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En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.44 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Open the Eyes of My Heart
Piano solo
Piano Solo Piano/Keyboard SKU: HL.8739715 Contemporary Praise and Worship Songs …
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Piano Solo Piano/Keyboard SKU: HL.8739715 Contemporary Praise and Worship Songs Arranged for Piano. By Various. Piano Solos. Fred Bock Publications. General Worship, Sacred. 48 pages. Fred Bock Music Company #BGK1008. Published by Fred Bock Music Company (HL.8739715). ISBN 9781934596241. UPC: 073999397154. 9.0x12.0x0.155 inches. Arranged by Bock/Curry/Hayes/Lucas/Martin/Sanborn Seasons of Praise.This collection offers a variety of terrific praise and worship choruses arranged with the church pianist in mind. Ten titles, including: Shout to the Lord * I Want to Be Where You Are * Mourning into Dancing * Give Thanks * Thou Art Worthy * Open the Eyes of My Heart * and more.
$12.95
11.75 €
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Piano solo
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Various
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Open the Eyes of My Heart
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Fred Bock Music Company
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SheetMusicPlus
"The A-Team": Main Theme (Post and Carpenter) - Solo Piano
Piano solo
Piano Solo - Intermediate - Digital Download By Mike Post, Pete Carpenter. Arranged b…
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Piano Solo - Intermediate - Digital Download By Mike Post, Pete Carpenter. Arranged by Rob Bushnell. Individual Part, Piano Reduction, Set of Parts, Sheet Music Single, Solo Part. 2 pages. Published by RBMusic
The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’<br> <br> The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John "Hannibal" Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or “Face” (Dirk Benedict), pilot Captain H.M. "Howling Mad" Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco "B.A." Baracus (Mr. T).<br> <br> The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show.<br> In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack.<br> A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$5.97
5.42 €
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Piano solo
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Mike Post, Pete Carpenter
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"The A-Team": Main Theme
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RBMusic
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.35 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.35 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Open Arms, piano cover
Piano solo
Piano Solo - Advanced Intermediate - Digital Download By Steve Perry/Jonathan Cain. …
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Piano Solo - Advanced Intermediate - Digital Download By Steve Perry/Jonathan Cain. Arranged by Christine Brown. Sheet Music Single. 6 pages. Published by Christine Brown
A classical arrangement of the popular Journey ballad, "Open Arms", blended with classical phrases of a Debussy favorite, "Reverie". This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
$7.99
7.25 €
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Piano solo
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Steve Perry/Jonathan Cain
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Open Arms, piano cover
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Christine Brown
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SheetMusicPlus
I Know That My Redeemer Lives/Jesus Shall Reign Where’er the Sun (Downloadable)
Piano solo
Piano - Moderately Easy - Digital Download SKU: MQ.15-853-07E Composed by Anna Laur…
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Piano - Moderately Easy - Digital Download SKU: MQ.15-853-07E Composed by Anna Laura Page. Ascension, Easter, Holy Week, Lent, Pentecost, Triduum/Three Days. 4 pages. MorningStar Music Publishers - Digital Sheet Music #15-853-07E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-853-07E).
$5.00
4.54 €
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Piano solo
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Anna Laura Page
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I Know That My Redeemer Lives/Jesus Shall Reign Where’er the Sun
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano solo
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
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Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
23.59 €
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Piano solo
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John Pitts (1976-)
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How to Play Indian Sitar Rāgas on a Piano
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SheetMusicPlus
Die Schlangengrube und das Pendel
Piano solo
Piano - Digital Download SKU: RX.9783841858405 Notenausgabe aus dem gleichnamige…
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Piano - Digital Download SKU: RX.9783841858405 Notenausgabe aus dem gleichnamigen Film. Composed by Peter Thomas, Paul Schmotz. Film music. Sheet music. With Language: German. 6 pages. Published by Roba Music Verlag (RX.9783841858405). ISBN 978-3-8418-5840-5.Peter Thomas has composed the film music for hundreds of films ever since the 1950s, amongst those the popular Edgar Wallace“ or Jerry Cotton“ film series. Thomas won many awards, for example the German Film Award“ in the category Best Soundtrack“. Available here the piano sheet music for the title Die Schlangengrube und das Pendel / The Torture Chamber of Dr Sadism of same film.
