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26
I Left My Heart In San Francisco- piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download By Tony Bennett. Arranged by …
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Piano Solo - Advanced Intermediate - Digital Download By Tony Bennett. Arranged by Debbie Vinick. Solo Part. 2 pages. Published by Debbie Vinick
Debbie Vinick's arrangement of the classic Tony Bennett song I Left My Heart in San Francisco is intricate and lush with beautiful arpeggios and chord changes. It's perfect for background music, cocktail hours, or just playing at home.<br> Debbie Vinick is a harpist, pianist, arranger, andteacher. Her music has a wide range of style including Celtic, classical andpopular. She plays and arranges music for the lap, folk, and pedal harp, andpiano. Debbie loves arranging music that is suited to each instrument and isboth enjoyable to play and to hear. A graduate of Eastman and Yale Schools ofMusic, Debbie has played with orchestras throughout the U.S. and in Europe. Shehas an active studio of harp and piano students and performs throughout theNortheast U.S.<br> <br> For more sheet music by Debbie, please visit: http://harpistct.com/sheet-music/<br> <br> She would love to hear from you! If you have anyquestions, comments, or would like an online lesson, visit: http://harpistct.com/contact/<br> <br> Website: http://harpistct.com/<br> <br> Facebook: https://www.facebook.com/ctharpist<br> <br> Instagram: https://www.instagram.com/debbie_vinick_harpist/<br> <br> Twitter: https://twitter.com/debbie_vinick
$5.99
5.48 €
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Piano solo
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Tony Bennett
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I Left My Heart In San Francisco- piano solo
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Debbie Vinick
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SheetMusicPlus
Danny Boy (Harp / Piano Solo) - Intermediate
Piano solo
Lever Harp - Level 3 - Digital Download SKU: A0.836295 Composed by Traditional. Arr…
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Lever Harp - Level 3 - Digital Download SKU: A0.836295 Composed by Traditional. Arranged by Rena Ng. Celtic,Contemporary,Folk,Holiday,Irish. Score. 3 pages. Rena Ng #6697051. Published by Rena Ng (A0.836295). A harp solo arrangement of Danny Boy, also known as Londonderry Air. Recommended for intermediate level players on both lever (tuned in Eb major) and pedal harps. Lever change markings are indicated.
$4.99
4.56 €
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Piano solo
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Traditional
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Danny Boy
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Rena Ng
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SheetMusicPlus
Good Luck, Babe!
Piano solo
Piano, Piano/Keyboard - Level 3 - Interactive Download SKU: A0.1511284 By Chappell …
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Piano, Piano/Keyboard - Level 3 - Interactive Download SKU: A0.1511284 By Chappell Roan. By Chappell Roan, Daniel Nigro, and Justin Tranter. Arranged by Tori Parrish. This edition: Interactive Download, pdf. Pop. Individual part. 5 pages. Duration 196. Tori Parrish #4aZcYAruILdVdWh6eopRPs. Published by Tori Parrish (A0.1511284). Key: D major.Intermediate solo harp arrangement for Lever or Pedal Harps Solo harp cover of Good Luck, Babe! by our goddex Chappell Roan Pedal or Lever Harp No Lever or Pedal changes Key of D Major Video of this arrangement: https://youtu.be/gCm5cM7bUnQ Follow along on Youtube and Instagram (@ashevilleharpist) for more arrangements!
$6.69
6.12 €
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Piano solo
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Chappell Roan
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Good Luck, Babe!
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Tori Parrish
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SheetMusicPlus
Good Luck, Babe!
Piano solo
Piano, Piano/Keyboard - Level 3 - Interactive Download SKU: A0.1511282 By Chappell …
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Piano, Piano/Keyboard - Level 3 - Interactive Download SKU: A0.1511282 By Chappell Roan. By Chappell Roan, Daniel Nigro, and Justin Tranter. Arranged by Tori Parrish. This edition: Interactive Download, pdf. Pop. Individual part. 5 pages. Duration 196. Tori Parrish #45gQZ69CPBi2KHLf3sCrWW. Published by Tori Parrish (A0.1511282). Key: D major.Intermediate solo harp arrangement for Lever or Pedal Harps Solo harp cover of Good Luck, Babe! by our goddex Chappell Roan Pedal or Lever Harp No Lever or Pedal changes Key of D Major Video of this arrangement: https://youtu.be/gCm5cM7bUnQ Follow along on Youtube and Instagram (@ashevilleharpist) for more arrangements!
$6.69
6.12 €
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Piano solo
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Chappell Roan
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Good Luck, Babe!
