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You've selected:
Four-Thought
Piano solo
Sheetmusic to print
65 sheet music found
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1
26
51
Um Pensamento (A Thought)
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Piano solo
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INTERMEDIATE
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Contemporary
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Guilherme Veroneze
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Um Pensamento
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Guilherme Veroneze
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.946022 Composed by Guilherme Veroneze. 20th Century. Score. 5 pages. Guilherme Veroneze #6099619. Publish...
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Piano Solo - Level 3 - Digital Download SKU: A0.946022 Composed by Guilherme Veroneze. 20th Century. Score. 5 pages. Guilherme Veroneze #6099619. Published by Guilherme Veroneze (A0.946022). Piece for quiet piano good for relaxation. The song has two sections. It is structured in four voices and the second, in two voices.When a thought comes to mind, it takes us somewhere, a memory, time or person, and when we return to the present moment, fragments of that thought accompany us throughout the day. That's the feeling that I tried to portray in the song.You can hear this and my other songs on Spotify.Follow on Instagram @guilhermeveronezepiano.
$4.99
SUMMER - The Four Seasons Hymn Medleys Collection (3 Piano Solos)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Sharon Wilson
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Sharon Wilson
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SUMMER - The Four Seasons Hymn
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.564833 By Sharon Wilson. By Antonio Vivaldi, John Bacchus Dykes, Joseph Barnby, and Traditional. Arranged...
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Piano Solo - Level 4 - Digital Download SKU: A0.564833 By Sharon Wilson. By Antonio Vivaldi, John Bacchus Dykes, Joseph Barnby, and Traditional. Arranged by Sharon Wilson. Baroque,Classical,Holiday,Multicultural,Sacred,World. Score. 18 pages. Sharon Wilson #2857659. Published by Sharon Wilson (A0.564833). This collection of medleys incorporates themes from Summer by Antonio Vivaldi into three praise hymns. The three piano solos included in this collection are: May Jesus Christ Be Praised with the 1st movementJesus, the Very Thought of Thee with the 2nd movementCome, Christians, Join to Sing with the 3rd movementEach song is also available separately with accompanying preview pages and an audio sample. Also available: The Four Seasons Hymn Medleys Complete Collection (12 Piano Solos), one medley for each of the movements in Vivaldi's concerto The Four Seasons. Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$6.99
Thought, Conflicts, and a Contemplation or Two
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Richard Audd
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Thought, Conflicts, and a Cont
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RMA Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1002960 Composed by Richard Audd. 20th Century. Score. 16 pages. RMA Music #1914099. Published by RMA Mus...
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Piano Solo - Level 4 - Digital Download SKU: A0.1002960 Composed by Richard Audd. 20th Century. Score. 16 pages. RMA Music #1914099. Published by RMA Music (A0.1002960). These 5 pieces might best be described as 5 inventions for piano solo. Each was written freely with one note/sound leading to another. The ideas were continued in my Four Miniatures for Clarinet, Cowbell, and Prepared Piano. Finally, these 5 inventions were later rescored for chamber orchestra.
$6.00
Thoughts of Spring
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Piano solo
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EASY
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Contemporary
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Laura Glassel
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Thoughts of Spring
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Laura Glassel
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.947576 Composed by Laura Glassel. Contemporary. Score. 1 pages. Laura Glassel #566819. Published by Laura...
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Piano Solo - Level 2 - Digital Download SKU: A0.947576 Composed by Laura Glassel. Contemporary. Score. 1 pages. Laura Glassel #566819. Published by Laura Glassel (A0.947576). Thoughts of Spring has a lot of four note arpeggios and would be great for working with an early intermediate student on developing fingering.
$1.99
Spring (MEDIUM PIANO) from the Four Seasons [Antonio Vivaldi]
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Piano solo
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INTERMEDIATE
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Classical
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Antonio Vivaldi
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Darek
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Spring
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1259526 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Score....