$2.99
2.71 €
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Piano solo
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Peter Thomas, Paul Schmotz
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Die Schlangengrube und das Pendel
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Roba Music Verlag
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SheetMusicPlus
Poor Wandering One from The Pirates of Penzance - for piano (No black notes required)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1449795 By Kim Kirkman. By Gilbert …
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Piano Solo - Level 3 - Digital Download SKU: A0.1449795 By Kim Kirkman. By Gilbert and Sullivan. Arranged by Kim Kirkman. 19th Century,Broadway,Musical/Show,Opera. Score. 4 pages. Kim Kirkman #1029558. Published by Kim Kirkman (A0.1449795). The famous soprano aria from Pirates of Penzance.Arranged for piano (no black notes required).To make that happen I have changed some of the melodic notes and some of the harmonies.Any issues, please let me know.
$2.49
2.26 €
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Piano solo
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Kim Kirkman
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Poor Wandering One from The Pirates of Penzance - for piano
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Kim Kirkman
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SheetMusicPlus
Starlight on Aspen
Piano solo
Piano - Digital Download SKU: AX.98-DS4090 Composed by W.T. Skye Garcia. 5 pages. A…
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Piano - Digital Download SKU: AX.98-DS4090 Composed by W.T. Skye Garcia. 5 pages. Alfred Music - Digital Sheet Music #98-DS4090. Published by Alfred Music - Digital Sheet Music (AX.98-DS4090). UPC: 674398209392.
$2.95
2.68 €
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Piano solo
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W
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Starlight on Aspen
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paganini Jazz
Piano solo
Piano - Digital Download Variations on the Caprice No. 24 in the style of modern jazz…
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Piano - Digital Download Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fazil Say. This edition: Sheet music. Jazz, Piano, Zeitgenossische Musik. The Virtuoso Piano Transcription Series. Downloadable. Op. 5c. Duration 4 minutes. Schott Music - Digital #Q20441. Published by Schott Music - Digital
The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988). following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements.<br> Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, .a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.
$13.99
12.7 €
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Piano solo
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Fazil Say
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Paganini Jazz
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Schott Music - Digital
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SheetMusicPlus
The Pirates of Penzance Overture
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1416889 Composed by Sir Arthur Seym…
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Piano Solo - Level 3 - Digital Download SKU: A0.1416889 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Opera. Score. 9 pages. Cornelius Edition (uk) #998477. Published by Cornelius Edition (uk) (A0.1416889). The overture to The Pirates of Penzance was composed in 1879 by Sullivan and his musical assistant Alfred Cellier. It follows the pattern of most Savoy opera overtures: a lively opening (the melody of With cat-like tread), a slow middle section (Ah, leave me not to pine alone), and a concluding allegro in a compressed sonata form, in which the themes of How beautifully blue the sky and A paradox, a paradox are combined. The orchestral score is here reduced to solo piano.
$5.99
5.44 €
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Piano solo
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Sir Arthur Seymour Sullivan
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The Pirates of Penzance Overture
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Cornelius Edition
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SheetMusicPlus
Open Up
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Jim Paterson. 20t…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Jim Paterson. 20th Century, Contemporary Classical, Minimalism, Etudes and Exercises, Recital. Individual Part. 1 pages. Published by Music Files Ltd
Open Up is a minimalist piano piece whose structure was inspired by Opening from Glassworks by Philip Glass. It has continuous triplets in the right-hand and duplets in the left-hand, and is built out of 4-bar phrases of shifting chords with plenty of repetition. It requires concentration to play and is suitable for piano students at intermediate or advanced-intermediate level. See also the companion piece "Close Down".
$2.99
2.71 €
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Piano solo
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Jim Paterson
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Open Up
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Music Files Ltd
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SheetMusicPlus
Ramble on Cortona
Piano solo
Piano - intermediate - Digital Download For piano. Composed by Gavin Bryars (1943-). …
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Piano - intermediate - Digital Download For piano. Composed by Gavin Bryars (1943-). This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q7285. Published by Schott Music - Digital
Written at the same time as the composer's Piano Concerto (The Solway Canal), Bryars' Ramble on Cortona is the first piece the composer has penned for solo piano in his esteemed career. Like his piano concerto, the work was written for Dutch pianist Ralph van Raat.<br> <br> Bryars borrows the term "Ramble" from Percy Grainger whom Bryars has always admired both as a composer and pianist. . Others might call it a "Paraphrase" but Bryars' Ramble is based on themes from his vocal laude which derive from 13th century manuscripts found in Cortona.