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Tori Parrish
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SheetMusicPlus
CHACONNE - by Jeremiah Clarke - for Piano or Harp
Piano solo
Small Ensemble Piano Solo - Level 2 - Digital Download SKU: A0.770655 Composed by J…
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Small Ensemble Piano Solo - Level 2 - Digital Download SKU: A0.770655 Composed by Jeremiah Clarke. Arranged by Ivan Marini. Baroque,Classical,Instructional,Sacred,Wedding. Score. 2 pages. Www.dalsegno.eu #6562179. Published by www.dalsegno.eu (A0.770655). Chaconne (kind of theme and variations) by Jeremiah Clarke, for piano, harp (without pedals), harpsichord or even organ.Duration approx 2 mins., 2 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
1.82 €
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Piano solo
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Jeremiah Clarke
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CHACONNE - by Jeremiah Clarke - for Piano or Harp
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www.dalsegno.eu
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SheetMusicPlus
Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.862547 Composed by Michael Bomier. …
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Piano Solo - Level 5 - Digital Download SKU: A0.862547 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034415. Published by Michael Butkus-Bomier (A0.862547). The whole step and the major third are quite euphonious, and even fit into some keys where their usage in a tonal setting facilitates mirror fingerings and symmetry. E major, having four sharps, is just such a key. The scalar passages are strictly mirror-fingered. The octave displacement of the note in between the root and 3rd of the scale is also used throughout, in either hand. Tempo here is only a suggestion, as it may be a bit quick, the 9ths that change direction throughout being the chief technical challenge. The melody is, by default, the top notes of these octave-displaced figures. There are also thirds with broken octaves for accompaniment as well. Running time is approx.3 mins, 30 secs.,longer at a slightly slower pace. Pedaling is not specifically marked, but is given with general instructions rather than with traditional markings. MBB.
$2.50
2.29 €
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Piano solo
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Michael Bomier
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Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Michael Butkus-Bomier
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SheetMusicPlus
Good Luck, Babe!
Piano solo
Piano, Piano/Keyboard - Level 3 - Interactive Download SKU: A0.1511281 By Chappell …
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Piano, Piano/Keyboard - Level 3 - Interactive Download SKU: A0.1511281 By Chappell Roan. By Chappell Roan, Daniel Nigro, and Justin Tranter. Arranged by Tori Parrish. This edition: Interactive Download, pdf. Pop. Individual part. 5 pages. Duration 196. Tori Parrish #5QQQoJxgOfbBaTVQPkaQV4. Published by Tori Parrish (A0.1511281). Key: D major.Intermediate solo harp arrangement for Lever or Pedal Harps Solo harp cover of Good Luck, Babe! by our goddex Chappell Roan.
$6.99
6.39 €
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Piano solo
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Chappell Roan
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Good Luck, Babe!
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Tori Parrish
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SheetMusicPlus
Nocturne
Piano solo
Piano - difficult - Digital Download SKU: S9.Q47441 For piano. Composed by C…
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Piano - difficult - Digital Download SKU: S9.Q47441 For piano. Composed by Charles Koechlin. This edition: Sheet music. Downloadable. Op. 33. Duration 12 minutes. Schott Music - Digital #Q47441. Published by Schott Music - Digital (S9.Q47441). This first print is a rarity: the highly virtuoso, evocative 'Nocturne' owes its creation to an instrument that has only survived as a museum piece. Gustave Lyon, the director of the French instrument maker Pleyel, commissioned Charles Koechlin as well as several other French composers (such as Claude Debussy and Maurice Ravel) to write works for the 'harpe chromatique' developed by him around 1900. In contrast to the common pedal harp, the chromatic harp allows for an unlimited modulatory range. Nevertheless, the instrument did not gain much acceptance and remained exotic. Koechlin was aware of the difficulty of introducing and establishing new instruments. He therefore, from the very beginning, had the piano as an alternative of equal value in mind when writing his Nocturne.
$15.99
14.63 €
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Piano solo
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Charles Koechlin
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Nocturne
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Schott Music - Digital
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SheetMusicPlus
Interpretation of "Beach Spring"
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1431203 Composed by Sacred Harp (18…
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Piano Solo - Level 3 - Digital Download SKU: A0.1431203 Composed by Sacred Harp (1844). Arranged by Robert Chamberlin. Classical,Sacred. Score. 5 pages. Robert Chamberlin #1011667. Published by Robert Chamberlin (A0.1431203). “Interpretation of “Beach Spring” is an arrangement of this familiar American hymn tune, which originally appeared in the Sacred Harp. This arrangement is a modification of an earlier arrangement of the same tune that I wrote for organ. That arrangement featured the melody in the pedals using a 4’ solo stop. In writing this adaptation, I wanted to make the arrangement accessible for either piano solo or organ (manuals only). For that reason, the score shows no piano pedal instructions and it does not include organ stop suggestions. If played as a piano solo, pedaling in general with harmonic changes would work well. If played on the organ, quiet flute and string stops are appropriate for the accompaniment. A suggestion for the solo in the left hand might be an 8’ clarinet stop.
