choir
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Grant Horsley
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SheetMusicPlus
Petrichor (for Flute Choir)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Composer #4835911. Published by JMS Composer (A0.749400). Petrichor is the scientific name given to the earthy smell of rain coming into contact with the ground. The work starts with the image of the rain just beginning to occur, with finger snaps, leg slaps, and the sound of palms rubbing together simulating the rain fall. The music starts at a slow tempo and increases over the length of the piece as the downpour accelerates. By the end, one might even imagine walking out onto a porch to enjoy watching the rain continue to fall, as it offers up even a moment of peace.From a rehearsal standpoint, Petrichor is not technically demanding. It focuses on the patterns that occur during rainfall, using them to help build towards the exciting conclusion. Working each pattern independently before bringing them together is very helpful, as it will help lock in the mix of rhythms. The opening does not need to feel rushed and should be allowed to breathe, and each increase in the tempo should not be telegraphed, but should flow from the previous tempo. The ending combines straight eighths and sixteenths with a running triplet pattern between them; the triplet pattern should feel like it sits on top of everything else, almost floating along like a cloud.This was a pleasure to compose, and I hope you enjoy rehearsing and performing Petrichor.
$12.99
11.88 €
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Flute ensemble
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the end, one might even imagine walking out onto a porch to enjoy watching the rain continue to fall, as it offers up even a moment of peace
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James-Michael Sellers
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Petrichor
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JMS Composer
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SheetMusicPlus
The Songcord
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #763982. Published by Lisa L Ochoco (A0.1163640). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  The piccolo should always be played softly - at the equivalent volume of the group’s piano.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
14.63 €
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Flute ensemble
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
From Darkness To Light
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1165816 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #766187. Published by Lisa L Ochoco (A0.1165816). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.  One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, this is how the “Shimmer†part can be played:  Hang a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  Be creative with this percussive part!  You can use whistle tones, a little xylophone, wind chimes, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.  Duration: 3.75 minutes.
$16.00
14.63 €
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Flute ensemble
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Simon Franglen
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From Darkness To Light
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Lisa L Ochoco
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SheetMusicPlus
The Songcord
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #769781. Published by Lisa L Ochoco (A0.1169424). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for low flute choir – 4 altos, 3 basses, contra alto in G, and contrabass. There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
14.63 €
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Flute ensemble
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Serenade in the summer residence (Serenata nella residenza estiva) for flute choir or flute septet
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.578943 Composed by Dav…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.578943 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. 23 pages. David Warin Solomons #2062305. Published by David Warin Solomons (A0.578943). Inspired by a satirical poem by Reiner Kunze as translated by Ewald Osers, initially composed as a song and then made into various more fullsome instrumental versions. It describes a concert in a rich summer residence on a hot balmy day.The pdf contains score and parts. The sound sample a live performance by Budapest Scoring in May 2018.Videohttps://www.youtube.com/watch?v=CneKoiQ7s6c
$11.00
10.06 €
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Flute ensemble
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David Warin Solomons
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Serenade in the summer residence
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David Warin Solomons
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SheetMusicPlus
Covid Suite - A Year in Review
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digi…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1367219 Composed by R H Baptiste. 21st Century,Classical,Contemporary. 75 pages. Ron Baptiste #951576. Published by Ron Baptiste (A0.1367219). This is a rather long piece (about 22 minutes) - but quite amenable to breaking it up any number of ways (by month, quarter, etc). I wrote this over the course of the Covid shutdown, when we were pretty much housebound for long periods. It's divided into 12 sections, one for each month, beginning in March 2020 - when we here in Canada first found out about the approaching pandemic. I tried to represent each month as it affected me - some sadder, some a bit more optimistic. I especially like December - mostly sad, with a brief reprieve for Christmas, then back to sad. In this neck of the woods, Christmas was all but cancelled as we were pretty much in lockdown; at the last minute, restrictions were eased to allow small gatherings for the Holiday. Overall, it was a sad, lonely year - especially for musicians! Whatever your personal stance on the pandemic, it certainly affected us all - and resulted in the loss of many lives.
$4.99
4.56 €
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Flute ensemble
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R H Baptiste
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Covid Suite - A Year in Review
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Ron Baptiste
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SheetMusicPlus
Cat on the Hunt
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digi…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1367211 Composed by R H Baptiste. 21st Century,Contemporary. 11 pages. Ron Baptiste #951568. Published by Ron Baptiste (A0.1367211). A short, fun piece for flute ensemble (picc, 3 soprano, alto, bass). I picture a house cat, acting non-chalent and dis-interested; then something catches it's eye, and it goes into stealth mode - sneaking up on it's prey on tip-toe. If the hunt fails or is interrupted, the cat switches back to passive mode... as if the entire thing was your imagination (nothing to see here!).