$12.99
11.79 €
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Piano solo
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Gavin Bryars
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Ramble on Cortona
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Schott Music - Digital
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SheetMusicPlus
Romance et étude (Romance and Etude), Op. 38 - Thalberg
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Etudes and Exercises, Technique Training, Recital. Score, Sheet Music Single. 14 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques. Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote: 'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.' Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote: 'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'. Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end. In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this. 'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99
1.81 €
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Piano solo
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Sigismond Thalberg
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Romance et étude
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James Keenan
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SheetMusicPlus
Berceuse (Lullaby or Cradle Song) - Thalberg
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871).…
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Piano Solo - Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Repertoire, Recital. Score, Sheet Music Single. 5 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques. Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote: 'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.' Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote: 'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'. Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end. In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this. 'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99
1.81 €
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Piano solo
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Sigismond Thalberg
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Berceuse
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James Keenan
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.39 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jalapeno Rag
Piano solo
Piano - Digital Download SKU: AX.98-DW9104 Composed by Melody Bober. 4 pages. Alfre…
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Piano - Digital Download SKU: AX.98-DW9104 Composed by Melody Bober. 4 pages. Alfred Music - Digital Sheet Music #98-DW9104. Published by Alfred Music - Digital Sheet Music (AX.98-DW9104). UPC: 674398207053.
$2.50
2.27 €
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Piano solo
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Melody Bober
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Jalapeno Rag
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Minor Pentascales and Cross-Hand Arpeggios
Piano solo
Piano - Digital Download SKU: AX.98-DTS1002 Composed by Edwin Mclean. 6 pages. Alfr…
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Piano - Digital Download SKU: AX.98-DTS1002 Composed by Edwin Mclean. 6 pages. Alfred Music - Digital Sheet Music #98-DTS1002. Published by Alfred Music - Digital Sheet Music (AX.98-DTS1002). UPC: 674398227204.
$3.50
3.18 €
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Piano solo
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Edwin Mclean
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Minor Pentascales and Cross-Hand Arpeggios
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Major Pentascales and Cross-Hand Arpeggios
Piano solo
Piano - Digital Download SKU: AX.98-DTS1001 Composed by Edwin Mclean. 6 pages. Alfr…
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Piano - Digital Download SKU: AX.98-DTS1001 Composed by Edwin Mclean. 6 pages. Alfred Music - Digital Sheet Music #98-DTS1001. Published by Alfred Music - Digital Sheet Music (AX.98-DTS1001). UPC: 674398227006.
$3.50
3.18 €
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Piano solo
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Edwin Mclean
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Major Pentascales and Cross-Hand Arpeggios
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Opening Night
Piano solo
Piano - Digital Download SKU: AX.98-DE1097 Composed by Kevin Costley. 7 pages. Alfr…
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Piano - Digital Download SKU: AX.98-DE1097 Composed by Kevin Costley. 7 pages. Alfred Music - Digital Sheet Music #98-DE1097. Published by Alfred Music - Digital Sheet Music (AX.98-DE1097). UPC: 674398232932.
$3.50
3.18 €
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Piano solo
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Kevin Costley
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Opening Night
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Beauty and the Beast
Piano solo
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Gabriele Filipp…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Gabriele Filippi. Arranged by Gabriele Filippi. Piano Reduction, Score. 6 pages. Published by Gabriele Filippi
BEAUTY AND THE BEAST<br> Piano Solo Cover Theme, from Walt Disney’s Pictures “Beauty and the Beast”<br> <br> Music by Alan Menken<br> Piano arrangement by Gabriele Filippi<br> <br> Taken from the 1991 American animated musical film produced by Walt Disney Feature Animation and released by Walt Disney Pictures, this piano solo arrangement penned by Italian musician Gabriele Filippi is conceived to grasp the most romantic fold of the renowned fantasy film Beauty and the Beast.<br> <br> Followed by various and successful theatrical and musical adaptations, this theme is iconographically recognized as the most representative of that film. Recognized by many as a love ballad par excellence, the original version, also subtitled Tale As Old as Time, has seen several covers over time, even by well-known artists.<br> <br> Here in this cover theme, Filippi aims to capture the most permeating ink offered with the wise musicality of the original authors: Alan Menken for the music and Howard Ashman for the lyrics. As for all his musical scores, Filippi offers a detailed arrangement, complete with grace notes, dynamics, ligatures, pedal lines, and tempo variations. All elements designed to direct even the most inexperienced performer towards a pragmatic expressiveness, but which will certainly also offer further inspiration for even the most experienced pianist. The score is completed by the vocal line and chords so that it can also be useful in the accompaniment of a singer.
$4.99
4.53 €
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Piano solo
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Gabriele Filippi
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Beauty and the Beast
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Gabriele Filippi
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SheetMusicPlus
Three Chromicons for piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
10.89 €
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Piano solo
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
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