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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
We Two
Not classified
802
Piano & keyboards
Piano solo
238
Piano Accompaniment
75
Piano, Vocal and Guitar
72
Piano, Voice
64
Easy Piano
44
Organ
41
2 Pianos, 4 hands
34
1 Piano, 4 hands
27
C Instruments
11
Piano Trio: piano, violin, cello
9
Organ, Trumpet (duet)
6
Piano Quartet: piano, violin, viola, cello
5
Piano Quartet: piano, 2 violins, cello
3
Organ, Piano (duet)
2
Piano (band part)
1
Melody line, Piano
1
Harpsichord
1
Accordion
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
29
Guitar
15
Piano, Guitar (duet)
7
Melody line, (Lyrics) and Chords
5
2 Guitars (duet)
5
4 Guitars (Quartet)
3
3 Guitars (trio)
2
Guitar (band part)
2
Banjo
1
Ukulele
1
Bass guitar
1
2 Ukuleles
1
Lyrics and Chords
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
186
Choral 2-part
121
Choral Unison
99
Choral 3-part
67
Tenor voice, Piano
20
Choral TTBB
14
Vocal duet, Piano
14
Soprano voice, Piano
14
Vocal duet
14
Choral SSAA
9
Alto voice, Piano
8
Tenor voice
5
Choral
5
Baritone voice, Piano
5
Voice solo
3
High voice
2
Choral SSAATTBB
1
Medium voice, Piano
1
Low voice, Piano
1
Choral SSATTB
1
Soprano voice
1
+ 16 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
94
2 Flutes (duet)
81
2 Clarinets (duet)
64
Clarinet and Piano
44
Flute and Piano
39
Oboe, Piano (duet)
29
Tenor Saxophone and Piano
24
2 Oboes (duet)
24
Saxophone, Clarinet (duet)
22
Saxophone Quartet: 4 saxophones
21
Clarinet, Violin (duet)
20
Flute, Oboe, Clarinet, Bassoon
19
3 Clarinets (trio)
19
Flute, Violin
18
3 Saxophones (trio)
17
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
17
Flute, Clarinet (duet)
16
Alto Saxophone and Piano
16
Flute Quartet: 4 flutes
15
Flute
14
Soprano Saxophone and Piano
14
Clarinet, Trumpet (duet)
14
2 Flutes, Piano
13
2 Recorders (duet)
13
Clarinet Quartet: 4 clarinets
13
Clarinet and Viola
9
Clarinet Ensemble
8
Saxophone ensemble
8
Oboe, Flute
8
Flute, Viola (duet)
8
Oboe, Clarinet (duet)
8
English horn, Piano
8
Flute, Saxophone (duet)
7
Clarinet
7
Oboe, Bassoon (duet)
7
Descant (Soprano) Recorder
6
Flute, Clarinet, Piano (trio)
6
Baritone Saxophone, Piano
6
Flute ensemble
5
Clarinet, Cello (duet)
5
Flute, Trumpet (duet)
5
Recorder Quartet
4
2 Clarinets, Piano
4
Descent (Soprano) Recorder, Piano
4
Alto Saxophone
4
Flute Trio: 3 flutes
4
Clarinet, Bassoon (duet)
4
Flute, Violin and Violoncello
4
Flute, Viola and Piano
3
Clarinet Quintet: 5 clarinets
3
Flute, Violin, Piano
3
Bass Clarinet, Piano
3
Flute, Clarinet and Bassoon.
