Download Digital Sheet Music of Consonance for Piano solo

Consonance
Piano solo

Consonance

#Consonance

Something Borrowed - From 24 Short Piano Pieces in All Keys Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1209266 By Michael Hayes. By Michae…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1209266 By Michael Hayes. By Michael Hayes. Contemporary. Score. 2 pages. Michael Hayes #807381. Published by Michael Hayes (A0.1209266). Something Borrowed â€“ GentlySomething Borrowed begins with a simple melody and chord progression. The harmony gradually becomes more complex. The harmonic tensions create interest and a dynamic atmosphere.Â In bar 9, the harmony expands a little more. In bars 13 through 15, the melody achieves the most tension before a return to a familiar consonance in bar 16. The melody reaches its height in bars 17 through 19 before returning to the beginning. The listener is thrown one last curve with the ending that begins in bar 22.
$2.00 1.84 € #Piano solo #Michael Hayes #Something Borrowed - From 24 Short Piano Pieces in All Keys #Michael Hayes #SheetMusicPlus

Unmoored Piano solo

Piano Solo - Level 5 - Digital Download SKU: A0.941688 Composed by Elizabeth Borows…(+)

Piano Solo - Level 5 - Digital Download SKU: A0.941688 Composed by Elizabeth Borowsky. 20th Century,Contemporary,Standards. Score. 8 pages. Piano Prodigies #6323681. Published by Piano Prodigies (A0.941688). Unmoored explores the juxtaposition of harmonic dissonance and emotional expressivity. Even within intense chromaticism, the performer is challenged to create meaningful phrasing that forms a convincing storyline for the listener. The twists and turns of this unsettled soundscape intermingle with moments of consonance. The performer may navigate through emotions such as restlessness, nostalgia, pleading, and resignation.
$7.00 6.45 € #Piano solo #Elizabeth Borowsky #Unmoored #Piano Prodigies #SheetMusicPlus

Jesus Forever For Me Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.992759 Composed by C. Austin Miles.…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.992759 Composed by C. Austin Miles. Arranged by Michaela Yeary. Christian,Sacred. Score. 2 pages. Michaela Yeary #3529941. Published by Michaela Yeary (A0.992759). C. Austin Miles composed the hymn Jesus Forever For Me along with others such as In the Garden and many other well-known pieces. This adaptation offers a continuous motion resembling that of the continuous love that Jesus has for all of us. Written in 6/8, the piece is mostly filled with consonance with a few examples of dissonance. .
$3.99 3.68 € #Piano solo #C #Jesus Forever For Me #Michaela Yeary #SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-AgnÃ¨s Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3â€™). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-AgnÃ¨s NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris â€“ in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire AmÃ©ricain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-AgnÃ¨s Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mÃ©lodies sur des poÃ¨mes de Marie-Isabelle SOLANO, RÃ©volte sans paroles and Elan brisÃ© for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as ThÃ©rÃ¨se BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mÃ©lodies sur des poÃ¨mes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. RÃ©volte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisÃ© and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of RÃ©volte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.

