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PIANO & KEYBOARDS

Piano, Voice 52 Piano solo 4 Organ 2 Easy Piano 2 Piano Quartet: piano, violin, viola, cello 1

Harpsichord 1 1 Piano, 4 hands 1

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GUITARS

2 Guitars (duet) 2 Guitar 1

VOICE

Choral SATB 6 Choral 3-part 1 Choral TTBB 1

WOODWIND

Clarinet and Piano 4 Tenor Saxophone and Piano 2 Flute and Piano 2 Alto Saxophone and Piano 2 Clarinet 1

3 Clarinets (trio) 1 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1 2 Saxophones (duet) 1 Soprano Saxophone and Piano 1 2 Flutes, Piano 1 Bass Clarinet, Piano 1 Flute, Oboe, Clarinet, Bassoon 1 2 Clarinets (duet) 1 Baritone Saxophone, Piano 1 Oboe, Piano (duet) 1 English horn, Piano 1 English horn, Harp (duet) 1

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WOODBRASS

Trombone and Piano 2 Trumpet, Piano 1 Euphonium, Piano (duet) 1 Brass Quintet: 2 trumpets, horn, trombone, tuba 1 French Horn and Piano 1

English horn, Piano 1 English horn, Harp (duet) 1 Trumpet 1

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STRINGS

Harp, Flute (duet) 2 Viola, Piano 2 Cello, Piano 1 String Trio: 3 cellos 1 Viola (band part) 1

2 Violins (duet) 1 Violin 1 Violin, Cello (duet) 1 String Quartet: 2 violins, viola, cello 1 Violin and Piano 1

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PERCUSSION & ORCHESTRA

String Orchestra 3 Chamber Orchestra 3 Concert band 3 Marimba, Piano (duet) 1 Piano and Orchestra 1

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Equal But Different

Piano solo

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Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading Piano solo

Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Ha…(+)

Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The â€˜Hanon Virtuoso Pianistâ€™ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by todayâ€™s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the â€˜Alfredâ€™ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what Iâ€™ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen â€˜changeoverâ€™ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html

$5.99 5.52 € #Piano solo #Charles-Louis Hanon #Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading #Martin Woodward #SheetMusicPlus

Ode to the Winding Path Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1190553 By Firjii. By Kathy Warneck…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1190553 By Firjii. By Kathy Warnecke. Contemporary,New Age,Pop. Score. 9 pages. Kathy Warnecke #790136. Published by Kathy Warnecke (A0.1190553). Good stories begin and end in different but equal places. The momentum of a journey is sometimes about focusing on the next step in front of you, not where the path ends. This energetic piano solo prioritizes tempo and rhythm consistency over flashy development. It is an ideal choice for players who need easier-to-reach chords but have a good command of rhythm.

$6.00 5.53 € #Piano solo #Firjii #Ode to the Winding Path #Kathy Warnecke #SheetMusicPlus

Clair de Lune (with piano fingering as needed) Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. …(+)

Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.

$1.99 1.83 € #Piano solo #Claude Debussy #Clair de Lune #Scott Camp #SheetMusicPlus

Pachelbel: Canon in D for Solo Piano Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1096204 Composed by Johann Pachelbe…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1096204 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score. 4 pages. Jmsgu3 #700167. Published by jmsgu3 (A0.1096204). Score: 4 pages. Duration: 2:27. The famous Pachelbel Canon arranged for Solo Piano. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.

$32.95 30.38 € #Piano solo #Johann Pachelbel #Pachelbel: Canon in D for Solo Piano #jmsgu3 #SheetMusicPlus