$5.00
4.57 €
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Piano solo
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Sacred Harp
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Interpretation of "Beach Spring"
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Robert Chamberlin
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SheetMusicPlus
The Mist
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.751662 Composed by Christopher Hamp…
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Piano Solo - Level 2 - Digital Download SKU: A0.751662 Composed by Christopher Hampton, Don Black, and Frank N Wildhorn. Arranged by Mark Rippe. 20th Century,Broadway,Contemporary,Musical/Show. Score. 4 pages. Mark Rippe #359330. Published by Mark Rippe (A0.751662). AM00131. From Dracula, The Musical. This arrangement is for solo piano. Similar arrangements are available for solo voice with piano accompaniment (AM00130), solo instrument with piano accompaniment (AM00132) and solo pedal harp (AM00133).
$4.99
4.56 €
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Piano solo
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Christopher Hampton, Don Black, and Frank N Wildhorn
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The Mist
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Mark Rippe
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.48 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Savior, like a Shepherd Lead Us
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.905644 Composed by William B. Bradb…
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Piano Solo - Level 5 - Digital Download SKU: A0.905644 Composed by William B. Bradbury. Arranged by Daniel Steenson. Concert,Romantic Period,Sacred,Wedding. Score. 4 pages. Daniel Steenson #4782731. Published by Daniel Steenson (A0.905644). Daniel Steenson's early-advanced piano setting of Savior, like a Shepherd, Lead Us is suitable as an offertory, a meditation before communion, wedding prelude music, or a recital piece. The main challenge lies in the 2nd stanza (mm. 18-32). I chose F-sharp major (G-flat major) for its resonant and harmonious qualities. You will find a wide-variety of color contrasts in this rich key as you travel between registers. Use the black and gray zones of the keys (hand position should be closer to fall board) for smoother, lateral movement (avoid zig-zagging in and out of the black keys). Also, listen for the hymn tune in the alto line (m. 18). Create bell effects in mm. 26-32 (LH crossings are optional) using succinct and gentle finger-tip releases. Catch each harmonic bass-note change with a clean pedal. Double-check your note accuracy in m. 43, and play the C double-sharps! (it helps to hear this measure as a D major 7th chord in first inversion). Enjoy this transcription of Bradbury's ageless hymn - still cherished by young and old alike!
$3.99
3.65 €
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Piano solo
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William B
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Savior, like a Shepherd Lead Us
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Daniel Steenson
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SheetMusicPlus
Sonata Hymnica No. 1
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.69 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Sonata Hymnica No. 2
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.69 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Invention No. 2 in D minor for three voices
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padge…
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Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
$3.99
3.65 €
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Piano solo
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Robert W
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Invention No. 2 in D minor for three voices
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Padgett Music Llc
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SheetMusicPlus
Echoes
Piano solo
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.981835 Composed by Aig…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.981835 Composed by Aiga Helmer. Chamber,Christmas,Contest,Festival,Multicultural,New Age,World. Score and individual part. 1 pages. Aiga Helmer #5724015. Published by Aiga Helmer (A0.981835). A joyful little original echoe piece for solo pedal or lever harp, or for solo easy piano.   The chord symbols can be used for optimal accompaniment either for birthday serenades or student recitals.
$2.99
2.74 €
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Piano solo
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Aiga Helmer
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Echoes
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Aiga Helmer
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SheetMusicPlus
alt.Callahans Reel
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
6.86 €
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Piano solo
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano song early advanced - The Chase
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1042066 By Kathi Kerr. By Kathi Ker…
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Piano Solo - Level 4 - Digital Download SKU: A0.1042066 By Kathi Kerr. By Kathi Kerr. Arranged by Kathi Kerr. Classical,Film/TV,Instructional. Score. 3 pages. Melody Music Publishers #646855. Published by Melody Music Publishers (A0.1042066). Don't use the pedal until bar 12 in this piano song for the early advanced student, so it has a clean sound. Play the left hand in measures 5-7 light and harp-like, and bring out the right-hand melody.
