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Baritone voice, Piano
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Vecchia zimarra, senti
Baritone voice, Piano
Aria di Colline' from 'La Boheme'. Composed by Giacomo Puccini (1858-1924). Edited …
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Aria di Colline' from 'La Boheme'. Composed by Giacomo Puccini (1858-1924). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2015 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott Music (S9.Q25311). - - - Schott Music
$3.99
3.59 €
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Baritone voice, Piano
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Giacomo Puccini
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Vecchia zimarra, senti
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Schott Music
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.06 €
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Baritone voice, Piano
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Angels
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1003858 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1003858 Composed by Larry A. Schacher. Christian. 8 pages. Larry A. Schacher #3106839. Published by Larry A. Schacher (A0.1003858). 2017 Choral Contest entry. A sweet lullaby for children of all ages. Tinkling piano,and soaring vocal line, with beautiful lyrics. Performing rights: August Wine Publishing,B.M.I.Larry Schacher on FacebookLarry Schacher is a multi-instrumentalist, vocalist, arranger and composer. Larry is fluent on piano, sax, clarinet, flute, guitar and bass. While in college, Larry also learned the violin, viola, trumpet, trombone, and bassoon.Larry taught public school music, and gifted classes in music for high schoolers at Eastern Oregon University, and Montana State; Larry also taught adult classical and folk guitar classes at Mt. Hood Community College. Larry also developed a rock and roll boot camp for middle schoolers that ran for several years during spring breaks at the Overlake School in Redmond, Wa. Larry was commissioned to to write the Overlake School anthem. Larry’s students have earned scholarships to the Berkeley School of music; attended the Thornton School of music; New York University and many others. Larry is a recording studio musician and besides the 5 albums he has published on CDbaby, he has appeared on many other albums, produced jingles for commercials that received air play in the Seattle market, and was the pianist for a syndicated gospel TV show. Larry has performed from Hawaii to New York city. One of Larry’s fondest memories is writing and conducting an arrangement of our national anthem that was sung by Seattle Opera at a Sonics/Sun basketball game. https://store.cdbaby.com/cd/larryschacher2http://fandalism.com/mystro1020
$5.00
4.5 €
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Baritone voice, Piano
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Larry A
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Angels
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Larry A. Schacher
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SheetMusicPlus
Set Me As a Seal
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1170819 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1170819 Composed by Gail M. Luley. Sacred,Traditional,Wedding. 1 pages. Gail M Luley #771158. Published by Gail M Luley (A0.1170819). “Set Me As a Seal†is a sacred composition scored for bass or baritone soloist and violin. It is ideal as a short solo for a wedding ceremony. The text is from the biblical book Song of Solomon, which describes the strength of love. The song’s speaker asks that his or her love place a seal – a precious sign of love – upon their heart, signifying commitment and value of this love.The soloist could sing the lines unaccompanied, but the violin part adds flair and a beautiful counterpart to the singer’s melodic declaration.
$2.00
1.8 €
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Baritone voice, Piano
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Gail M
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Set Me As a Seal
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Gail M Luley
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SheetMusicPlus
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