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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.25 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.25 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
(+)
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.42 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.52 €
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Piano solo
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John Hatton
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
I Miss The Mountains
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.575341 Composed by Brian Yorkey and…
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Piano Solo - Level 3 - Digital Download SKU: A0.575341 Composed by Brian Yorkey and Tom Kitt. Arranged by Lorie Line. Broadway,Contemporary,Musical/Show,Pop. Score. 6 pages. Lorie Line Music, Inc. #184693. Published by Lorie Line Music, Inc. (A0.575341). This is an amazing performance-styled solo piano arrangement of the ever popular tune I Miss The Mountains (from the Broadway musical Next To Normal). Beautiful and easy to read and play, Lorie Line completely captures the personality of this song on the piano. Appropriate for students or adults, this is a wonderful classic piece to add to your music library. For more information and free downloads, go to lorieline.com.
$8.99
8.14 €
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Piano solo
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Brian Yorkey and Tom Kitt
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I Miss The Mountains
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Lorie Line Music, Inc.
#
SheetMusicPlus
Throwing The Dice
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Throwing The Dice"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP) <br> <br> Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.42 €
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Piano solo
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Isadar
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Throwing The Dice
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Mainya Music Publishing
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SheetMusicPlus
I Giorni
Piano solo
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262587 By Various Art…
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262587 By Various Artists. By Andreas Romdhane and Josef Larossi. Arranged by Mav Duo. Classical. Score and individual part. 7 pages. Musicial #855600. Published by Musicial (A0.1262587). Embark on a Harmonic Journey: The Captivating Cello and Piano Arrangement of I Giorni by Josef Larossi and Andreas RomdhaneAre you ready to immerse yourself in an enchanting musical voyage that will evoke a tapestry of emotions and transport you to a realm of serene beauty? Prepare to be captivated by the ethereal combination of cello and piano in a breathtaking arrangement of I Giorni by Josef Larossi and Andreas Romdhane.Let the resounding resonance of the cello strings intertwine with the delicate piano melodies, creating a harmonious synergy that will ignite your senses. I Giorni, with its delicate and introspective qualities, finds new life in this exquisite arrangement, painting a vivid musical canvas that reflects the essence of each passing day.Crafted by accomplished musicians and meticulously transcribed with utmost care, this cello and piano arrangement showcases the timeless beauty and emotional depth of I Giorni in a unique and profound manner. The cello, with its rich and expressive tones, weaves intricate melodies that dance gracefully alongside the piano's gentle touch, creating a mesmerizing soundscape that resonates with your very soul.Whether you are an avid cellist seeking a captivating new piece to add to your repertoire, a pianist yearning for a sublime duet, or a devoted fan of Josef Larossi and Andreas Romdhane's work, this cello and piano arrangement is an absolute must-have. It offers an opportunity to immerse yourself in the evocative power of I Giorni, allowing you to experience its poetic essence firsthand.As the haunting melody unfolds, you will be transported to a world where time stands still, where each note carries the weight of a thousand emotions. Feel the gentle caress of the cello as it sings with deep resonance, while the piano delicately embellishes the melodies, adding layers of elegance and depth. Together, they create an exquisite musical dialogue that will leave you spellbound.This cello and piano arrangement of I Giorni is a testament to the profound connection between music and the human spirit. It invites you to embark on a harmonic journey, where the boundaries between reality and dreams blur, and where you are free to explore the depths of your own emotions. Each phrase is a delicate brushstroke, painting a vivid portrait of love, longing, and the beauty found within the passing moments of our lives.Don't miss this extraordinary opportunity to own a piece of musical enchantment. Order your cello and piano arrangement of I Giorni today and let the sublime melodies transport you to a world of serenity and introspection. Embrace the transformative power of music and let it accompany you on a voyage of emotional resonance and artistic discovery.Keywords: cello and piano arrangement, I Giorni, Josef Larossi, Andreas Romdhane, enchanting musical voyage, tapestry of emotions, realm of serene beauty, resounding resonance, harmonious synergy, timeless beauty, emotional depth, unique and profound, captivating new piece, evocative power, poetic essence, haunting melody, musical dialogue, spellbound, profound connection, harmonic journey, passing moments, musical enchantment, transformative power.
