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Journeys, Encounters, and Unanswered Questions
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.977398 By Suzanne Herman. By Suzann…
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Piano Solo - Level 4 - Digital Download SKU: A0.977398 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 6 pages. Suzanne Herman Music #6453759. Published by Suzanne Herman Music (A0.977398). No matter where we travel in this world, it is necessary for each of us to navigate life's journeys, strive to discern our encounters, and learn to accept unanswered questions. This is the story behind Journeys, Encounters, and Unanswered Questions. Beginning in the key of F minor, the music intensifies into the key of F# minor, then returns to F minor. The expressive rubato throughout provides fervent emotion and provides much opportunity for creative interpretation. Journeys, Encounters, and Unanswered Questions, from the solo piano album and songbook Stories from Portugal, can be found worldwide on all major listening platforms including Spotify, iTunes, Amazon Music, Apple Music, Pandora, etc.
$5.50
5.07 €
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Piano solo
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Suzanne Herman
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Journeys, Encounters, and Unanswered Questions
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Suzanne Herman Music
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SheetMusicPlus
Paisley's Sonata
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brow…
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
4.6 €
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Piano solo
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
What Child Is This? - Piano Solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.748492 Composed by GREENSLEEVES, Tr…
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Piano Solo - Level 3 - Digital Download SKU: A0.748492 Composed by GREENSLEEVES, Traditional English melody 16th century, and William Chatterton Dix. Arranged by Fritz Stanley. Christian,Christmas,Sacred. Score. 8 pages. MicStanley #3690907. Published by MicStanley (A0.748492). 2018 Holiday Contest Entry What Child Is This? is a Christmas carol whose lyrics were written by William Chatterton Dix in GREENSLEEVES tune. The first verse poses a rhetorical question in the first half, with the response coming in the second half. The second verse contains another question that is answered, while the final verse is a universal appeal to everyone urging them to accept Christ.The carol's melody has been described as soulful, haunting and beautiful in nature. Arranged by Fritz Stanley for piano solo.
$4.99
4.6 €
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Piano solo
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GREENSLEEVES, Traditional English melody 16th century, and William Chatterton Dix
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What Child Is This? - Piano Solo
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MicStanley
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.61 €
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Piano solo
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Dinner with My Family
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1502755 By KHALED MANDI. By KHALED …
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Piano Solo - Level 4 - Digital Download SKU: A0.1502755 By KHALED MANDI. By KHALED MANDI. Arranged by KHALED MANDI. Classical,Contemporary,Film/TV. Score. 3 pages. KHALED ALTAMIMI #1078418. Published by KHALED ALTAMIMI (A0.1502755). Dinner with My Family is a musical composition created for a film that tells the story of Christina, a troubled woman attempting to rebuild her fractured family relationships. She invites her family to a dinner in an effort to reconcile, but as the night progresses, her hidden intentions and past trauma come to light, including her responsibility for the murder of her family members. The film explores themes of trauma, revenge, and the search for love and acceptance, questioning concepts of forgiveness and justice. With escalating tension and unexpected twists, the music provides an emotionally charged backdrop to a cinematic experience that delves into psychological conflict and the fine line between right and wrong.
$5.99
5.52 €
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Piano solo
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KHALED MANDI
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Dinner with My Family
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KHALED ALTAMIMI
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SheetMusicPlus
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