3
Clarinet, Cello, Piano (trio)
3
Wind ensemble
2
Tenor Saxophone
2
2 Flutes and Harp
2
Saxophone Quintet: 5 Saxophones
2
Flute, Cello, Piano (trio)
2
Flute, trombone and piano
2
Clarinet, Trombone (duet)
1
Flute Quintet : 5 flutes
1
Clarinet, trumpet and piano
1
Bass Clarinet
1
Flute and Strings Trio
1
English horn, Harp (duet)
1
Clarinet, Harp (duet)
1
Flute, Bassoon, and Piano
1
Flute (band part)
1
Recorder, Piano
1
Treble (Alto) Recorder, Piano
1
Oboe, Cello
1
Recorder Ensemble
1
Saxophone (band part)
1
Flute, Oboe, Piano (trio)
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Violin (duet)
1
Flute, Violin, Violoncello and Piano
1
Flute, Oboe (duet)
1
Flute, Cello, Guitar
1
+ 75 instrumentations
-
Retract
Woodbrass
2 Trumpets (duet)
46
Brass Quintet: 2 trumpets, horn, trombone, tuba
43
2 Trombones (duet)
41
Trombone and Piano
22
Trumpet, Piano
19
Trumpet, Saxophone (duet)
17
Trumpet, Trombone (duet)
15
Brass quartet : 2 trumpets, trombone, tuba
15
2 French horns (duet)
13
Brass Quartet: 2 trumpets, horn, trombone
13
French Horn and Piano
9
Trumpet
8
English horn, Piano
8
Trombone
8
Euphonium, Piano (duet)
7
Tuba and Piano
6
Brass Quartet
5
Trombone ensemble
5
2 Trumpets, Keyboard (piano or organ)
4
2 Tubas (duet)
4
Tuba
4
Trombone (band part)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Brass Quartet: 4 trombones
3
Trumpet, Cello, Piano
2
Brass Trio
2
Brass Quartet: 4 trumpets
2
French horn
2
Trumpet, Horn (duert)
1
Horn, Cello (duet)
1
Trumpet ensemble
1
French horn (band part)
1
English horn, Harp (duet)
1
Trombone, Tuba (duet)
1
Trumpet, Cello (duet)
1
3 French horns (trio)
1
Brass Quartet: 4 horns
1
3 Trombones (trio)
1
Tuba and Organ
1
2 Trombones, Piano
1
+ 35 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
98
2 Violins (duet)
79
String Trio: violin, viola, cello
74
2 Cellos (duet)
53
Harp
50
Violin and Piano
44
Violin, Cello (duet)
39
2 Violas (duet)
35
Viola, Piano
27
Cello, Piano
20
Violin, Viola (duet)
18
String Trio: 2 violins, cello
18
Violin
16
Cello
10
2 Harps (duet)
9
String Trio: 2 violins, viola
9
String Quintet: 2 violins, viola, cello, bass
8
Harp, Flute (duet)
6
4 Cellos
5
Violin (band part)
5
Piano Trio: Violin, Viola, Piano
5
Double bass, Piano (duet)
4
Harp, Violin (duet)
4
2 Violins, Piano
4
String quartet: 4 violins
4
Viola, Cello (duet)
4
Violin, Clarinet, Piano (trio)
4
String trio
4
Viola (band part)
3
String Trio: 3 cellos
3
String Trio: 3 violins
3
2 Cellos, Piano
2
Harp and Piano
2
Doublebass (band part)
2
String Quartet : 4 violas
2
4 Double Basses
1
Cello (band part)
1
Viola
1
Violin, Bassoon (duet)
1
Double Bass
1
Viola and Harp
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
135
Brass ensemble
49
Handbells
45
String Orchestra
41
Orchestra
30
Marching band
24
Jazz Ensemble
10
Chamber Orchestra
8
Percussion Ensemble
7
Marimba
4
Jazz combo
4
2 Marimbas
1
Orchestra, Violin
1
Piano and Orchestra
1
Drum (band part)
1
+ 10 instrumentations
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You've selected:
We Two
Flute ensemble
Sheetmusic to print
5 sheet music found
<
1
Twitter, for Flute Choir
#
Flute ensemble
#
INTERMEDIATE
#
Contemporary
#
Greg Danner
#
Twitter, for Flute Choir
#
Avanti Music
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
"Midnight Carousel" for Flute Choir-Six C Flutes
#
Flute ensemble
#
INTERMEDIATE
#
Halloween
#
Grant Horsley
#
"Midnight Carousel" for Flute
#
Grant Horsley
