Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
118
Digital
Sheet Music
403
Sheet Music
Books
0
Music
Equipment
0
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Sheetmusicplus
Not classified
1281
PIANO & KEYBOARDS
Piano solo
403
Easy Piano
196
Piano, Voice
150
Piano, Vocal and Guitar
109
C Instruments
96
Organ
28
Piano Accompaniment
9
1 Piano, 4 hands
8
Piano Quartet: piano, violin, viola, cello
7
2 Pianos, 4 hands
6
Accordion
6
Big Note Piano
5
Piano (band part)
4
Piano Trio: piano, violin, cello
4
2 Pianos, 8 hands
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
130
Guitar notes and tablatures
47
Guitar
30
Bass guitar
13
Lyrics and Chords
9
Guitar (band part)
6
2 Guitars (duet)
5
Ukulele
4
Piano, Guitar (duet)
1
Guitar, Violin, Cello (trio)
1
Dulcimer
1
Mandolin, Guitar (duet)
1
4 Guitars (Quartet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
185
Choral 3-part
49
Choral TTBB
42
Choral 2-part
26
Choral SSAA
25
Soprano voice, Piano
6
Choral Unison
5
Vocal duet, Piano
5
Voice solo
4
High voice
4
Vocal duet
4
Medium voice, Piano
2
Choral
2
Low voice
1
Low voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quintet: 5 Saxophones
150
Saxophone ensemble
107
Saxophone Quartet: 4 saxophones
78
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
77
Saxophone (band part)
73
Tenor Saxophone
53
Alto Saxophone
50
2 Saxophones (duet)
41
Clarinet Ensemble
34
Alto Saxophone and Piano
31
Flute and Piano
29
Flute, Oboe, Clarinet, Bassoon
27
Clarinet
25
Flute
24
Tenor Saxophone and Piano
24
Soprano Saxophone and Piano
19
Clarinet and Piano
18
Flute Quintet : 5 flutes
16
Oboe, Piano (duet)
16
Clarinet Quartet: 4 clarinets
14
Flute ensemble
14
2 Flutes (duet)
13
Baritone Saxophone, Piano
11
Oboe (band part)
11
2 Clarinets (duet)
10
3 Saxophones (trio)
9
Oboe, Bassoon (duet)
7
Clarinet and Viola
6
Flute, Viola (duet)
5
3 Clarinets (trio)
5
English horn, Piano
5
Flute, Violoncello
5
Flute Quartet: 4 flutes
5
2 Oboes (duet)
4
Bass Clarinet, Piano
4
Oboe
3
Flute (band part)
3
Flute Trio: 3 flutes
3
Clarinet, Violin (duet)
3
Clarinet (band part)
3
Flute, Clarinet (duet)
3
Saxophone, Clarinet (duet)
3
Soprano Saxophone
2
Oboe, Clarinet (duet)
2
Flute, Violin
2
Clarinet, Cello (duet)
2
Descant (Soprano) Recorder
2
Flute, Oboe, Bassoon
2
2 English horns and Pianoforte
1
2 Recorders (duet)
1
Oboe, Flute
1
Clarinet, Bassoon (duet)
1
Flute and Strings Trio
1
Flute, Clarinet and Bassoon.
