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3 Harps
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String quartet: 4 violins
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Xylophone, Piano
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School Ensemble
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String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
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Xylophone
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Piano and Orchestra
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Musical course - Solfege
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Flute ensemble
Sheetmusic to print
14 sheet music found
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.69 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Were You There (When They Crucified My Lord) for flute choir
Flute ensemble
Composed by African-American Spiritual. Arranged by Ralph Raymond Hays. Christian, E…
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Composed by African-American Spiritual. Arranged by Ralph Raymond Hays. Christian, Easter, Sacred, Spiritual. 9 pages. Ralph Raymond Hays #3482895. Published by Ralph Raymond Hays
$14.99
13.97 €
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Flute ensemble
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African-American Spiritual
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Were You There
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Ralph Raymond Hays
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SheetMusicPlus
Canzon Duodecimi Toni a 10, Ch. 177
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee. Renaissance. 27 pages. Adrian Dee #642563. Published by Adrian Dee (A0.1037658). Here is one for the big flutes. Arranged for 3 C-flutes, 2 alto flutes, 2 bass flutes, and 2 contrabass flutes. Each voice is unique, so all parts are required, including both contra parts. You may add piccolo players (one on each part) to double the first and second flute parts. This piece is a typical example of Gabrieli’s masterful counterpoint. Keep all notes cleanly separated as though they were marked staccato, especially repeated notes. Bring out the moving notes and drop back on longer notes.
$10.99
10.24 €
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Flute ensemble
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Giovanni Gabrieli
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Canzon Duodecimi Toni a 10, Ch. 177
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Adrian Dee
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SheetMusicPlus
Cracked
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559660 By Pentatonix. By Avriel Kaplan, Christopher J. Baran, Scott Hoying, and Talay Riley. Arranged by Lisa Ochoco. Contemporary. 21 pages. Lisa L Ochoco #3629099. Published by Lisa L Ochoco (A0.559660). Pentatonix is one of my favorite vocal groups. It is amazing how much sound they can create with just 5 voices.
$15.00
13.98 €
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Flute ensemble
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Pentatonix
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Cracked
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Lisa L Ochoco
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SheetMusicPlus
Misbehavin'
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559927 By Pentatonix. By Matthew Radosevich, Mitchell Grassi, Ruth Anne Cunningham, and Scott Hoying. Arranged by Lisa Ochoco. Contemporary. 34 pages. Lisa L Ochoco #5866999. Published by Lisa L Ochoco (A0.559927). Pentatonix is one of my favorite vocal groups. It is amazing how much sound they can create with just 5 voices.
$15.00
13.98 €
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Flute ensemble
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Pentatonix
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Misbehavin'
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Lisa L Ochoco
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SheetMusicPlus
In the Steppes of Central Asia
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817938 Composed by Alexander Borodin. Arranged by Adrian Dee. Romantic Period. 34 pages. Adrian Dee #4368834. Published by Adrian Dee (A0.817938). We are on the vast grasslands in Central Asia. In the distance we hear a caravan approaching. They are guided by Russian soldiers singing a folk song. As they get closer, we hear a melancholy native melody also emerge. The caravan passes, the voices of the men, the plodding of the horses and camels, the bundles of goods on their way to a foreign market. All intermingled into one song now. We watch them slowly fade into the distance until all we can discern is a faint rise of dust on the horizon and the fading notes of the folk song.
$19.95
18.59 €
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Flute ensemble
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Alexander Borodin
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In the Steppes of Central Asia
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Adrian Dee
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SheetMusicPlus
Silent Night (Bb) (Flute Octet)
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Fra…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
7.46 €
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Flute ensemble
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Mama Mia
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1409473 By Various Artists. By Benny Andersson, Bjorn Ulvaeus, Humbert Ibach, Jean Schmitt, Jorgen Slips, and Stig Anderson. Arranged by Adrian Dee. Contemporary,Pop,Rock. 35 pages. Adrian Dee #992103. Published by Adrian Dee (A0.1409473). Whether you’re an ABBA fan or not, this is a fun crowd pleaser.  A great opener or encore piece. You’ll need some strong players on the low flutes as they drive the rhythm. You can optionally cut back to one player on the Flute 1 part in ms. 11-17 and 53-59 to balance with the piccolo. The piece runs 3 ½ minutes and is quite accessible. The repeated notes have to be short and crisp and there is a bit of syncopation.
$15.99
14.9 €
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Flute ensemble
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Various Artists
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Mama Mia
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Adrian Dee
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SheetMusicPlus
Fugue 20 from Well-Tempered Clavier, Book 1 (Flute Sextet)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.830132 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 25 pages. Richard Byrnes #2913827. Published by Richard Byrnes (A0.830132).  The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for Piccolo, 3 Flutes, Alto Flute, & Bass Flute. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.  These pieces often use ornaments. The recording will demonstrate to you how they should sound.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.