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Piano Solo - Level 3 - Digital Download SKU: A0.1259526 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Score. 2 pages. Darek #852831. Published by Darek (A0.1259526). Spring (MEDIUM PIANO) from the Four Seasons [Antonio Vivaldi]Intermediate arrangement for pianists of Spring from the Four Seasons by Antonio Vivaldi. Intermediate version for pianists / Intermediate piano arrangement. Included: Fingering, Dynamics, and video Youtube tutorial. Welcome to the world of classical music, where the captivating melodies of the renowned Four Seasons by Antonio Vivaldi come to life through my extraordinary creation, the Spring (for piano, intermediate version, for intermediate pianists). Immerse yourself in the harmonious tapestry of this timeless composition, meticulously developed to cater to intermediate pianists seeking a fulfilling musical experience. Within this exceptional product, you will find a meticulously crafted sheet music arrangement that captures the essence of Vivaldi's Spring. Designed specifically for intermediate pianists, this arrangement strikes the perfect balance between approachability and artistic depth, allowing you to showcase your musical prowess. To facilitate seamless navigation and expressiveness, I have incorporated Fingering markings that guide your fingers effortlessly across the keys. These markings empower pianists to master the intricate passages and execute the piece with grace and precision. Furthermore, Dynamics markings have been thoughtfully added, breathing life into the composition and infusing each note with the appropriate intensity. With these markings, you can artfully shape the music, evoking the emotions that Vivaldi intended, and delivering a captivating performance that resonates with audiences. To enhance your learning experience, I offer a comprehensive video YouTube tutorial that accompanies the sheet music. This tutorial acts as your personal mentor, providing invaluable insights into the interpretation and nuances of Vivaldi's Spring. Immerse yourself in the guidance of this tutorial and elevate your playing to new heights. Embrace the opportunity to explore the depths of classical music as an intermediate pianist. The Spring (for piano, intermediate version, for intermediate pianists) is a gateway to the rich musical heritage of the era, allowing you to connect with the timeless beauty of Vivaldi's masterpiece. This meticulously developed sheet music is not limited to pianists alone; it is a valuable resource for guitarists and other instrumentalists seeking to explore the piece's captivating melodies. Expand your musical horizons and let the enchanting notes of Spring inspire your creative expression. Invest in this exceptional musical treasure today, and embark on a journey of artistic growth and fulfillment. Experience the joy of mastering Vivaldi's Spring, and witness the transformation of your musical abilities through the power of this exquisite sheet music.
$3.00
Spring (HARD PIANO) from the Four Seasons [Antonio Vivaldi]
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Vivaldi
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Darek
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Spring
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1259529 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Score....
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Piano Solo - Level 4 - Digital Download SKU: A0.1259529 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Score. 6 pages. Darek #852834. Published by Darek (A0.1259529). Spring (HARD PIANO) from the Four Seasons [Antonio Vivaldi]Advanced arrangement for pianists of Spring from the Four Seasons by Antonio Vivaldi. Advanced version for pianists / Difficult piano arrangement. Included: Fingering, Dynamics, and video Youtube tutorial. Welcome to the world of classical music mastery with my exceptional creation, the Spring (for piano, difficult version, for advanced pianists). Immerse yourself in the captivating melodies of this timeless composition, derived from the iconic Four Seasons by the legendary Antonio Vivaldi. As an advanced pianist seeking a thrilling musical challenge, this arrangement is tailor-made to showcase your virtuosity and passion. Unlock the full potential of your musical expression with this meticulously crafted sheet music. The advanced difficulty level ensures that every note and passage will push your technical skills to new heights, allowing you to leave a lasting impression on audiences and fellow musicians. Within this remarkable package, you will find Fingering markings meticulously designed to guide your fingers effortlessly through the intricacies of the composition. These markings not only facilitate smooth execution but also promote efficient technique, enabling you to tackle the most demanding passages with precision and ease. To breathe life into your performance, detailed Dynamics markings have been thoughtfully incorporated. These markings serve as your guide to masterfully convey the subtle nuances and emotional depth embedded within Vivaldi's Spring. Elevate your interpretation and captivate audiences with the richness and expressiveness that only an advanced pianist can deliver. To enhance your learning experience and offer guidance throughout your musical journey, I have included a comprehensive video YouTube tutorial. This tutorial serves as your personal mentor, unveiling the secrets behind the interpretation and performance of this beloved classical piece. Immerse yourself in the insightful guidance provided and witness your artistry flourish. Indulge in the endless possibilities of Vivaldi's Spring and experience the thrill of mastering this challenging masterpiece. Whether you aspire to enrapture audiences on grand stages, enrich your personal repertoire, or seek to impart your knowledge through teaching, this advanced sheet music holds unparalleled value. Immerse yourself in the richness of classical music and claim your place among the elite pianists of our time. Elevate your artistry, captivate hearts, and ignite emotions with the Spring (for piano, advanced version, for advanced pianists).