1
Saxophone and Guitar
1
Piccolo, Piano
1
Clarinet, Orchestra
1
Flute, Saxophone (duet)
1
Oboe, Cello
1
Oboe, Clarinet, Bassoon (trio)
1
Clarinet Quintet: 5 clarinets
1
Flute, Violin, Piano
1
Saxophone and Organ
1
Flute, harp and violin
1
Flute, Oboe (duet)
1
Flute and Guitar
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
163
Brass quartet : 2 trumpets, trombone, tuba
134
Trombone
48
Brass Quartet: 2 trumpets, horn, trombone
44
Trumpet ensemble
43
Trombone ensemble
39
Trombone and Piano
33
Trombone (band part)
27
Brass Quartet
22
Trumpet
21
Trumpet (band part)
15
2 Trombones (duet)
12
French Horn and Piano
12
Trumpet, Trombone (duet)
12
Tuba
10
Euphonium, Piano (duet)
9
Trumpet, Piano
9
French horn
8
Brass Trio
7
2 Trumpets (duet)
6
2 French horns (duet)
6
Horn Ensemble
5
English horn, Piano
5
Tuba and Piano
4
Brass Quartet: 4 trombones
3
2 Euphoniums (duet)
3
Trumpet, Horn (duert)
2
2 Tubas (duet)
2
Euphonium
2
2 Euphoniums and 2 Tubas
2
Trumpet, Saxophone (duet)
2
Trombone, Tuba (duet)
2
2 English horns and Pianoforte
1
Bass Trombone and Piano
1
Bass Trombone
1
French horn (band part)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Brass Quartet: 4 horns
1
Trumpet, Euphonium (duet)
1
Tuba (band part)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
242
Violin, Cello (duet)
164
Violin
149
String Trio: violin, viola, cello
121
Cello
39
String Quintet: 2 violins, viola, cello, bass
33
Violin and Piano
22
Violin ensemble
19
Violin, Viola (duet)
19
Viola ensemble
19
Harp
19
Cello, Piano
15
String Trio: 2 violins, cello
15
Viola
15
Viola, Piano
13
2 Violins (duet)
12
4 Cellos
7
2 Cellos (duet)
7
Flute, Doublebass (duet)
5
Cello, String Bass (duet)
5
2 Violas (duet)
5
Doublebass (band part)
5
Viola (band part)
4
String Quintet: 2 violins, 2 violas, cello
4
Double bass, Piano (duet)
3
Double Bass
3
2 Double basses (duet)
3
String Trio: 3 violins
2
String Quartet : 4 violas
1
Cello Ensemble
1
Cello, Guitar (duet)
1
String quartet: 4 violins
1
Harp, Flute (duet)
1
String Trio: 3 cellos
1
Viola and Harp
1
String Trio: 2 violins, viola
1
Piano Trio: Violin, Viola, Piano
1
Viola, Cello (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
String Orchestra
106
Concert band
76
Jazz Ensemble
67
Orchestra
48
Brass ensemble
36
Chamber Orchestra
30
Jazz combo
22
Marimba
19
Marching band
10
Percussion Ensemble
8
Handbells
6
Drum (band part)
5
Drums
4
Percussion (band part)
2
Brass Quintet: other combinaisons
1
Xylophone
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
I'm The One
SheetMusicPlus
Piano solo
Sheetmusic to print
403 sheet music found
<
1
26
51
....
401
I'll Remember April
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345029 By Woody Herman & His Orche…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1345029 By Woody Herman & His Orchestra. By Don Raye, Gene De Paul, and Pat Johnston. Arranged by Phyllis Love. Jazz,Standards. Score. 3 pages. Phyllis Love #929981. Published by Phyllis Love (A0.1345029). I'll Remember April for intermediate pianoThis standard ballad from 1941 is done here in a Latin style with a swing beat in the bridge, and a Latin finish. Jazz students will appreciate the bass riffs including some walking bass lines heard throughout the piece.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.4 €
#
Piano solo
#
Woody Herman & His Orchestra
#
I'll Remember April
#
Phyllis Love
#
SheetMusicPlus
I'm Old Fashioned
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345093 Composed by Jerome Kern and…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1345093 Composed by Jerome Kern and Johnny Mercer. Arranged by Phyllis Love. Jazz,Standards. Score. 3 pages. Phyllis Love #930028. Published by Phyllis Love (A0.1345093). I'm Old Fashioned for intermediate pianoThis 1942 tune has a swinging arrangement with some exciting counterpoint, and a unique rhythmic take for a well-known standard.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.5 €
#
Piano solo
#
Jerome Kern and Johnny Mercer
#
I'm Old Fashioned
#
Phyllis Love
#
SheetMusicPlus
We'll Be Together Again
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl F…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #930064. Published by Phyllis Love (A0.1345130). We'll Be Together Again for intermediate pianoThis 1945 ballad was written by Carl Fisher and Frankie Lane. Here we have a sentimental treatment of a 40's ballad with a nice bass line accompanying the melody, as well as rich chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.4 €
#
Piano solo
#
Frankie Laine
#
We'll Be Together Again
#
Phyllis Love
#
SheetMusicPlus
The Last Time I Saw Paris