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1174640 Composed by Grant Horsley. Classical,Contemporary,Contest,Festival,Hallo...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1174640 Composed by Grant Horsley. Classical,Contemporary,Contest,Festival,Halloween,Multicultural,World. 43 pages. Grant Horsley #774762. Published by Grant Horsley (A0.1174640). Midnight Carousel is scored for Six C Flutes. -A Flute choir comprising 4 C Flutes, Alto and Bass Flute is also availableMidnight Carousel is in the deep rich key of D minor to aid to the After Dark mood and mysteryThe piece has two distinct ideas. After the introduction a Circus- type Waltz begins, when this is repeated it has a very haunting counter melody which is both lilting and lyrical. As the piece develops, an out of character playful Scherzo theme begins which adds some intensity and mystery surrounding the Midnight Carousel. Both Waltz and Scherzo themes exchange dialogue throughout this section as if wanting some sort of control, when suddenly two accents appear to signify a halt We then return to the opening theme once more to lead us to a finish. Before the conclusion however, the Scherzo theme re-instates it's ideas before the final bars!The whole score is on the youtube link for you to assess suitability- It has been set to intermediate level as the range is around 2 octaves with some parts less than this. Mainly Quarter and Eighth notes used throughout- therefore it would be appropriate for some early-intermediate players.It is around 3 mins 30 long and price is for full score and all parts.Ideal for concerts, contests, productions, halloween, folklore/fantasy themes or simply something different to add to the repertoire.
$13.50
Thanksgiving Medley for Flute Choir
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Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Various
#
Yoel Epstein
#
Thanksgiving Medley for Flute
#
Yoel Epstein
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worshi...
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pages. Yoel Epstein #3238781. Published by Yoel Epstein (A0.773303). I wish you the greatest pleasure playing these arrangements of traditional Thanksgiving songs. Thanksgiving is one of the most beautiful of holidays, a holiday filled with joy and music. We Gather Together to Ask the Lord's Blessing: Written in 1597 by Dutch composer Adrianus Valerius to celebrate Holland's victory over Spain, the tune was brought to American shores by the early Dutch settlers. Poet Theodore Baker wrote a new version of the lyrics in 1894, which became the standard Thanksgiving version. Over the River and Through the Wood: Lydia Maria Child, an outspoken abolitionist and advocate for Indian rights, wrote this poem in 1845. It was set to music by an unknown composer. Let All Things Now Living (The Ash Grove) This traditional Welsh melody (Llwyn Onn or The Ash Grove in Welsh) has inspired numerous lyricists to write words to the hauntingly beautiful tune. The poem by Katherine Davis, written in 1939, is the text most associated with Thanksgiving. Amazing Grace: Written by reprobate sailor John Newton in 1779. Known for his profanity, vulgarity and venery, he was imprisoned, beaten, and enslaved, before he reformed, and became a leading minister and hymn-writer. This is one of the most popular hymns ever written. This Land is Your Land: A traditional American tune, made famous by folksinger Woody Guthrie in 1940. Guthrie wrote the words as a rebuff to the song God Bless America, the huge hit by songwriter Irving Berlin. As a counter to Berlin's drum-beating patriotism, Guthrie would occasionally add politically charged verses expressing his support for communism. I hope you enjoy playing this as much as I enjoyed writing it. If you need other pieces of Americana for your ensemble, you might find them in Best-Loved American Folksongs, in two volumes, available here (volume 1) and here (volume 2). There are also arrangements of Battle Hymn of the Republic, Stars and Stripes Forever, America the Beautiful, and The Star-Spangled Banner. You can see them all and more at my composer page. I have also arranged three songs from the Holocaust, which I distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
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