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Piano solo
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.54 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
BUMBLE BOOGIE CONCERTO by Robert Van Horne (Advanced Piano Solo)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.914986 Composed by Edvard Grieg & N…
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Piano Solo - Level 5 - Digital Download SKU: A0.914986 Composed by Edvard Grieg & Nikolai Rimsky-Korsakov. Arranged by ROBERT VAN HORNE. Blues,Classical,Instructional,Jazz,Standards. Score. 9 pages. White Piano International Publishing #6853875. Published by White Piano International Publishing (A0.914986). BUMBLE BOOGIE CONCERTO Advanced Piano Solo by Robert Van Horne Adapted from Grieg's A MINOR PIANO CONCERTO & Rimsky-Korsakov's FLIGHT OF THE BUMBLE BEE. 9 Pages Approx. Time: 2:30 A kindly old gentleman who attended my concerts would always request BUMBLE BOOGIE. To honor his request, I decided to create my own arrangement using two Classical music favorites. As a piano entertainer, Liberace was known for taking Classical music and popularizing it. So in the style of Liberace, I took Grieg's A MINOR PIANO CONCERTO and Rimsky-Korakov's FLIGHT OF THE BUMBLE BEE, added a twist of left hand Boogie Woogie and created the BUMBLE BOOGIE CONCERTO. This arrangement is clearly notated with dynamic marks, phrasing, suggested fingerings, pedal indications, and appropriate musical terms for playing. The left hand incorporates a Boogie Woogie style ostinato while the right hand plays the main themes of the famous Grieg Concerto and Flight Of The Bumble Bee. I added my own musical transitions to create a flamboyant sound of suspenseful tremolandos and showy runs, concluding with two flashy glissandos. This is a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. A Youtube video of Robert's 2012 performance is available at: https://www.youtube.com/watch?v=sWziAOkF8cU Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com  Â
$5.99
5.52 €
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Piano solo
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Edvard Grieg & Nikolai Rimsky-Korsakov
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BUMBLE BOOGIE CONCERTO by Robert Van Horne
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White Piano International Publishing
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SheetMusicPlus
Robert Schumann - Reverie (Traumerei)
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1135122 By Robert Schumann. By Robert Sc…
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Piano - Level 3 - Digital Download SKU: A0.1135122 By Robert Schumann. By Robert Schumann. Arranged by Unimusic Academy (Academia Unimusica). Classical. Score (Chords/Lyrics). 1 pages. Unimusic Academy (Academia Unimusica) #735164. Published by Unimusic Academy (Academia Unimusica) (A0.1135122). Robert Schumann[a] (German: [ˈÊoËbÉ›Êt ˈʃuËman]; 8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
$8.00
7.38 €
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Piano solo
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Robert Schumann
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Robert Schumann - Reverie
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Unimusic Academy
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SheetMusicPlus
Kinderszenen, Op.15,Robert Schumann,Original Edition,For Piano Solo With Fingering
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1185357 Composed by Robert Schumann…
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Piano Solo - Level 5 - Digital Download SKU: A0.1185357 Composed by Robert Schumann. Arranged by poon. Classical. Score. 15 pages. Poon #785046. Published by poon (A0.1185357). Kinderszenen, Op.15,Robert Schumann,Original Edition,For Piano Solo With Fingering.
$2.99
2.76 €
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Piano solo
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Robert Schumann
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Kinderszenen, Op.15,Robert Schumann,Original Edition,For Piano Solo With Fingering
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poon
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SheetMusicPlus
Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/R…
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Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 9 pages. Musik Fabrik Music Publishing #5732669. Published by Musik Fabrik Music Publishing (A0.534658). This is the piano solo reduction of Debussy’s Wagnerian opera Rodrigue et Chimène (1890–93) which has had quite a few orchestral performances. Here the work is completed by Robert Orledge with a new concert ending.
$10.35
9.54 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mikrokosmos, Volume III – No. 80 Hommage à Robert Schumann
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
2.99 €
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Piano solo
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Bela Bartok
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Tomplay
Liszt - Sonata in B Minor - S.178 An Robert Schumann - For Piano Solo Original With Fingered
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1315386 Composed by Franz Liszt. Ar…
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Piano Solo - Level 5 - Digital Download SKU: A0.1315386 Composed by Franz Liszt. Arranged by poon. Classical. Score. 61 pages. Poon #904119. Published by poon (A0.1315386). Liszt - Sonata in B Minor - S.178 An Robert Schumann - For Piano Solo Original With Fingered.
