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Flute ensemble
Sheetmusic to print
10 sheet music found
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1
Twitter, for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Gre…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
36.08 €
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Flute ensemble
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Songs of a little Bear for flute sextet or flute choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.576757 Composed by Dav…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.576757 Composed by David Warin Solomons. 20th Century,Contemporary. 27 pages. David Warin Solomons #237745. Published by David Warin Solomons (A0.576757). The melodies in this work are based on my unpublished 1979 setting of The expotition to the North Pole from A A Milne's book Now we are six in the Winnie the Pooh series (under the title The Poohratorio). Clearly the Poohratorio itself cannot yet be published due to copyright on the text, but the melodies that it inspired have led to various pieces including a Magnificat and Nunc Dimittis (Canticula Ursae Minoris) and various sextets (Songs of a little Bear) including this flute sextet/flute choir. As suggested in the score, the ideal positioning would be to have all flutes in choir 1 on one side of the stage and all flutes in choir 2 on the other side (ie antiphonally). The pdf file contains score and parts and also includes an optional piccolo part to take the place of flute 1. The sound sample is an electronic preview.
$15.00
13.53 €
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Flute ensemble
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David Warin Solomons
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Songs of a little Bear for flute sextet or flute choir
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David Warin Solomons
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SheetMusicPlus
Thus Saith the Lord & But Who May Abide the Day of His Coming from The Messiah for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559360 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 36 pages. Lisa L Ochoco #519507. Published by Lisa L Ochoco (A0.559360). This is a full arrangement for flute choir from Handel's Messiah written in the same key as the vocal score. Thus Saith the Lord: Flute 1 & 2 take the lead here as a soli, playing octaves apart throughout the entire piece in this fiery movement. But Who May Abide the Day of His Coming: The solo part can be played by an alto, bass, or C flute, whichever the group desires, but the solo part should be amplified so it can be heard above the volume of the accompaniment. Both of these movements can also be used to accompany a solo singer using the Orch parts. This is a must have for your choir!
$15.00
13.53 €
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Flute ensemble
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George Frideric Handel
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Thus Saith the Lord & But Who May Abide the Day of His Coming from The Messiah for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
The Lion Sleeps Tonight
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1037657 By Robert John. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Adrian Dee. Pop. 24 pages. Adrian Dee #642562. Published by Adrian Dee (A0.1037657). This piece is a fun oldie-goldie from 1961, a real crowd-pleaser. Add some hand-claps or small percussion at your discretion. The contrabass flute part is essential, but can be covered by regular bass flute if you don’t have a contra. Put as many players on the bottom parts as you have big flutes available. Don’t take the dotted rhythm literally; it should be triplets (quarter + eighth), or “swing†eighth notes. And most importantly – let your players have fun with this! Scored for piccolo, 2 C-flutes, alto flute, bass flute, and contrabass flute.
$14.99
13.52 €
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Flute ensemble
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Robert John
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The Lion Sleeps Tonight
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Adrian Dee
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SheetMusicPlus
Symphony No. 6 "Pastorale" Mvt 3 for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.817932 Composed by Ludwig van Beethoven. Arranged by Adrian Dee. Romantic Period. 43 pages. Adrian Dee #3131217. Published by Adrian Dee (A0.817932). Many of us have visions of flying horses and satyrs frolicking in the meadows when we hear this piece, thanks to Disney's Fantasia. This is the scherzo movement, the country dance and festivities. It runs about 6 minutes. The movement ends abruptly in ms 264 and continues immediately to movement 4, the storm, without missing a beat. However, here I have taken the liberty to suggest an alternate ending in case you want to play this movement by itself. The other movements are also available. Arranged for Flute Choir: picc, 4-C, 2 alto, 2 bass, contra.
$10.95
9.88 €
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Flute ensemble
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Ludwig van Beethoven
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Symphony No. 6 "Pastorale" Mvt 3 for Flute Choir
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Adrian Dee
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.25 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.25 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Mary, Did You Know? for flute choir or flute ensemble ( christmas )
Flute ensemble
By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Pa…
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By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 28 pages. Published by a " do Ray me " flute studio production
"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g<br> <br> A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles. <br> <br> This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.<br> <br> ** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.<br> <br> My title is suited for adult, advanced players of an actual flute choir. enjoy.<br> <br> https://www.youtube.com/watch?v=2-jWPg_SS8g
$13.99
12.62 €
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Flute ensemble
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Kathy Mattea
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do Ray me "
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Mary, Did You Know? for flute choir or flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
Up Where We Belong for Flute Choir
Flute ensemble
Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early …
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Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early Intermediate - Digital Download By Joe Cocker & Jennifer Warnes. Arranged by James- Michael Sellers. Score, Set of Parts. 13 pages. Published by JMS Composer
Let your flute choir take off to where they belong with this wonderful arrangement of "Up Where We Belong", the 1982 #1 Hit from the Paramount motion picture An Officer and a Gentleman. This wonderful work stays true to the feel of the work without pushing your flute choir too much. A wonderful song which emphasizes that true love can make any relationship stronger, this is a great addition to any concert.<br> <br> This work's 4th Flute part is a concert transposition of the Alto Flute part.<br> <br> Duration is around 4 minutes. <br> <br> Included Parts and Ranges:<br> - Piccolo (sounding F#5 to A6)<br> - Flute 1 (A4 to G6)<br> - Flute 2 (G4 to G6)<br> - Flute 3 (E4 to D6)<br> - Flute 4 (C Alto part, D4 to A5)<br> - Alto Flute (sounding D4 to A5)<br> - Bass Flute (sounding D3 to F4)
$12.99
11.72 €
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Flute ensemble
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Joe Cocker & Jennifer Warnes
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Jennifer Warnes
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Up Where We Belong for Flute Choir
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SheetMusicPlus
Behold the Lamb of God from The Messiah for Flute Choir
Flute ensemble
Flute Choir - Intermediate - Digital Download Composed by George Frideric Handel (168…
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Flute Choir - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by Lisa Ochoco. Baroque Period, Christian, Easter, Recital. Score, Set of Parts. 16 pages. Published by Lisa Ochoco
This is the first movement of Part 2, Christ's Passion, of Handel's oratorio, The Messiah.<br> <br> Flutes 1 - 4 represent the SATB chorus, and the lower parts represent the orchestral parts. That said, Flutes 5 and 6 are more diffcult because they are playing the violin parts, which include more ornamentation than the voice parts.<br> <br> Scored for 6 C, alto, bass, and optional contrabass flutes.<br> <br> This is a powerful piece to add to your Easter recital program.<br> <br> Behold the Lamb of God, that taketh away the sins of the world.
$10.00
9.02 €
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Flute ensemble
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George Frideric Handel
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Behold the Lamb of God from The Messiah for Flute Choir
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Lisa Ochoco
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SheetMusicPlus
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