Download Digital Sheet Music of Convoy for Piano solo

Convoy
Piano solo

Coca Cola Christmas Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1317765 Composed by Harry Gregson-W…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1317765 Composed by Harry Gregson-Williams. Arranged by Toni Nita. Christmas,Film/TV,Holiday,Pop. Score. 2 pages. Toni Nita #906448. Published by Toni Nita (A0.1317765). A very accurate solo piano arrangement of the magical music from the beautiful '90s Coca Cola Christmas commercial (the one with the lit truck convoy passing through town). Pedals have been added in great detail, for faster learning and correct technical execution. YouTube video recording of the arrangement available below.
$4.99 4.57 € #Piano solo #Harry Gregson-Williams #Coca Cola Christmas #Toni Nita #SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.533319 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 12 pages. Musik Fabrik Music Publishing #2343097. Published by Musik Fabrik Music Publishing (A0.533319). This charming piano solo was first performed by its dedicatee, Jacques Leguerneyâ€™s good friend and muse ThÃ©rÃ¨se Cahen (1897-1944), in the Salle Debussy-Pleyel. They met around 1925. Cahen was the first person outside of his family to encourage his musical aspirations. For years, they met every Saturday to read through and discuss his music. She not only helped him with piano and harmony, but also performed his early chamber works, recruiting from her entourage to help him find high level interpreters for his music. Other early Leguerney works that she premiered included the Trio pour violon, violoncello et piano; the Sonatine pour flÃ»te et piano; and two vocal chamber works presented by the SociÃ©tÃ© Musicale IndÃ©pendente (S. M. I.), Epitaphe guerriÃ¨re and Clair de lune for voice, flute and piano. Their friendship lasted until Cahen was deported from Paris on July 31, 1944, only a few weeks prior to the Liberation of Paris. Working with the Center of the Union GÃ©nÃ©rale des IsraÃ©lites de France in Saint-MandÃ© (a Parisian suburb), ThÃ©rÃ¨se Cahen had dedicated herself to the care of children of deported French parents. She left Paris with these children in the Convoy 77, and was taken to the gas chamber of Auschwitz. She left a letter for him, along with her grand piano, which remained in his apartment until his death.My dear Jacques,It is impossible to write on this little page how much I have appreciated your kindness toward me for years and years, and how much happiness this has given me: there have been thousands of Saturdays, and I thought of them every day of the week. Probably you didnâ€™t realize the influence you have had on me: it seems that my whole personality, my way of thinking and feeling has been transformed by you; it is a very deep imprint. If I am taken and in consequence you read this letter, tell yourself that I will continue to count the Saturdays in order to have an idea of the number of songs composed during my absence and that I will be delighted to hear them when I return. If I donâ€™t return, I definitely want you to keep my piano but I donâ€™t think it will happen and I say that I will see you soon.Very tenderly,ThÃ©rÃ¨sePS Speaking of tenderness, I think with emotion about the little passage concerning tenderness in your latest song.[La Fontaine dâ€™HÃ©lÃ¨ne]

Piano Solo - Level 5 - Digital Download SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in Novemberâ€¦ and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democratsâ€™ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their â€˜leaderâ€™, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesnâ€™t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, Iâ€™m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, Iâ€™d felt that I probably wouldnâ€™t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Enoâ€™s Oblique Strategies Iâ€™ve been able to find my creativity again. Starting a composition â€˜habitâ€™ is the best thing Iâ€™ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020