Piano Solo - Level 3 - Digital Download SKU: A0.596505 Composed by Juan MarÃa Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Published by Juan Maria Solare (A0.596505). Pasajera eterna [Eternal passenger] was composed in 2011 in Bremen and Worpswede (Germany). This piano prelude is dedicated to BelÃ©n Rouco. Duration: 5 minutes (or slightly less). ISWC: T-803.153.190-6 Video clip: https://www.youtube.com/watch?v=KBeZFFrVE8g Recording on Spotify: https://open.spotify.com/album/4fWhzoB99Se9BrLrZ9f7yd Pasajera eterna is also part of the CD Sombras blancas (White shadows) by Juan MarÃa Solare. The title 'Pasajera eterna' is in Spanish an oxymoron, that is, a figure of thought that consists of complementing a word with another word that has a contradictory or opposite meaning. 'Pasajera' (temporary, transient), as an adjective, is a situation that does not last forever, ephemeral, while 'eternal' is just the opposite. Furthermore, if we read 'pasajera' (traveller, passenger) as a noun, the title alludes to a person on a constant journey, on the move. The expression 'Pasajera eterna' was invented by the dedicatee of this work, BelÃ©n Rouco, who kindly authorised me to use it to title this music. Under the literary name of 'Pasajera eterna', BelÃ©n signs and publishes her writings, poems and reflections. Keywords: romantic piano music, easy listening, post-romantic, neo-classical, contemporary classical, melodic. World Premiere: by Juan MarÃa Solare on Tue 16/OCT/2012, recital Neue Konsonanz (New Consonance) at the Theater of the University of Bremen. Argentine premiere by Juan MarÃa Solare on 25/APR/2014 at the Legislatura PorteÃ±a (cycle MÃºsica ClÃ¡sica Argentina), Buenos Aires. British premiere: by Juan MarÃa Solare on 23/MAY/2014 at the BolÃvar Hall in London (recital Tango Bar). There is also a second version for quintet (flute, alto saxophone, cello, double bass and piano), recorded in Birmingham (UK) by the ensemble El ultimo tango and a third version for alto saxophone and piano (2016).

León protegiendo a su cría [piano solo] Piano solo

Piano Solo - Level 2 - Digital Download SKU: A0.596632 Composed by Juan MarÃa So…(+)

Piano Solo - Level 2 - Digital Download SKU: A0.596632 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score. 7 pages. Juan Maria Solare #6625865. Published by Juan Maria Solare (A0.596632). Juan MarÃa Solare LeÃ³n protegiendo a su crÃa (Lion protecting its cub) This short minimalist prelude for piano was composed in Bremen on 9 and 10 November 2021. It is minimalist in the aesthetic sense of the word: few elements, many repetitions, minimal variations. But not in the historical sense: traditional minimalism abounds in consonance, in quiet sonorities; this prelude is rather arid, not particularly consonant, and only a step away from irritation or fury. The work emerged as an elaboration of an improvisation for the Digitaler Adventskalender 2021 project of the Landesmusikrat Bremen. And the title is inspired by the doll of a lion with its cub that was given to me many years ago. This complements an allusion to the unique minimalism of Charlemagne Palestine, who tends to play his concerts surrounded by stuffed animals. Of course, the doll's innocent appearance is deceptive. See here for a video of the piece LeÃ³n protegiendo a su crÃa: https://www.youtube.com/watch?v=qXcmuibDpbo Juan MarÃa Solare Bremen, 22 November 2021
$2.00 1.84 € #Piano solo #Juan MarÃa Solare #León protegiendo a su cría [piano solo] #Juan Maria Solare #SheetMusicPlus

Spectral Apparitions - Solo Piano Piano solo

Piano Solo - Level 4 - Digital Download SKU: A0.991621 Composed by Antonios V. Koun…(+)

Piano Solo - Level 4 - Digital Download SKU: A0.991621 Composed by Antonios V. Koundourakis. Concert,Contemporary,Standards. Score. 2 pages. ANTONIOS KOUNDOURAKIS #4300581. Published by ANTONIOS KOUNDOURAKIS (A0.991621). Spectral Apparitions is a contemporary piece written on specifications given to Antonios by his tutor, spectral composer Spyros Mazis. Three themes A, B and C were to be developped in specific durations and based on specific subsets of notes of the harmonic spectrum, (also known as the overtone series). Antonios tries to explore different harmonic colours and themes under these restrictions , while trying to conceal the deeper tonal nature of this set of sounds, avoiding tonal music cliches such as specific chord relations, disconsonance resolution and commonplace melodic patterns. If you happen to play this piece please send feedback and videos or sound recording of your performance to Antonios' email: midnightnotesband@gmail.com
$5.00 4.61 € #Piano solo #Antonios V #Spectral Apparitions - Solo Piano #ANTONIOS KOUNDOURAKIS #SheetMusicPlus