$5.00
Sentimental Thoughts
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Piano solo
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INTERMEDIATE
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David M
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Gary Prim
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Sentimental Thoughts
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DAVID M COMBS
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.828498 Composed by David M. Combs. Arranged by Gary Prim. Christian,Concert,New Age,Pop,Sacred. Score. 6 ...
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Piano Solo - Level 3 - Digital Download SKU: A0.828498 Composed by David M. Combs. Arranged by Gary Prim. Christian,Concert,New Age,Pop,Sacred. Score. 6 pages. DAVID M COMBS #6426351. Published by DAVID M COMBS (A0.828498). Sentimental Thoughts is the fourteenth song on the Preludes, Offertories & Special Music with a Soft Touch album composed by Dave Combs and arranged and performed by Gary Prim. This sheet music is an exact, note-for-note transcription of Gary's arrangement as performed on the album. Play the sample audio to hear the entire first page of this song as you preview the sheet music.
$4.99
Four variations on "Now the Day is Over"
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Joshua Dawson
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Four variations on "Now the Da
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Joshua Dawson
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1029545 Composed by Joshua Dawson. Contemporary,Praise & Worship. Score. 9 pages. Joshua Dawson #5030499....
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Piano Solo - Level 4 - Digital Download SKU: A0.1029545 Composed by Joshua Dawson. Contemporary,Praise & Worship. Score. 9 pages. Joshua Dawson #5030499. Published by Joshua Dawson (A0.1029545). Four harmonically luscious piano variations composed in 2018 on the hymn Now the Day is Over by Sabine Baring-Gould (1834-1924).Motifs from this simple, eight-bar hymn are manipulated and integrated throughout the variations. Each variation is essentially tonal, with some chromaticism and modality, and preserves the original harmonic structure of the theme. The final variation ventures further. The piece is not outwardly challenging or virtuosic, but does contain some complex voicing issues and innovative piano writing, both of which will require a thoughtful, sensitive pianistic touch.Duration c. 5 minutes.
$2.99
Four Knocks
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Piano solo
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EASY
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Murray Gold
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Tom Voysey
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Four Knocks
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Tom Voysey
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1431417 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Classical,Contemporary,Film/...
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Piano Solo - Level 2 - Digital Download SKU: A0.1431417 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Classical,Contemporary,Film/TV. Score. 3 pages. Tom Voysey #1011888. Published by Tom Voysey (A0.1431417). Four Knocks scores the gut-wrenching moment David Tennant's 10th Doctor realises he's reached the end of the road. Having thought he just escaped his destiny, the prophesised knocks bring him crashing back to Earth.This arrangement condenses several voice lines into a solo Piano part, keeping that constant drive and pace that keeps pulling the scene forward - however much we don't want that dreaded moment to come when we must say goodbye to another beloved iteration of the Time Lord.Instrument: PianoLength: Approx 3 minutesDifficulty: Intermediate.
$5.99
Silent Night
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Joseph Mohr and Franz Xaver Gr
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Elena Fortin
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Silent Night
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1145258 Composed by Joseph Mohr and Franz Xaver Gruber. Arranged by Elena Fortin. Christmas,Contemporary,...
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Piano Solo - Level 4 - Digital Download SKU: A0.1145258 Composed by Joseph Mohr and Franz Xaver Gruber. Arranged by Elena Fortin. Christmas,Contemporary,Holiday,New Age,Sacred. Score. 5 pages. Elena Fortin #745528. Published by Elena Fortin (A0.1145258). Silent Night (Lyrics by Joseph Mohr and Music by Franz Xaver Gruber) Our family recently relocated south and I was sitting at the piano feeling homesick and missing snow! I love our new place, but it seems really strange to see Christmas decorations going up in December and green everywhere!! I thought I would get in the mood for holiday celebrations by sitting down and playing old Christmas favourites. Silent Night is one of those beautiful carols where the peace and spirit of the season just settle in your heart. As I sat and played, the arrangement formed itself in my mind and in my fingers. I worked backwards on this arrangement--normally I sit down with an outline of the music in mind and work from there. This time, I played the arrangement (luckily I was recording!) and then transcribed my own arrangement. It was a new and interesting way to work and fun to dive into my mind and finger wanderings! This arrangement explores some different harmonies in the intro and the outro. The verse and chorus are repeated four times in this arrangement. The first time sticks pretty close to the original, with some suspensions and interesting rhythms thrown in to keep it interesting. The second repetition introduces several countermelodies and different right hand harmonies. The third repetition is a sweet melody in the treble register of the piano. The fourth repetition is an improvisation based on the harmonic structure of the verse and chorus. I hope you enjoy this arrangement. I hope that playing it brings you peace and joy during the holiday season. Elena.