$7.00
6.33 €
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Piano solo
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Various Artists
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I Giorni
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Musicial
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SheetMusicPlus
I Don't Miss You At All
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.845468 Composed by Finneas O'Connel…
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Piano Solo - Level 3 - Digital Download SKU: A0.845468 Composed by Finneas O'Connell. Arranged by Musikeo. Contemporary. Score. 2 pages. Musikeo #6381847. Published by Musikeo (A0.845468). I Don't Miss You at All is a song by American singer-songwriter Finneas from his debut EP, Blood Harmony (2019). It was released by OYOY as the fourth and final single from the EP on September 20, 2019. The dark pop track, was written and produced by Finneas himself. The song received mainly positive reviews from music critics, several of whom praised the music and lyrical content. During his October 2019 United States tour, the singer performed the song. He also sang it on Jimmy Kimmel Live! and during a livestream for Verizon Communications.Finneas explained in a statement that the song is about trying to convince yourself that you're over someone. Remembering all your absolute favorite things about them and pretending they mean nothing to you now. Finneas wrote I Don't Miss You at All while touring in New York City. He was sitting on a hotel bed while playing a toy guitar he had bought in Boston. He intended to write a song that felt like it was entirely a lie, the way we all lie to ourselves to try to feel like we're over someone when [we're] definitely, definitely not.The piano score you'll find follows the original structure of the song with it's bossa-nova flavour. Perfect tune to practice rythmic patterns in your left hand. Enjoy playing it on your piano!
$5.99
5.42 €
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Piano solo
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Finneas O'Connell
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I Don't Miss You At All
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Musikeo
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SheetMusicPlus
Have You Met Miss Jones?
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1495110 By George Shearing Quintet.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1495110 By George Shearing Quintet. By Lorenz Hart and Richard Rodgers. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #1071674. Published by John Fries (A0.1495110). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. Have You Met Miss Jones? is a popular song that was written for the musical comedy I'd Rather Be Right. The music was written by Richard Rodgers and the lyrics by Lorenz Hart. The song was published in 1937.
$5.99
5.42 €
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Piano solo
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George Shearing Quintet
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Have You Met Miss Jones?
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John Fries
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SheetMusicPlus
What Was I Made For?
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1290961 By Billie Eilish. By Billie…
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Piano Solo - Level 3 - Digital Download SKU: A0.1290961 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score. 4 pages. Glauco Fernandes #881649. Published by Glauco Fernandes (A0.1290961). Discover the exclusive arrangement of the song What Was I Made For by the renowned singer Billie Eilish, featured in the 2023 blockbuster Barbie soundtrack. This sheet music, meticulously crafted, is perfect for intermediate-level musicians looking to add a touch of sophistication to their repertoire.With this sheet music in hand, you'll have access to a unique and emotional interpretation of the song that captivated millions of listeners worldwide. It's ideal for students looking to enhance their musical skills or for professionals seeking exceptional repertoire for special events like weddings and live performances.Arrangement Benefits:- Professional-quality sheet music.- Precise notations that capture the essence of the music.- Intermediate level, challenging yet accessible.- Perfect for pianists and keyboard musicians.- Customize it to your style and add your personal touch.Don't miss the opportunity to acquire this exclusive sheet music and stand out in your musical performances. Download it now and start practicing this thrilling rendition of What Was I Made For by Billie Eilish. The music awaits you, and your audience will be enchanted by your enhanced musical skill!
$5.99
5.42 €
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Piano solo
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Billie Eilish
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
What Was I Made For?
