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Flute ensemble
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Christmas Joy Medley for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.796895 Composed by Fel…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.796895 Composed by Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional. Arranged by Stephanie Daige. Christian,Christmas,Concert,Sacred,Traditional. 28 pages. Stephanie Daige #5178771. Published by Stephanie Daige (A0.796895). This arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the holiday season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. There are parts for piccolo, flute 1, flute 2, alto flute, and bass flute. I’ve included a transposition of the alto flute part for an optional third C flute in case you don’t have an alto flute available. This triumphant medley is in the key of concert G major. Christmas carols featured are:• Hark! The Herald Angels Sing• O Come, All Ye Faithful• O Little One Sweet• Bring A Torch, Jeannette, Isabella• It Came Upon the Midnight Clear• O Little Town of Bethlehem• We Wish You a Merry ChristmasI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This medley works well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music recital, prelude to a choral performance/ sing-along, etc. It'd perfect for anywhere you want to lift people's spirits with beautiful, familiar seasonal music. Duration is approximately 4.5 minutes. There are also versions of this medley available for piano and other chamber music ensembles.
$17.99
16.59 €
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Flute ensemble
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Felix Bartholdy Mendelssohn, Johann Sebastian Bach, and Traditional
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Christmas Joy Medley for Flute Choir
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Stephanie Daige
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SheetMusicPlus
Berceuse by A. Ilyinsky for flute choir / ensemble
Flute ensemble
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.874261 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.874261 Composed by A. A. Ilyinsky. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Concert,Contemporary,Romantic Period,Standards. 24 pages. As do Ray meflute studio production #6046601. Published by as do Ray meflute studio production (A0.874261). https://www.youtube.com/watch?v=nnk_BPZcmX0&feature=youtu.beBerceuse by A. A. Ilyinsky for flute choir /ensemble This beloved piece, well known by many early music students, is a sweet expressive addition for your flute ensemble/ group/ choir. Simplistic enough to intermediate performers, yet complex enough to create something magical for performers and audience. This simple yet sweet melody, added with my rich textured harmonies adds a new flare to this piece, and would be perfect for playing for so many venues , concerts, churches, programs, graduation, memorial services, and many other choices. A great way for newer players to learn expressive playing and emotional phrasing. A sure hit for all ! set for piccolo, 5 c flutes, alto flute in g , bass flute and optional contra bass flute. A piece where all flute players can play, sharing the melody back and forth through the sections Thanks for looking, and please check out my website @ doRaymeflute.com
$13.99
12.9 €
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Flute ensemble
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A
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intermediate 
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Berceuse by A. Ilyinsky for flute choir / ensemble
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as do Ray meflute studio production
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SheetMusicPlus
Doll On A Music Box
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1324704 Composed by R. Sherman. Arranged by Marcello Pedruzzi. 20th Century,Broadway,Film/TV,Musical/Show,Pop. 18 pages. Mp - Marcello Pedruzzi #912897. Published by mp - Marcello Pedruzzi (A0.1324704). In the musical film Chitty Chitty Bang Bang Truly Scrumptious (Sally Ann Howes) pretends to be a doll dancing on a music box, while Caractacus Potts (Dick Van Dyke) duets with her as an automaton. This little gem is perfect to be adapted for flute choir (flutes 1&2, alto flute, bass flute and optional contrabass flute) whith a solo flute as Truly and a solo alto flute as Caractacus. Parts for other types of flutes are available upon request.
$19.99
18.43 €
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Flute ensemble
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R
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Doll On A Music Box
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mp - Marcello Pedruzzi
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SheetMusicPlus
Berceuse by Ilyinsky - 5 flutes / flute ensemble / flute quintet
Flute ensemble
Composed by Alexander Ilyinsky (1859-1920). Arranged by a " do Ray me " fl…
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Composed by Alexander Ilyinsky (1859-1920). Arranged by a " do Ray me " flute studio production, Ray- Michael Kauffman. Romantic Period, Repertoire, Mother's Day, Wedding, Recital. Individual Part, Lead Sheet, Octavo, Piano Reduction, Score, Set of Parts, Sheet Music Single, Solo Part. 16 pages. Published by a " do Ray me " flute studio production
https://youtu.be/Mw3wD_kzxrc<br> <br> This beloved piece, well known by many early music students, is a sweet expressive addition for your flute ensemble/ group/ choir. Simplistic enough to intermediate performers, yet complex enough to create something magical for performers and audience. This simple yet sweet melody, added with my rich textured harmonies adds a new flare to this piece, and would be perfect for playing for so many venues , concerts, churches, programs, graduation, memorial<br> services, and many other choices. A great way for newer players to learn expressive playing and emotional phrasing. A sure hit for all !<br> set for 4 c flutes, and alto flute in g , and / or bass flute . Can be used as a quintet or sextet , or small flute ensemble. A piece where all flute players can play, sharing the melody back and forth through the sections .<br> <br> Thanks for looking, and please check out my website @ doRaymeflute.com
$9.99
9.21 €
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Flute ensemble
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Alexander Ilyinsky
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do Ray me "
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Berceuse by Ilyinsky - 5 flutes / flute ensemble / flute quintet
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a " do Ray me " flute studio production
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SheetMusicPlus
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