$5.99
5.48 €
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Piano solo
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Kathi Kerr
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Piano song early advanced - The Chase
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Melody Music Publishers
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SheetMusicPlus
Haydn Piano Sonata 40.1 Allegretto innocente (Classical Music for Tablet Series)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.818282 By Stephen R Dalrymple. By F…
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Piano Solo - Level 3 - Digital Download SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 17 pages. Stephen R Dalrymple #4967137. Published by Stephen R Dalrymple (A0.818282). Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. Not unlike George Washington, nicknamed the “Father of our Countryâ€, yet had no children, Haydn is known as the “Father of the Symphony.†♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.65 €
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Piano solo
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Stephen R Dalrymple
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Haydn Piano Sonata 40.1 Allegretto innocente
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Stephen R Dalrymple
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SheetMusicPlus
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By F…
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Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 14 pages. Stephen R Dalrymple #4967139. Published by Stephen R Dalrymple (A0.818283). Piano Sonata 40.2 Presto (Classical Music for Tablet Series) Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. (Some count 107.) Not unlike George Washington, nicknamed the “Father of our Countryâ€, yet had no children, Haydn is known as the “Father of the Symphony.†and the “Father of the string Quartet.†♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.65 €
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Piano solo
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Stephen R Dalrymple
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Haydn Piano Sonata 40.2 Presto
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Stephen R Dalrymple
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SheetMusicPlus
Nocturne (Rainy Night)
Piano solo
Piano Solo - Digital Download SKU: A0.818544 Composed by Thomas Ling of Sibu. 20th …
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Piano Solo - Digital Download SKU: A0.818544 Composed by Thomas Ling of Sibu. 20th Century,Concert,Standards. Score. 3 pages. Thomas Swee Chin #6861447. Published by Thomas Swee Chin (A0.818544). Written in G sharp minor. One may hear influence from Liszt’s Un Sospiro - one of the three concert etudes. It would make a study on half pedal and the use of the Una corda pedal. .
$6.99
6.39 €
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Piano solo
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Thomas Ling of Sibu
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Nocturne
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Thomas Swee Chin
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SheetMusicPlus
Interstellar
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1077110 Composed by Alex Gibson, Ha…
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Piano Solo - Level 4 - Digital Download SKU: A0.1077110 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Christina Vera [Corda Music]. Contemporary,Film/TV. Score. 6 pages. Christina Fordham Vera #681263. Published by Christina Fordham Vera (A0.1077110). Interstellar (Main Theme) - First Step This is a late intermediate solo piano arrangement of the main theme from the 2014 film Interstellar. Pedal markings and frequent fingerings are added to aid in the learning process. Enjoy mastering this haunting theme on the piano! Song Length: 6 pages + title page Level: Late Intermediate Key Signature: A Minor (no sharps or flats; no black keys).
$4.99
4.56 €
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Piano solo
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Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin
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no black keys).
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Interstellar
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Christina Fordham Vera
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SheetMusicPlus
'The Seventh Seal'
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1216480 By Amy Louise Lewis. By Amy…
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Piano Solo - Level 3 - Digital Download SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.
$7.95
7.27 €
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Piano solo
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Amy Louise Lewis
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'The Seventh Seal'
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Amy Lewis
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SheetMusicPlus
Lightcatcher
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.874025 Composed by Kristi Kruse. 20…
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Piano Solo - Level 4 - Digital Download SKU: A0.874025 Composed by Kristi Kruse. 20th Century,Concert,Contemporary,New Age,Wedding. Score. 6 pages. Kristi Kruse #3553745. Published by Kristi Kruse (A0.874025). An uplifting original in the key of C, no sharps or flats. Lots of ledger lines and counting. Use the pedal freely to create your own light. Perfect for weddings, students, recitals. Created to brighten your day. .
$4.99
4.56 €
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Piano solo
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Kristi Kruse
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Lightcatcher
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Kristi Kruse
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SheetMusicPlus
Sunshine in September
Piano solo
Piano Solo - Digital Download SKU: A0.894762 Composed by Brian McGravey. Instructio…
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Piano Solo - Digital Download SKU: A0.894762 Composed by Brian McGravey. Instructional,Standards. Score. 1 pages. Brian McGravey #3663011. Published by Brian McGravey (A0.894762). A short piano piece intended as an introduction to the sustain pedal. Perfect for intermediate students who are learning to read music with 3 sharps (key of A Major).
$2.99
2.74 €
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Piano solo
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Brian McGravey
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Sunshine in September
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Brian McGravey
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SheetMusicPlus
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