$4.99
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
LOVE DREAM OF YESTURDAY
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Piano solo
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Sacred music
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Gospel/Spiritual
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THEMIS KOUTRAS
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LOVE DREAM OF YESTURDAY
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - Digital Download SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUT...
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Piano - Digital Download SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUTRAS #5214063. Published by THEMIS KOUTRAS (A0.1066792). This song is about what happened in a dream GOD gave me i thought at that time i understood it and i did but not as much as when the dream actually took place after i wrote the song i end up passing away and taken in spirit by the holy spirit i was taken back in time to the days of JESUS CHRIST at the very old cross i saw him die i was in spirit joined to the holy spirit as 1 i followed him to his berrieal and it was i who prayed and the stone roled away and it was i who prayed again and my father JESUS CHRIST was risen alive he walked in my body and brought me to heaven where i saw him control the universe he bought me back here in our time the year around 2000 AD after praying i said what dose this all mean LORD he repplies he spent 3 days and nights of mans time in the grave then risen alive GOD said to me that in his time 1000 years is = to 1 day and 1 day is = to 1000 years thus it was the year 2000 and 2 or so in GODS time that i was sent back for the above mision JESUS CHRIST is here now in the return he is right in my heart so as GOD and the holy spirit as i can comunicate with him as offten as i like to or he likes to comunicate with me he said to me the kingdom of his has now been past on to me and appeared to me as he anointed me himself with a sword as KING ye true as i then saw lightning stuck from the east to the west in a perfectly straight line. ye bible prophesies points out to me all others saying they are the return are liers and no bible prophecy point to them I have four field most of its prophecy concerning the Christ in written in the book of revelation GOD says to me in due time I will four field the rest of it.
$3.99
Fugue No.3
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.3
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.4
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.4
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.2
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.1
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Piano solo
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ADVANCED
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Contemporary
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David Tsvariani
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Fugue No.1
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #...
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Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Prelude 12 in Bb Minor Dorian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 21 in D Major Mixolydian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydi
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 11 in Db Major Lydian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pag...
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Piano Sonata Nº 1
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Piano solo
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ADVANCED
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Paul Dukas
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Zellev
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Piano Sonata Nº 1
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1315857 Composed by Paul Dukas. Arranged by Zellev. 20th Century,Classical,Contemporary,Halloween,Patriot...
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Piano Solo - Level 5 - Digital Download SKU: A0.1315857 Composed by Paul Dukas. Arranged by Zellev. 20th Century,Classical,Contemporary,Halloween,Patriotic. Score. 24 pages. Zellev Music #904634. Published by Zellev Music (A0.1315857). Composer bio:Paul Abraham Dukas ( 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. Among these are the opera Ariane et Barbe-bleue, his Symphony in C and Piano Sonata in E-flat minor, the Variations, Interlude and Finale on a Theme by Rameau (for solo piano), and a ballet, La Péri.In the first decade of the 20th century, following the immense success of his orchestral work The Sorcerer's Apprentice, Dukas completed two complex and technically demanding large-scale works for solo piano: the Piano Sonata, dedicated to Saint-Saëns, and Variations, Interlude and Finale on a Theme by Rameau (1902). In Dukas's piano works critics have discerned the influence of Beethoven, or, Beethoven as he was interpreted to the French mind by César Franck. Both works were premiered by Édouard Risler, a celebrated pianist of the era.In an analysis of the work in The Musical Quarterly in 1928, the critic Irving Schwerké wrote:The Sonata is classical in structure and in four movements, connected more by mutual formal perfection and nobility of thought than by cyclic procedures. The first movement … is built on two sharply contrasted themes, developed according to the sonata-form.[quoted from Bartje Bartmans from YT @bartjebartmans].
$17.00
Prelude 6 in G Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 23 in G Major Lydian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 2 in A Minor Aolian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pag...
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 1 in C Major Ionian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
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