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1290963 By Billie Eilish. By Billie…
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Piano Solo - Level 3 - Digital Download SKU: A0.1290963 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score. 4 pages. Glauco Fernandes #881652. Published by Glauco Fernandes (A0.1290963). Discover the exclusive arrangement of the song What Was I Made For by the renowned singer Billie Eilish, featured in the 2023 blockbuster Barbie soundtrack. This sheet music, meticulously crafted, is perfect for intermediate-level musicians looking to add a touch of sophistication to their repertoire.With this sheet music in hand, you'll have access to a unique and emotional interpretation of the song that captivated millions of listeners worldwide. It's ideal for students looking to enhance their musical skills or for professionals seeking exceptional repertoire for special events like weddings and live performances.Arrangement Benefits:- Professional-quality sheet music.- Precise notations that capture the essence of the music.- Intermediate level, challenging yet accessible.- Perfect for pianists and keyboard musicians.- Customize it to your style and add your personal touch.Don't miss the opportunity to acquire this exclusive sheet music and stand out in your musical performances. Download it now and start practicing this thrilling rendition of What Was I Made For by Billie Eilish. The music awaits you, and your audience will be enchanted by your enhanced musical skill!
$5.99
5.42 €
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Piano solo
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Billie Eilish
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
Missing your Love
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1112679 Composed by Dalva R. R. Bar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1112679 Composed by Dalva R. R. Barbosa. Classical,Film/TV,Romantic Period. Score. 7 pages. Dalva Regina Ribeiro Barbosa #714692. Published by Dalva Regina Ribeiro Barbosa (A0.1112679). Why would anyone abandon their partner to take risks in new adventures? Either the person is fickle, or is living a bad, abusive, careless relationship. But the time comes in which he/she loses hope in the current relationship because forgiveness also tire of forgiving. (Vinicius de Moraes in Regra Três). I decided to describe musically - using the same themes - both the sense of loss of those who were adrift, and the sense of freedom of those who left as a way of showing that the same story can be seen from different points of view. However, the title of this musical piece†Missing your Love†alludes to the fact that some people only realize the importance of someone in their lives after they leave.
$2.50
2.26 €
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Piano solo
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Dalva R
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Missing your Love
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
I Need Thee Every Hour/Abide with Me; 'Tis Eventide (early intermediate)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.741244 Composed by Robert Lowry, Lo…
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Piano Solo - Level 2 - Digital Download SKU: A0.741244 Composed by Robert Lowry, Lowrie M. Hofford. Arranged by Anne Britt. Christian,Praise & Worship,Sacred. Score. 4 pages. Anne Britt #6294217. Published by Anne Britt (A0.741244). A creative and heartfelt medley of two favorite hymns, I Need Thee Every Hour and Abide With Me; 'Tis Eventide. The music and lyrics of these two songs intertwine perfectly with each other to create an emotion-filled piece. This is a simplified version of the intermediate arrangement that received the Special Recognition award in the 2010 Church Music Submission. 4 pages.Intermediate version: https://www.sheetmusicplus.com/title/19972331Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
3.61 €
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Piano solo
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Robert Lowry, Lowrie M
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'Tis Eventide
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I Need Thee Every Hour/Abide with Me; 'Tis Eventide
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Anne Britt
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SheetMusicPlus
Gymnastic Marches for the use of Public and Private Schools. Collection of Popular Airs - Calisthenics & Marching in & ourt of the Room
Piano solo
Piano - Digital Download SKU: LV.14983 Arranged by Gustav A. Scott. Lester S. Levy …
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Piano - Digital Download SKU: LV.14983 Arranged by Gustav A. Scott. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14983). Gymnastic Marches for the use of Public and Private Schools. Collection of Popular Airs arranged for Calisthenics & Marching in & ourt of the Room. (1) Airs From Martha and La Fille Du Regment [sic]; (2) How Can I Leave Thee?; (3) Fairy Orchestra Polka; (4) Champagne Charlie. By Gustav A. Scott. Published 1869 by A. A. Rosenberg, 139 Kearny St. Cor. of Sutter in San Francisco. Composition of sectional, with directions for marching (i.e., Attention! Begin. and Change.) with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.42 €
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Piano solo
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Gustav A
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(2) How Can I Leave Thee?
