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Flute ensemble
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1
Berceuse by A. Ilyinsky for flute choir / ensemble
Flute ensemble
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.874261 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.874261 Composed by A. A. Ilyinsky. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Concert,Contemporary,Romantic Period,Standards. 24 pages. As do Ray meflute studio production #6046601. Published by as do Ray meflute studio production (A0.874261). https://www.youtube.com/watch?v=nnk_BPZcmX0&feature=youtu.beBerceuse by A. A. Ilyinsky for flute choir /ensemble This beloved piece, well known by many early music students, is a sweet expressive addition for your flute ensemble/ group/ choir. Simplistic enough to intermediate performers, yet complex enough to create something magical for performers and audience. This simple yet sweet melody, added with my rich textured harmonies adds a new flare to this piece, and would be perfect for playing for so many venues , concerts, churches, programs, graduation, memorial services, and many other choices. A great way for newer players to learn expressive playing and emotional phrasing. A sure hit for all ! set for piccolo, 5 c flutes, alto flute in g , bass flute and optional contra bass flute. A piece where all flute players can play, sharing the melody back and forth through the sections Thanks for looking, and please check out my website @ doRaymeflute.com
$13.99
12.62 €
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Flute ensemble
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A
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intermediate 
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Berceuse by A. Ilyinsky for flute choir / ensemble
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as do Ray meflute studio production
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.26 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.26 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
#
SheetMusicPlus
A Bit Of Earth
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559783 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Musical/Show. 18 pages. Lisa L Ochoco #4782903. Published by Lisa L Ochoco (A0.559783). The Secret Garden is a musical that premiered on Broadway in 1991, based on a novel by Frances Hodgson Burnett. It is a story about a 10 year old girl named Mary, who is forced to move from India to England to live with relatives after her parents' death from cholera. Her new home is an unhappy one, as Mary's uncle, Archibald, is still mourning the death of his wife. Mary finds a garden that is locked and learns that it had once belonged to Archibald's wife. The garden has been locked since her death. Mary asks her uncle if she can plant a garden of her own. This is the song that Archibald sings after Mary asks him for a bit of earth.
$16.00
14.44 €
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Flute ensemble
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Lucy Simon
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A Bit Of Earth
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Lisa L Ochoco
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SheetMusicPlus
A Bit Of Earth
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.560094 Composed by Lucy Simon. Arranged by Lisa Ochoco. Broadway,Contemporary,Musical/Show. 19 pages. Lisa L Ochoco #6434771. Published by Lisa L Ochoco (A0.560094). The Secret Garden is a musical that premiered on Broadway in 1991, based on a novel by Frances Hodgson Burnett. It is a story about a 10 year old girl named Mary, who is forced to move from India to England to live with relatives after her parents' death from cholera. Her new home is an unhappy one, as Mary's uncle, Archibald, is still mourning the death of his wife. Mary finds a garden that is locked and learns that it had once belonged to Archibald's wife. The garden has been locked since her death. Mary asks her uncle for a bit of earth so she can plant a garden of her own. This is the song that Archibald sings about his niece.
$16.00
14.44 €
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Flute ensemble
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Lucy Simon
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A Bit Of Earth
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Lisa L Ochoco
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SheetMusicPlus
Now And Then
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1432736 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Erika Skye Andres. Rock. 25 pages. Erika Skye Andres #1013161. Published by Erika Skye Andres (A0.1432736). “Now and Then” by The Beatles was released on November 2, 2023. John Lennon wrote it and made an unfinished recording of it on a tape recorder in 1977. It remained unfinished for decades due to poor audio quality until audio restoration was finally made possible thanks to new technology with machine learning. It was completed by Paul McCartney and Ringo Starr with previously recorded tracks by George Harrison, making this truly the last Beatles song.This flute choir arrangement is scored for piccolo, two flutes, alto, bass, and contrabass. If a contrabass flute is not available, bass flute should play its part instead. If the flute choir only has one bass flute, then the contra part should still be played but the bass flute part can be played with a second alto flute (transposed part included) or just on flute.This arrangement was made a couple of months after the release of “Now and Then” in admiration of such an important group in rock history and hopes to do justice to their final song.