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345082 By Various. By Jerome Kern …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1345082 By Various. By Jerome Kern and Oscar Hammerstein. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 2 pages. Phyllis Love #930017. Published by Phyllis Love (A0.1345082). The Last Time I Saw Paris for intermediate pianoThis 1940s lovely ballad has been overlooked. This version offers a rich harmonic arrangement, where the intensity builds as the tune progresses.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.4 €
#
Piano solo
#
Various
#
The Last Time I Saw Paris
#
Phyllis Love
#
SheetMusicPlus
Breeze And I
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1344990 Composed by Al Stillman and…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1344990 Composed by Al Stillman and Ernesto Lecuona. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #929937. Published by Phyllis Love (A0.1344990). The Breeze and I for intermediate pianoPretty, and simple to play although interesting harmonically. Intermediate students will appreciate this arrangement, as it creates the setting for an exotic island scene in a movie.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.5 €
#
Piano solo
#
Al Stillman and Ernesto Lecuona
#
Breeze And I
#
Phyllis Love
#
SheetMusicPlus
I Thought About You
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345129 By Benny Goodman. By James …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1345129 By Benny Goodman. By James Van Heusen and Johnny Mercer. Arranged by Phyllis Love. Jazz,Standards. Score. 3 pages. Phyllis Love #930063. Published by Phyllis Love (A0.1345129). I Thought About YouAn original introduction starts off this 1939 swing tune. It's a jazzy arrangement of a classic, with a nice setup and ending.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.5 €
#
Piano solo
#
Benny Goodman
#
I Thought About You
#
Phyllis Love
#
SheetMusicPlus
You And The Night And The Music
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345121 Composed by Arthur Schwartz…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1345121 Composed by Arthur Schwartz and Howard Dietz. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. Phyllis Love #930056. Published by Phyllis Love (A0.1345121). You and the Night and the Music from Revenge With MusicA 1934 romantic Broadway show tune that became a standard in the American Songbook. It's played here with a contrapuntal treatment and Latin flavor, while the bridge has a completely different feel with arpeggiated chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.5 €
#
Piano solo
#
Arthur Schwartz and Howard Dietz
#
You And The Night And The Music
#
Phyllis Love
#
SheetMusicPlus
On The Atchison, Topeka And The Santa Fe
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1345127 Composed by Harry Warren an…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1345127 Composed by Harry Warren and Johnny Mercer. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phyllis Love #930061. Published by Phyllis Love (A0.1345127). On the Atchison, Topeka and the Santa Fe from The Harvey GirlsThis delightful arrangement starts off with a rhythm that evokes a train. It's harmonically interesting, with an introduction that sets in motion an exciting beat and sets up the melody nicely.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.4 €
#
Piano solo
#
Harry Warren and Johnny Mercer
#
On The Atchison, Topeka And The Santa Fe
#
Phyllis Love
#
SheetMusicPlus
The Surrey With The Fringe On Top
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345101 By The Oscar Peterson Trio.…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1345101 By The Oscar Peterson Trio. By Oscar Hammerstein and Richard Rodgers. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 4 pages. Phyllis Love #930037. Published by Phyllis Love (A0.1345101). Surrey With The Fringe On Top from Oklahoma! for intermediate pianoThis classic Broadway show tune is written in 6/8 time and has a lot of movement. The bridge is played in 4/4 time, and is reminiscent of an old time piano piece.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.4 €
#
Piano solo
#
The Oscar Peterson Trio
#
The Surrey With The Fringe On Top
#
Phyllis Love
#
SheetMusicPlus
Sunflower (from "Spider-Man: Into the Spider-Verse")
Piano solo
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Post Malone &am…
(+)