$2.99
2.73 €
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Flute ensemble
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R H Baptiste
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Cat on the Hunt
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Ron Baptiste
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SheetMusicPlus
Rudolph The Red-nosed Reindeer
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.1290468 By John Denver. By Johnny Marks. Arranged by Jami Kidwell Chavez. 20th Century,Children,Film/TV,Holiday,Standards. 13 pages. Jami Kidwell Chavez #881182. Published by Jami Kidwell Chavez (A0.1290468). This is a fun arrangement of a Christmas classic.  The opening section features alto and bass flutes before kicking into the main melody.  Each part gets a chance to play part of the melody at some point during the piece. The second time through the melody kicks in a swing feel to bring a lively party feel. This will be a fun piece to add to your concert. Scored for Piccolo, 3 C flutes, alto flute and bass flute.
$12.99
11.88 €
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Flute ensemble
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John Denver
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Rudolph The Red-nosed Reindeer
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Jami Kidwell Chavez
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SheetMusicPlus
Carol of the Bells (F min) (Flute Quintet)
Flute ensemble
Flute Quintet - Intermediate - Digital Download Composed by Mykola Leontovych. Arrang…
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Flute Quintet - Intermediate - Digital Download Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century, Repertoire, European, Christmas, Recital. Score, Set of Parts. 16 pages. Published by Regis Bookshar
Flute Quintet - Intermediate - Digital Download. This selection, "Carol of the Bells", also known as "Ring, Christmas Bells", is suitable for high school and college students and is perfect for Christmas concerts and church services. "Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant "Shchedryk", a New Year's song, known in English as "The Little Swallow", and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, "Ring, Christmas Bells", an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Flute Quintet. Included are a score and a complete set of parts (16 pages). In addition to this version for 5 Flutes, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.
$12.00
10.97 €
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Flute ensemble
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Mykola Leontovych
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Carol of the Bells
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Regis Bookshar
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SheetMusicPlus
Gustav Holst - Folksongs of Hampshire set for Flute Choir
Flute ensemble
Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed b…
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Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. Score, Set of Parts. 53 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.
$17.50
16.01 €
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Flute ensemble
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Traditional
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Gustav Holst - Folksongs of Hampshire set for Flute Choir
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JB Linear
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SheetMusicPlus
The Impossible Dream for Flute Choir or Flute Quintet
Flute ensemble
Flute, Flute Choir: 3 Flutes, Alto Flute (alt. c-part included), Bass Flute, opt. Co…
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Flute, Flute Choir: 3 Flutes, Alto Flute (alt. c-part included), Bass Flute, opt. Contrabass Flute - Intermediate - Digital Download By Andy Williams. Arranged by Phyllis Avidan Louke. Score, Set of Parts. 13 pages. Published by Louke Publishing
2018 Chamber Music Contest Entry<br> The Impossible Dream from Man of La Mancha<br> Program Notes<br> <br> The Impossible Dream (The Quest) is the most popular song from the1965 Broadway musical Man of LaMancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh,with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’sHall of Fame.<br> <br> I have always found the lyrics of TheImpossible Dream extremely moving:<br> <br> Todream the impossible dream,<br> To fight the unbeatable foe,<br> To bear with unbearable sorrow,<br> To run where the brave dare not go.<br> <br> To right the unrightable wrong,<br> To love pure and chaste from afar,<br> To try when your arms are too weary,<br> To reach the unreachable star.<br> <br> This is my quest,<br> To follow that star<br> No matter how hopeless,<br> No matter how far.<br> <br> To fight for the right<br> Without question or pause,<br> To be willing to march<br> Into hell for a heavenly cause.<br> <br> And I know if I'll only be true<br> To this glorious quest<br> That my heart will be peaceful and calm<br> When I'm laid to my rest.<br> <br> And the world will be better for this,<br> That one man scorned and covered with scars<br> Still strove with his last ounce of courage.<br> To fight the unbeatable foe.<br> To reach the unreachable star.<br> <br> This arrangement for flute choir can be performed with asfew as 5 players or a full flute choir with multiple players on a part. It is scored for 3 flutes, alto flute, bassflute, and optional contrabass flute. <br> <br> Broadway<br> Movies<br> Popular<br> Ballad<br> <br> Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com <br> <br> A list of Phyllis Louke’s SMP publications with full lengthrecordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/
$14.00
12.8 €
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Flute ensemble
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Andy Williams
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The Impossible Dream for Flute Choir or Flute Quintet
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Louke Publishing
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SheetMusicPlus
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