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Gymnastic Marches for the use of Public and Private Schools. Collection of Popular Airs - Calisthenics & Marching in & ourt of the Room
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I Miss Her
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1030247 Composed by Devin Talluto. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1030247 Composed by Devin Talluto. Contemporary,Holiday,Love. Score. 6 pages. Devin Talluto #6137653. Published by Devin Talluto (A0.1030247). This is a song written from the heart, made to connect ones feelings towards missing a loved one. I wrote this to connect and cope with the feeling and the slower it’s played the more heartwarming it can become. Don’t play just to play. Connect with the music and make it the beautiful song it was written to be.
$4.99
4.52 €
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Piano solo
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Devin Talluto
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I Miss Her
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Devin Talluto
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SheetMusicPlus
In the Secret of His Presence
Piano solo
Piano Solo - Digital Download SKU: A0.818267 By Stephen R Dalrymple. By George C St…
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Piano Solo - Digital Download SKU: A0.818267 By Stephen R Dalrymple. By George C Stebbins and Ellen L Goreh. Arranged by Stephen R Dalrymple. Sacred. Score. 9 pages. Stephen R Dalrymple #3884109. Published by Stephen R Dalrymple (A0.818267). ♫ piano solo arrangement of a public domain hymn ♫lyrics by Ellen L Goreh 1853-1937 ♫ melody by George C Stebbins 1846-1945♫ The author of the text was a native of India. She spent many years in mission work among the women of India, held in high esteem by missionaries of all denominations. Ira D Sankey writes “The hymn was first sung by [George StebÂbins] as an offertory in one of the churches in Brooklyn, New York. It was often repeated as an offertory, and on occasions was sung in evangelistic services. But it had its larger introduction to the public during the All-Winter Mission conducted by Mr. Moody and myself in London in the winter of 1883–84, when I sang it frequently, as did Mr. Stebbins, who spent several months assisting in the mission.†The hymn spread all over the world. Hudson Taylor reported that it was a favorite of the missionaries in China.♫ piano arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 1999 (copyright registered in 'Great God of Wonders: Sacred Piano Arrangements' © 1999 Stephen R. Dalrymple)♫ recording â„— 2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.45
4.03 €
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Piano solo
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Stephen R Dalrymple
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In the Secret of His Presence
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Stephen R Dalrymple
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SheetMusicPlus
The Tri-colored Quadrilles
Piano solo
Piano - Digital Download SKU: LV.9568 Ballroom dancing, Windows, Moonlight, Couples…
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Piano - Digital Download SKU: LV.9568 Ballroom dancing, Windows, Moonlight, Couples, Courtship. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9568). The Tri-colored Quadrilles. Containing I see them on their winding way, Mi pizzica mi stimola, The Arab Steed, Oft in the Stilly Night, French Quadrille, Hail Columbia, The Marsellois March. n. Published [n.d.] by J.L. Hewitt, 653 Broadway in New York. Composition of six sectional movements with piano instrumentation. Subject headings for this piece include Ballroom dancing, Windows, Moonlight, Couples, Courtship. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.42 €
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Piano solo
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The Tri-colored Quadrilles
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
THE MISSING LINK
Piano solo
Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
$5.00
4.52 €
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Piano solo
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Waiting
Piano solo
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary…
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Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Waiting"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$6.99
6.33 €
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Piano solo
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Isadar
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Waiting
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Mainya Music Publishing
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SheetMusicPlus
The Popular Air, O, it Was Not For Me That I Heard the Bells Ringing
Piano solo
Piano - Digital Download SKU: LV.1434 Arranged by G. Kiallmark. Lester S. Levy Coll…
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Piano - Digital Download SKU: LV.1434 Arranged by G. Kiallmark. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1434). The Popular Air, O, it Was Not For Me That I Heard the Bells Ringing. Arranged with Variations for the Piano Forte by G. Kiallmark. Published [n.d.] by J.G. Klemm, No. 3 South Third Street in Philadelphia. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.42 €
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Piano solo
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The Popular Air, O, it Was Not For Me That I Heard the Bells Ringing
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I Wanna Be Ready to Walk in Jerusalem Just Like John
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1046301 By Christopher Alexander. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1046301 By Christopher Alexander. By Christopher Alexander. Arranged by Christopher Alexander. Praise & Worship,Sacred,Spiritual,Traditional. Score. 12 pages. Christopher Alexander #650814. Published by Christopher Alexander (A0.1046301). With the word “walk†in the title, why not have the arrangement set at a walking pace? This is no casual stroll through a musical journey, however, as the music will have some unexpected turns and surprises for you and your audience. Don’t miss out on this fun work!