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Post Malone & Swae Lee. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Sunflower" by Post Malone & Swae Lee on piano (from "Spider-Man: Into the Spider-Verse")!<br> <br> With this piano sheet music, you can play the entire song on piano.<br> <br> It's not easy to create a "Sunflower" piano arrangement that actually sounds great - I worked hard on piano version, and must say I'm pretty happy with the result!<br> <br> The full melody is included in the piano part, and these sheets come with the song's full lyrics.<br> <br> "Sunflower" is a song from the soundtrack to the 2018 superhero film "Spider-Man: Into the Spider-Verse".<br> <br> The film received a Golden Globe ("Best Animated Feature Film") and an Academy Award nomination.<br> <br> Here are the full lyrics to the song:<br> <br> [Intro: Swae Lee]<br> Ayy, ayy, ayy, ayy (Ooh)<br> Ooh, ooh, ooh, ooh (Ooh)<br> Ayy, ayy<br> Ooh, ooh, ooh, ooh<br> <br> [Verse 1: Swae Lee]<br> Needless to say, I keep it in check<br> She was a bad-bad, nevertheless (Yeah)<br> Callin' it quits now, baby, I'm a wreck (Wreck)<br> Crash at my place, baby, you're a wreck (Wreck)<br> Needless to say, I'm keeping in check<br> She was a bad-bad, nevertheless<br> Callin' it quits now, baby, I'm a wreck<br> Crash at my place, baby, you're a wreck<br> Thinkin' in a bad way, losin' your grip<br> Screamin' at my face, baby, don't trip<br> Someone took a big L, don't know how that felt<br> Lookin' at you sideways, party on tilt<br> Ooh-ooh, some things you just can't refuse<br> She wanna ride me like a cruise and I'm not tryna lose<br> <br> [Chorus: Swae Lee]<br> Then you're left in the dust, unless I stuck by ya<br> You're a sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower<br> <br> [Verse 2: Post Malone]<br> Every time I'm leavin' on ya (Ooh)<br> You don't make it easy, no (No, no)<br> Wish I could be there for ya (Ooh)<br> Give me a reason to, oh (Oh)<br> Every time I'm walkin' out (Oh)<br> I can hear you tellin' me to turn around (Oh, oh)<br> Fightin' for my trust and you won't back down (No)<br> Even if we gotta risk it all right now, oh (Now)<br> I know you're scared of the unknown (-Known)<br> You don't wanna be alone (Alone)<br> I know I always come and go (And go)<br> But it's out of my control<br> <br> [Chorus: Post Malone]<br> And you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower (Yeah)
$4.99
4.5 €
#
Piano solo
#
Post Malone & Swae Lee
#
Swae Lee
#
Sunflower
#
Mario Stallbaumer
#
SheetMusicPlus
Beyond The Sea
Piano solo
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry,…
(+)
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
22.55 €
#
Piano solo
#
Bobby Darin
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.5 €
#
Piano solo
#
John Hatton
#
Jesus Shall Reign Where'er the Sun
#
Paul Thurmond
#
SheetMusicPlus
I'm Trying to Be Like Jesus
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Per…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99
9.01 €
#
Piano solo
#
Janice Kapp Perry
#
I'm Trying to Be Like Jesus
#
Mark Gubler
#
SheetMusicPlus
Hymns from Childhood - Set 10 (solo)
Piano solo
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. A…
(+)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
5.4 €
#
Piano solo
#
Various
#
Hymns from Childhood - Set 10
#
Curtis Hanson
#
SheetMusicPlus
The Beatles - Yesterday - Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallb…
(+)
Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Yesterday" by The Beatles on piano!<br> <br> It's a beautiful piano ballad arrangement with an intermediate difficulty level.<br> <br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> Written by Paul McCartney (and officially credited to Lennon–McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.<br> <br> The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.<br> <br> In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.<br> <br> It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.<br> <br> Time for you to play it, too!<br> <br> Here are the full lyrics to "Yesterday" by the Beatles:<br> <br> Yesterday<br> All my troubles seemed so far away<br> Now it looks as though they're here to stay<br> Oh, I believe in yesterday<br> <br> Suddenly<br> I'm not half the man I used to be<br> There's a shadow hanging over me<br> Oh, yesterday came suddenly<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday
$4.99
4.5 €
#
Piano solo
#
The Beatles
#
The Beatles - Yesterday - Piano Solo
#
Mario Stallbaumer
#
SheetMusicPlus
I'm So Lonesome I Could Cry
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1088313 By Hank Williams, Sr. By Ha…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1088313 By Hank Williams, Sr. By Hank Williams. Arranged by James Michael Stevens. Country,Folk,Pop,Standards. Score. 4 pages. James M Stevens Music ASCAP #692570. Published by James M Stevens Music ASCAP (A0.1088313). Written July 31, 2022, this is an original piano arrangement of the famous country song by Hank Williams, “I’m So Lonesome I Could Cry†with a bit of an improvised feel in 9/8 time. James Michael Stevens is a prolific compose residing in Nashville, TN. Follow Dr. Stevens' recordings on streaming services worldwide including Spotify, Pandora, Apple, Amazon, Deezer, and others.