$12.99
11.72 €
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Flute ensemble
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The Beatles
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Now And Then
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Erika Skye Andres
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SheetMusicPlus
Berceuse by Ilyinsky - 5 flutes / flute ensemble / flute quintet
Flute ensemble
Composed by Alexander Ilyinsky (1859-1920). Arranged by a " do Ray me " fl…
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Composed by Alexander Ilyinsky (1859-1920). Arranged by a " do Ray me " flute studio production, Ray- Michael Kauffman. Romantic Period, Repertoire, Mother's Day, Wedding, Recital. Individual Part, Lead Sheet, Octavo, Piano Reduction, Score, Set of Parts, Sheet Music Single, Solo Part. 16 pages. Published by a " do Ray me " flute studio production
https://youtu.be/Mw3wD_kzxrc<br> <br> This beloved piece, well known by many early music students, is a sweet expressive addition for your flute ensemble/ group/ choir. Simplistic enough to intermediate performers, yet complex enough to create something magical for performers and audience. This simple yet sweet melody, added with my rich textured harmonies adds a new flare to this piece, and would be perfect for playing for so many venues , concerts, churches, programs, graduation, memorial<br> services, and many other choices. A great way for newer players to learn expressive playing and emotional phrasing. A sure hit for all !<br> set for 4 c flutes, and alto flute in g , and / or bass flute . Can be used as a quintet or sextet , or small flute ensemble. A piece where all flute players can play, sharing the melody back and forth through the sections .<br> <br> Thanks for looking, and please check out my website @ doRaymeflute.com
$9.99
9.01 €
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Flute ensemble
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Alexander Ilyinsky
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do Ray me "
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Berceuse by Ilyinsky - 5 flutes / flute ensemble / flute quintet
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a " do Ray me " flute studio production
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SheetMusicPlus
Oh Worship the King
Flute ensemble
Composed by Robert Grant, Joseph Martin Kraus. Arranged by Beka Wilson. Christian, Spir…
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Composed by Robert Grant, Joseph Martin Kraus. Arranged by Beka Wilson. Christian, Spiritual, Sacred, Praise and Worship, General Worship. Score, Set of Parts. 27 pages. Published by Beka Wilson
Whether you have a full flute choir or just a few flutes, this version of "Oh Worship the King" is flexible for your needs! It can be played with as little as 4 flutes (parts 1-4), but there are optional flute 5, piccolo, alto flute, and bass flute/flute 6 parts for a fuller sound. It would be perfect for an offertory or prelude for a church service, or as a learning tool for students to practice expanding their range and learning to blend. Length: approximately 3 minutes, suggested bpm 90-100 Contains: 27 pages, includes score and parts Level: 2-3, some 16th note passages in several parts, and upper 3rd register for parts 1 and 3.
$14.99
13.52 €
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Flute ensemble
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Robert Grant, Joseph Martin Kraus
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Oh Worship the King
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Beka Wilson
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SheetMusicPlus
Jingle Bells!
Flute ensemble
flute quintet, flute ensemble - Early Intermediate - Digital Download Composed by Jam…
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flute quintet, flute ensemble - Early Intermediate - Digital Download Composed by James Pierpont (1822-1893). Arranged by Beka Wilson. Folk, Christmas, Thanksgiving, Children's Music, Americana. Score, Set of Parts. 11 pages. Published by Beka Wilson
This is a fairly simple version of a classic Christmas song. For younger flautists, this arrangement would be a good tool for learning dissonance, as the parts have been arranged to mimic the sound of actual jingle bells. Part 5 could also be played by a bass flute for a different sound. Eleven pages (score and parts included), approximately two and a half minutes performance time.<br> <br> Don't have five flutes? Want this arrangement for a different selection of instruments? Drop me an email at bekmars10@gmail.com and I'll see about getting a custom arrangement published for you!
$7.99
7.21 €
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Flute ensemble
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James Pierpont (1822-1893)
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Jingle Bells!
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SheetMusicPlus
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