$2.00
1.81 €
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Piano solo
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Christopher Alexander
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I Wanna Be Ready to Walk in Jerusalem Just Like John
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Christopher Alexander
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SheetMusicPlus
Dear Mother, I've Come Home to Die, With Brilliant Variations for the Piano
Piano solo
Piano - Digital Download SKU: LV.23265 Composed by Charles Grobe. War casualties, M…
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Piano - Digital Download SKU: LV.23265 Composed by Charles Grobe. War casualties, Mothers & children, Civil War--Union. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23265). Dear Mother, I've Come Home to Die, With Brilliant Variations for the Piano. By Charles Grobe. Published 1864 by Firth, Son & Co., 563 Broadway in New York. Composition of with piano instrumentation. Subject headings for this piece include War casualties, Mothers & children, Civil War--Union. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.42 €
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Piano solo
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Charles Grobe
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Charles Grobe
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Dear Mother, I've Come Home to Die, With Brilliant Variations for the Piano
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Koh I Noor. The Mountain of Light Valse pour le Piano
Piano solo
Piano - Digital Download SKU: LV.10292 Composed by Emily L. Loud. Symbols. Lester S…
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Piano - Digital Download SKU: LV.10292 Composed by Emily L. Loud. Symbols. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10292). Koh I Noor. The Mountain of Light Valse pour le Piano. Composee par Emily L. Loud. Published 1851 by W.R. Smith, Agt., 135 Nth Eighth St. in Philadelphia. Composition of through-composed with piano instrumentation. Subject headings for this piece include Symbols. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.42 €
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Piano solo
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Emily L
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Koh I Noor. The Mountain of Light Valse pour le Piano
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Fight is On. March Two-Step
Piano solo
Piano - Digital Download SKU: LV.23605 Composed by Carl D. Vandersloot. Soldiers, B…
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Piano - Digital Download SKU: LV.23605 Composed by Carl D. Vandersloot. Soldiers, Battlefields, Bombardment, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23605). The Fight is On. March Two-Step. By Carl D. Vandersloot. Published 1918 by Vandersloot Music Pub. Co. in Williamsport, Penna. Composition of sectional with piano instrumentation. Subject headings for this piece include Soldiers, Battlefields, Bombardment, World War I. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.42 €
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Piano solo
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Carl D
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Carl D
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The Fight is On. March Two-Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Rookies March For Piano
Piano solo
Piano - Digital Download SKU: LV.23743 Composed by George Drumm. Soldiers, Saluting…
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Piano - Digital Download SKU: LV.23743 Composed by George Drumm. Soldiers, Saluting, World War I. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23743). The Rookies March For Piano. By George Drumm. Published 1917 by G. Schirmer in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Soldiers, Saluting, World War I. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.42 €
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Piano solo
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George Drumm
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George Drumm
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The Rookies March For Piano
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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