$5.99
5.4 €
#
Piano solo
#
Hank Williams, Sr
#
I'm So Lonesome I Could Cry
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Aphelion
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Cont…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00
4.51 €
#
Piano solo
#
M
#
Aphelion
#
M.Y Owusu
#
SheetMusicPlus
I'm So Lonesome I Could Cry
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1243139 By B.J. Thomas. By Hank Wil…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1243139 By B.J. Thomas. By Hank Williams. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #838180. Published by Timothy Stapay (A0.1243139). A traditional country arrangement of the Hank Williams classic, I'm So Lonesome I Could Cry.I'm So Lonesome I Could Cry is a song written and recorded by American country music singer-songwriter Hank Williams in 1949. The song has been covered by a wide range of musicians. Williams was backed by members of the Pleasant Valley Boys: Zeke Turner (lead guitar), Jerry Byrd (steel guitar) and Louis Innis (rhythm guitar), as well as Tommy Jackson (fiddle) and Ernie Newton (bass).Lyrics:I’m So Lonesome I Could Cry Lyrics[Verse 1]Hear that lonesome whippoorwillHe sounds too blue to flyThe midnight train is whining lowI'm so lonesome I could cry[Verse 2]I've never seen a night so longWhen time goes crawling byThe moon just went behind the cloudsTo hide its face and cry[Verse 3]Did you ever see a robin weepWhen leaves begin to die?Like me, he's lost the will to liveI'm so lonesome I could cry[Verse 4]The silence of a falling starLights up a purple skyAnd as I wonder where you areI'm so lonesome I could cry.
$5.99
5.4 €
#
Piano solo
#
B
#
I'm So Lonesome I Could Cry
#
Timothy Stapay
#
SheetMusicPlus
The Painter
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.761847 Composed by Louis Landon. Ne…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon Creative, Inc. (A0.761847). Healing Hearts is the fourth solo piano release from Louis Landon in less than two years, an indication that his 2013 move to Sedona, AZ sparked an amazing creative streak for him. Since his move, Landon has established Healing Piano of Sedona which offers a unique sound healing experience to create mental, physical and emotional well-being. Landon is a Steinway Artist who has toured internationally and has released seventeen albums, eleven of which are solo piano (one is a best of). He has been using the techniques of Gurdjieff and Ouspensky for spiritual development since 1980. Healing Piano of Sedona was created to help people live life joyously, passionately, stress- and disease-free.The thirteen tracks on Healing Hearts were created spontaneously to assist individuals in their emotional and spiritual well-being. I have to admit that in the past, I have had a strong preference for Landon’s more composed music, but he is improvising and performing so much now that his spontaneous music is incredibly cohesive and complete and the emotional content is rich and sincere. Landon has performed house concerts in my series every year for the past seven years and while his music has always been exceptionally good, now it’s often breathtaking in its beauty and honesty. Nothing is held back, coming from the purest source of creativity. I’m blown away by the music on Healing Hearts and am certain that it will be the second of Landon’s albums on my Favorites list for 2014.Most of the tracks overflow with peace and serenity. In fact, Louis calls his home studio The Peace Palace and I can see why! A couple of pieces are a bit livelier, but the entire album is perfect for a warm and soothing background. However, be sure to treat your mind and soul to a blissful hour of calming music that can effortlessly heal the spirit and wash away the cares of the moment, the day, or life in general - at least for a while. All of the tracks are exceptional, but I’ll mention a few favorites. Amy’s Song is a breath of fresh air - graceful, tender and very warm. Gorgeous! Desert Peace is somewhat more ambient and so peaceful. I love the title track, which is more minor and a bit darker, but so poignant and compelling. Now or Never seems to be offering support and encouragement to move forward - gently but firmly. Sacred is almost hymn-like. The Great Unknown is dedicated to a young family member who passed away recently. Dark and sometimes painfully sad, there is hope as the healing process takes place - an amazing piece of music! The Painter expresses the passionate spirit that can flow from one artist to another. Unstoppable begins quietly and simply, gradually building energy, strength and power. Unstoppable, indeed! A great, upbeat ending to a fantastic album!Healing Hearts is a must-hear! It is available from louislandon.com, Amazon, iTunes, and CD Baby. Very highly recommended!
