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Flute ensemble
Sheetmusic to print
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1
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.61 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.61 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Silent Night (Bb) (Flute Octet)
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Fra…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.44 €
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Flute ensemble
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Springtime Mantleth Every Bough for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.560152 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissance. 13 pages. Lisa L Ochoco #6535113. Published by Lisa L Ochoco (A0.560152). Thomas Morley was one of the most well-known English composers of madrigals during the Renaissance. His music is still widely performed by singers today. It is assumed that he studied music and/or sung under the direction of William Byrd. Morley's madrigal compositions stand out from other Renaissance pieces because of their lighter tone and quicker tempos.
$6.00
5.58 €
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Flute ensemble
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Thomas Morley
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Springtime Mantleth Every Bough for Flute Choir
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Lisa L Ochoco
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SheetMusicPlus
Danny Boy
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559999 Composed by Peter Knight, Philip Lawson, and Traditional Irish Folk Melody. Arranged by Lisa Ochoco. Multicultural,Traditional,World. 15 pages. Lisa L Ochoco #6108911. Published by Lisa L Ochoco (A0.559999). Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.
$14.00
13.02 €
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Flute ensemble
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Peter Knight, Philip Lawson, and Traditional Irish Folk Melody
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Danny Boy
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Lisa L Ochoco
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SheetMusicPlus
Only Wind for flute sextet
Flute ensemble
Small Ensemble Alto Flute - Digital Download SKU: A0.483826 Composed by Matt Belzer…
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Small Ensemble Alto Flute - Digital Download SKU: A0.483826 Composed by Matt Belzer. 20th Century. Score and parts. 41 pages. Published by Matobelu Music (A0.483826). Only Wind was commissioned by the flute section of the “President’s Own†United States Marine Band. While composing this piece, I became fascinated by Inuit throat singing. Often practiced by sisters or best friends, it is a kind of friendly competition between two singers. While I did not attempt to capture the timbre or rhythm of that music in this piece, I was nevertheless inspired by its energy and its fast paced, back and forth quality. Only Wind consists of two parts: a meditative, aleatoric introduction, and an exciting, rhythmically driven section loosely following the classic four-strain formal structure of ragtime. (4 flutes, 2 alto flutes).
$22.00
20.47 €
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Flute ensemble
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Matt Belzer
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Only Wind for flute sextet
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Matobelu Music
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SheetMusicPlus
Mary, Did You Know? for flute choir or flute ensemble ( christmas )
Flute ensemble
By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Pa…
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By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 28 pages. Published by a " do Ray me " flute studio production
"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g<br> <br> A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles. <br> <br> This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.<br> <br> ** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.<br> <br> My title is suited for adult, advanced players of an actual flute choir. enjoy.<br> <br> https://www.youtube.com/watch?v=2-jWPg_SS8g
$13.99
13.02 €
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Flute ensemble
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Kathy Mattea
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do Ray me "
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Mary, Did You Know? for flute choir or flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
Danny Boy for Low Flute Choir
Flute ensemble
Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download…
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Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco
Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.<br> <br> This is a straight forward arrangement of Danny Boy that has beautiful harmonies and is rhythmically simplistic. This is a great closer for your recitals.<br> <br> Scored for 3 altos, 3 basses and contrabass flutes. There are optional contra-alto in G and cello parts that double the Bass 3 & Contrabass parts.<br> <br> Duration: 3 minutes
$14.00
13.02 €
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Flute ensemble
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Danny Boy for Low Flute Choir
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Lisa Ochoco
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SheetMusicPlus
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