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C Mixolydian Mode
Piano solo
Sheetmusic to print
6 sheet music found
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1
Prelude 1 in C Major Ionian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 18 in C# Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 18 in C# Minor Dorian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 8 in C Minor Aolian
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Piano solo
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ADVANCED
#
Contemporary
#
Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
12 Waltzes in Modes of C
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Piano solo
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Daniel Donsky
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12 Waltzes in Modes of C
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Daniel Donsky
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1332030 Composed by Daniel Donsky. 21st Century,Classical,Contemporary. Score. 9 pages. Daniel Donsky #918803. Publ...
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Piano Solo - Digital Download SKU: A0.1332030 Composed by Daniel Donsky. 21st Century,Classical,Contemporary. Score. 9 pages. Daniel Donsky #918803. Published by Daniel Donsky (A0.1332030). 12 waltzes exploring the modes of C; going in order from dorian, phrygian, lydian, mixolydian, aeolian, locrian, dorian b2, phrygian b1, lydian b7, mixolydian b6, aeolian b5, and finally locrian b4.
$7.00
Prelude on Mit Freuden Zart ('Sing Praise to God, Who Reigns Above')
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Piano solo
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INTERMEDIATE
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Sacred music
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John Burkett
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John Burkett
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Prelude on Mit Freuden Zart
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John Burkett
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1367649 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacre...
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Piano Solo - Level 3 - Digital Download SKU: A0.1367649 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 5 pages. John Burkett #952023. Published by John Burkett (A0.1367649). My Prelude on the hymn tune Mit Freuden Zart (Sing Praise to God, Who Reigns Above) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. My arrangement consists of two sections. The first hints strongly at the Mixolydian mode in the key of D, while the second employs the Aeolian mode in C-sharp. The piece begins with a 14-bar introduction before the hymn tune appears, accompanied by a rhythmically energetic combination of rests and parallel triads. Then the melody moves to the bass, accompanied by a spurt of eighth-notes in the key of B major, creating a short bitonal passage. After brief references to other keys, the main key of D returns. The second section presents the melody harmonized with parallel triads and accompanied by a constantly moving stream of octaves in the left hand. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$7.50
In Remembrance of Sally
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Steve Johnson
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In Remembrance of Sally
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Stephen C. Johnson
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.941228 Composed by Steve Johnson. Romantic Period. Score. 1 pages. Stephen C. Johnson #3545689. Published...
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Piano Solo - Level 4 - Digital Download SKU: A0.941228 Composed by Steve Johnson. Romantic Period. Score. 1 pages. Stephen C. Johnson #3545689. Published by Stephen C. Johnson (A0.941228). This little gem by Steve Johnson is an expressive piano piece that simultaneously invokes sadness and happiness. It is ideal for a short student recital piece, harmony training, or its original purpose -- a celebration of life. Its bittersweet flavor comes from the use of Mode 2 of the Lydian- Mixolydian scale, sometimes called the major-minor scale. You can hear it from beginning to end on this site. 2:30 approx.
$2.99
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