$5.25
4.74 €
#
Piano solo
#
Louis Landon
#
The Painter
#
Landon Creative, Inc.
#
SheetMusicPlus
"39 Variations on an Original Theme in F Major" for piano Op. 98
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.980450 Composed by Gary Noland. 20t…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Published by Freeland Publications (A0.980450). Duration: ca. 90 minutes-2 hours. Quite possibly the longest set of piano variations in the entire classical music literature, with the exception, perhaps, of certain sets of variations for piano by Kaikhosru Shapurgi Sorabji. This work ends with a monstrous 35-page long fugue. In the 18th century, Bach composed the Goldberg Variations (30 variations), in the 19th century Beethoven composed the Diabelli Variations (33 variations), in the 20th century Frederic Rzewski composed The People United Will Never Be Defeated (36 variations), and now, in the 21st century, Gary Noland has composed his monumental 39 Variations on an Original Theme in F Major. (There seems to be a pattern of three variations added on for each century). This is a work for adventurous first-rate pianists! Some of the variations are self-contained and may be played separate from the whole.I'm fascinated by your variations. Perhaps a marathon performance with many pianists doing several variations? Could be interesting. RIchard Strauss would have loved it.-Jed Distler, pianist. Sheer genius!!!! Move over Bach!!!!!-Alfred Watson, composer & pianist. Very nice and exciting! I listened [to] both the parts on you tube and I was not bored at all ... impeccable technique with echos (in my opinion) from Bach, Beethoven, Satie up to contemporaries, and many others ... many compliments!!!-Sisto PalombellaOne word: monumental!-Joseph Ford, composerThis is amazing music … Wow!!!-John William BaxterBeautifully put together. Three cheers!-Scott Giles, composerThis is a remarkable set of variations, not only for the immensely imaginative treatment of the theme but also for the vast array of stylistic influences incorporated into the score. One need only listen to five minutes to appreciate the craftsmanship!-Lenny Cavallaro, composerI'm enjoying this very much. I liked the intellectual rigor that underlies it.-John Melcher, composerAmazing work!-Rudolf SchmittLink to Section One: https://www.youtube.com/watch?v=4JQYgBiP388Link to Section Two: https://www.youtube.com/watch?v=UjQLOoPGvII&t=1025s
$30.00
27.06 €
#
Piano solo
#
Gary Noland
#
"39 Variations on an Original Theme in F Major" for piano Op. 98
#
Freeland Publications
#
SheetMusicPlus
I'm Old Fashioned
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1391042 Composed by Jerome Kern and…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1391042 Composed by Jerome Kern and Johnny Mercer. Arranged by PianoDigitalScores. Jazz,Standards. Score. 2 pages. PianoDigitalScores #974572. Published by PianoDigitalScores (A0.1391042). The purpose of this arrangement is to offer an easy way into the Jazz world for beginners or pianists who don't know where to start when studying Jazz. The chord voicings are simple and follow roughly the same principle. After you get them under your fingers you will be able to easily play more and more Jazz repertoire. Have fun learning and playing this arrangement!
$5.00
4.51 €
#
Piano solo
#
Jerome Kern and Johnny Mercer
#
I'm Old Fashioned
#
PianoDigitalScores
#
SheetMusicPlus
I'm Old Fashioned - Simple Chord Voicings
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1386940 By PianoDigitalScores. By J…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1386940 By PianoDigitalScores. By Jerome Kern. Arranged by PianoDigitalScores. Jazz,Standards. Score. 2 pages. PianoDigitalScores #970824. Published by PianoDigitalScores (A0.1386940). The purpose of this arrangement is to offer an easy way into the Jazz world for beginners or pianists who don't know where to start when studying Jazz. The chord voicings are simple and follow roughly the same principle. After you get them under your fingers you will be able to easily play more and more Jazz repertoire. Have fun learning and playing this arrangement!
$3.00
2.71 €
#
Piano solo
#
PianoDigitalScores
#
I'm Old Fashioned - Simple Chord Voicings
#
PianoDigitalScores
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.13 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.13 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Holy Holy Holy (To Thee We Sing)
Piano solo
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arrang…
(+)
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
4.5 €
#
Piano solo
#
John Bacchus Dykes
#
Holy Holy Holy
#
April Ann Rundquist
#
SheetMusicPlus
<
1
26
51
....
401
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
