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Be Still - Bass Clar.
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You've selected:
Be Still - Bass Clar.
Piano solo
Sheetmusic to print
7 sheet music found
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1
Aben Eubanks: Be Still for piano solo
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Piano solo
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EASY
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Pop music
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Aben Eubanks
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Virtualsheetmusic
Instantly printable sheet music by Kelly Clarkson for piano solo of EASY skill level. / pop,children
Instantly printable sheet music by Kelly Clarkson for piano solo of EASY skill level. / pop,children
$5.97
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
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Piano solo
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INTERMEDIATE/ADVANCED
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
No More Pain by Anton
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Piano solo
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INTERMEDIATE/ADVANCED
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #46...
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Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
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Piano solo
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INTERMEDIATE/ADVANCED
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Nicole Elyse DiPaolo
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Vignettes - 5 Late-Intermediat
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 1...
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Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole Elyse DiPaolo #1067479. Published by Nicole Elyse DiPaolo (A0.1490673). Vignettes is a set of 5 short (2 or 3-page) late-intermediate piano pieces that introduce unique aspects of Maurice Ravel's piano writing that students tend to find challenging. Given that Ravel himself wrote very little at the intermediate level for solo piano (except the recently rediscovered Prelude in A minor), I saw a great need for appropriate Ravel-preparatory repertoire.Notes on the Pieces in Vignettes1. Réminiscences d’EspagneThis work is an homage to Maurice Ravel's Habañera-styled pieces. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few. This piece also recalls my time as a cruise ship duo pianist aboard the ms Maasdam, which visited five ports in Spain.2. Le jardin des papillons (The Butterfly Garden)Le jardin des papillons is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music.3. Le jardin englouti (The Sunken Garden)Le jardin englouti is an homage to Maurice Ravel's minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). This piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of solo and collaborative repertoire before moving away in 2019. The Biology Building greenhouse now sits on the former Sunken Garden site.4. Point PeléePoint Pelée is an homage to Maurice Ravel's toccata-style movements, like the finale of the Sonatine or the toccata from Le tombeau de Couperin. This piece can be programmed with Le jardin des papillons and Le jardin englouti to form a three-movement suite that roughly corresponds to the Sonatine. This movement was inspired by Point Pelée National Park, in Ontario, Canada, a frequent roosting spot for monarch butterflies making the long migration from Canada to southern Mexico. In this piece I tried to capture the flutters of the roosting monarchs' wings as they'd settle into the trees at night and venture out across Lake Erie after resting. You can find more information on the park here: https://www.pc.gc.ca/en/pn-np/on/pelee/nature/faune-wildlife/monarque-monarch5. À la manière d'une PavaneÀ la manière d'une Pavane is an homage to Maurice Ravel's piano writing as shown in his Pavane pour une infante défunte and the Pavane from the Mother Goose suite. It combines Baroque-reminiscent polyphony with the clarity and delicacy of articulation required more widely in the Ravel repertoire.
$16.99
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
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Piano solo
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INTERMEDIATE
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Nicole Elyse DiPaolo
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Le jardin des papillons - Inte
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791445. Published by Nicole Elyse DiPaolo (A0.799620). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was also inspired by my main non-music hobby: raising and releasing butterflies. An upcoming relocation will allow me to build my own butterfly garden in my new home, and I can't wait to create my own butterfly-friendly outdoor paradise filled with native plants and wildflowers. I hope my garden will have as many butterflies flitting through it as are depicted in the 32nd-note passages in this piece!
$2.49
Naturszenen Op. 3, No. 15 "Die Ewigkeit der Himmel"
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Piano solo
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ADVANCED
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Contemporary
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Michael Swedberg
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Naturszenen Op. 3, No. 15 "Die
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1073971 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Nisk...
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Piano Solo - Level 5 - Digital Download SKU: A0.1073971 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #678237. Published by Niska Music Publishing (A0.1073971). The influence of Erik Satie can be heard in this prelude as it brings to mind his famous “Gymnopedie.†The unusual meter of 7/8 gives the music a feeling of the vastness of time and space as it almost never seems to end, but continuously spins out from measure to measure. Judicious use of the pedal is necessary to maintain the crystal clarity of the music while still allowing the harmonies to transport the listener to a realm of unending serenity and calm.
$3.99
In the Bleak Midwinter
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Piano solo
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ADVANCED
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Christmas
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday....
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Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99
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