$2.99
2.76 €
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Piano solo
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Franz Liszt
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Liszt - Sonata in B Minor - S.178 An Robert Schumann - For Piano Solo Original With Fingered
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poon
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SheetMusicPlus
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35
9.54 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
11.94 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Robert Schumann - Album für die Jugend (Album For The Young) Op. 68 Part 1
Piano solo
Composed by Robert Schumann. Arranged by Christian Bennedsen. Children, Concert, Ins…
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Composed by Robert Schumann. Arranged by Christian Bennedsen. Children, Concert, Instructional, Romantic Period, Standards. Score. 24 pages. Christian Bennedsen #4809995. Published by Christian Bennedsen
$4.99
4.6 €
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Piano solo
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Robert Schumann
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Robert Schumann - Album für die Jugend
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Christian Bennedsen
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SheetMusicPlus
Jesu, bleibet meine Freude (Jesu, Joy of Man's Desiring)
Piano solo
Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Newth. Baroque Period, S…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Newth. Baroque Period, Sacred. Piano Reduction, Solo Part. 4 pages. Published by Robert Newth (S0.258045). - Piano Reduction,Solo Part - Baroque Period,Sacred - Robert Newth
$2.29
2.11 €
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Piano solo
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Johann Sebastian Bach
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Jesu, bleibet meine Freude
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Robert Newth
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SheetMusicPlus
Fur Elise melody with names of notes
Piano solo
Composed by Ludwig van Beethoven (1770-1827). Arranged by Robert O'Connor. Classical Perio…
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Robert O'Connor. Classical Period. 1 pages. Published by Robert O'Connor (S0.36815). - - Classical Period - Robert O'Connor
$3.99
3.68 €
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Piano solo
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Ludwig van Beethoven
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Fur Elise melody with names of notes
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Robert O'Connor
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SheetMusicPlus
Fur Elise with Chords & names of notes
Piano solo
Composed by Ludwig van Beethoven (1770-1827). Arranged by Robert O'Connor. 1 pages. Publis…
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Robert O'Connor. 1 pages. Published by Robert O'Connor (S0.36813). - - - Robert O'Connor
$3.99
3.68 €
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Piano solo
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Ludwig van Beethoven
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Fur Elise with Chords & names of notes
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Robert O'Connor
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SheetMusicPlus
Studies on Chopin's Etudes
Piano solo
Piano - difficult - Digital Download SKU: S9.Q562845 Composed by Frederic Chopin. A…
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Piano - difficult - Digital Download SKU: S9.Q562845 Composed by Frederic Chopin. Arranged by Leopold Godowsky. Downloadable, Tune book. Op Band 2 No. 13-20. Musikverlag Robert Lienau - Digital #Q562845. Published by Musikverlag Robert Lienau - Digital (S9.Q562845). German • English • French.Mit diesen 53 Studien, die in souveräner Werkkenntnis auf Chopins op. 10 und op. 25 aufgebaut sind, verfolgte Godowsky einen dreifachen Zweck: die mechanischen, technischen und musikalischen Möglichkeiten des Klavierspiels zu bereichern, die eigentümliche, der polyphonen, polyrhythmischen und polydynamischen Arbeit zugängliche Natur des Instruments weiter zu entwickeln, die Möglichkeiten der Tonkoloristik zu vermehren. Von den Studien sind 22 für die linke Hand allein bestimmt. Die inhaltliche verändert neu aufgelegte Sammlung ist als vollkommene Meisterschule der Klaviertechnik weltweit berühmt.
$16.99
15.66 €
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Piano solo
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Frederic Chopin
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Studies on Chopin's Etudes
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Ballet Piano: Battements Tendus (centre) from Etudes II
Piano solo
Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Ce…
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Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Century, Neo-Classical, Etudes and Exercises, Classroom. 3 pages. Published by Robert Long
Ballet piano sheet music for battements tendus (centre practice) from Robert Long's Etudes II album. Steady and intense. Towards the end, this piece takes on an Eastern European feel.
$2.95
2.72 €
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Piano solo
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Robert Long
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Ballet Piano: Battements Tendus
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SheetMusicPlus
Ballet Piano Grands Battements (centre) from Etudes II
Piano solo
Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Ce…
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Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Century, Neo-Classical, Etudes and Exercises, Classroom. 3 pages. Published by Robert Long
Ballet piano sheet music for grands battements (centre practice) from Robert Long's Etudes II album. A polonaise with lots of bold bravura to coax the use of the large muscles needed for this hard working exercise.
$2.95
2.72 €
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Piano solo
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Robert Long
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Ballet Piano Grands Battements
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SheetMusicPlus
Ballet Piano: Grands Battements en Cloche from Etudes II
Piano solo
Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Ce…
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Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Century, Neo-Classical, Etudes and Exercises, Classroom. 3 pages. Published by Robert Long
Piano sheet music for grands battements en cloche from Robert Long's Etudes II album. A lively waltz with a nice swing and a bit of a Spanish feel, this piece should work well for grand allegro exercises as well.
$2.95
2.72 €
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Piano solo
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Robert Long
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Ballet Piano: Grands Battements en Cloche from Etudes II
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SheetMusicPlus
Robert Schumann: Le gai laboureur
Piano solo
2.99 €
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Piano solo
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Robert Schumann: Le gai laboureur
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Le gai laboureur
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Quickpartitions
Robert Schumann: Widmung - piano solo
Piano solo
Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. /…
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Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. / classical
$6.97
6.43 €
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Piano solo
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Robert Schumann
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Virtualsheetmusic
Robert Schumann: Bagatelle - piano solo
Piano solo
Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. /…
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Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. / classical
$5.97
5.5 €
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Piano solo
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Robert Schumann
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Virtualsheetmusic
Robert Schumann: Perfectly Contented, Op. 15, No. 5 - piano solo
Piano solo
Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. /…
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Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. / classical
$5.97
5.5 €
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Piano solo
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Robert Schumann
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Virtualsheetmusic
Robert Schumann: Widmung - piano solo
Piano solo
Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. /…
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Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. / classical
$5.97
5.5 €
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Piano solo
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Robert Schumann
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Virtualsheetmusic
Robert Schumann: The Bird As Prophet - piano solo
Piano solo
Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. /…
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Instantly printable sheet music by Robert Schumann for piano solo of MEDIUM skill level. / classical,classical
$5.97
5.5 €
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Piano solo
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Robert Schumann
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Virtualsheetmusic
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