$29.99
27.95 €
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Flute ensemble
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Johann Sebastian Bach
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Bass Flute
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Fugue 20 from Well-Tempered Clavier, Book 1
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Richard Byrnes
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.69 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
The Village
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digi…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by a do Ray me flute studio production Ray-Michael Kauffman. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. 53 pages. As do Ray meflute studio production #837642. Published by as do Ray meflute studio production (A0.1242493). The Village by Wrabel, arranged for flute choir /ensemble arranged by me, Ray-Michael Kauffman. This beautiful and poignant song is part of my Compositions that care series, meaning all profits from thios arrangemnt goes to a charity. This charity is for LGBTQ+. ( about the song meaning)Wrabel, the composer, stated the song is about the LGBTQ+ community and all the hardships they face.The song is directed and to encourage and give hope to a trans person who is being treated poorly and ostracized , and to let that perosn struggling know that there is absolutely Nothing wrong with you and there's soemthing wrong with the village.Too many of the trans/LGBTQ+ comminity are struggling , especially in todays political climate. All around the world LGBTQ+ persons are being bullied, discriminated against , attacked, thrown in jail , and even killed with liitle to no laws to protect people.in my own personal life, as a victim of a horrible hate crime where the person involved attmepted to beat me and kill me , unfortuanelty i found out very qucikly how laws even in the USA do not protect me , how many cops ignored me and/or attmepted to make the attack my fault , and how laywers did not want to help and judges either ,and beacsue of the laws i was not protected as a minority and the crime wasn't a hate crime even though the criminals admitted this as the reason of the attack.I was told that this was not a hate crime , unless the criminals made me a victim of S.A., used a car/vehicle , or a gun, or actually ended my life. I also wanted to add , this brutal attack ( recorded on video by the criminals ) which caused such serious bodily harm, had me in the hospital for surgeries, and required months of long and painful rehab and therapy.As a country, as a society, as a planet , we all need to do better, and have to have more protections for such a discriminated group of persons.I did want to add , all the issues happening around the world, and even here in the USA, such as the awful and fascist discrimitory laws in Florida and other states it's no wonder the statistics of LGBTQ+ that contemplate ending their person or even attempting the act .I ask respectfully that every one please go to law makers and demand better laws and treatments of people no matter what community there are of. All people deserve respect, proper medcial care, and to have the same rights as every other human being. We all can and must be the change you wish to see in the world. ( Ganhdi)Thank you for checking my special arrangement out, and please check out my other arrangements on SheetMusicPlus and my Website @ doRaymeflute.comÂ
$17.99
16.77 €
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Flute ensemble
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Wrabel
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The Village
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as do Ray meflute studio production
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SheetMusicPlus
The Latest Whistledown from Bridgerton for Flute Choir
Flute ensemble
Flute Choir - Advanced Intermediate - Digital Download Arranged by Lisa Ochoco. Score, …
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Flute Choir - Advanced Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 18 pages. Published by Lisa Ochoco
For those Bridgerton fans out there, Lady Whistledown's Society Paper is how her dearest readers discovered the juiciest news about everyone who was someone in London. "If there's a scandal, she shall uncover it, and share every last detail." Even the queen read it! The Netflix series burst onto the screen in December 2020, amid a pandemic, and became one of the most popular shows around the world. Kris Bowers wrote the soundtrack for Bridgerton. The recording was done remotely by just 8 orchestra musicians. It proves, as many musicians have during the pandemic, that you don't have to be in the same room to make great music with others - the process is just a little weird. The Latest Whistledown is a lively piece that is quite a delight. This arrangement is a bit beefier than the original recording, as it makes no sense to me to have members of the choir just sitting there with nothing to play while the others may think they have too many notes. This piece also includes a key change that the original does not have, because it helps lengthen the delight a little more. Scored for piccolo, 3 C flutes, alto, bass, and contrabass flutes. There is an optional upright string bass part that doubles the contrabass part. It can be played by any bass clef C instrument in a similar range. Duration: 2 minutes
$15.00
13.98 €
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Flute ensemble
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The Latest Whistledown from Bridgerton for Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Up Where We Belong for Flute Choir
Flute ensemble
Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early …
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Flute Choir (consisting of Piccolo, 4 C Flutes, Alto Flute, and Bass Flute) - Early Intermediate - Digital Download By Joe Cocker & Jennifer Warnes. Arranged by James- Michael Sellers. Score, Set of Parts. 13 pages. Published by JMS Composer
Let your flute choir take off to where they belong with this wonderful arrangement of "Up Where We Belong", the 1982 #1 Hit from the Paramount motion picture An Officer and a Gentleman. This wonderful work stays true to the feel of the work without pushing your flute choir too much. A wonderful song which emphasizes that true love can make any relationship stronger, this is a great addition to any concert.<br> <br> This work's 4th Flute part is a concert transposition of the Alto Flute part.<br> <br> Duration is around 4 minutes. <br> <br> Included Parts and Ranges:<br> - Piccolo (sounding F#5 to A6)<br> - Flute 1 (A4 to G6)<br> - Flute 2 (G4 to G6)<br> - Flute 3 (E4 to D6)<br> - Flute 4 (C Alto part, D4 to A5)<br> - Alto Flute (sounding D4 to A5)<br> - Bass Flute (sounding D3 to F4)
$12.99
12.11 €
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Flute ensemble
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Joe Cocker & Jennifer Warnes
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Jennifer Warnes
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Up Where We Belong for Flute Choir
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SheetMusicPlus
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