Download Digital Sheet Music of Seconds Out - String Bass for Piano solo

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Piano solo 5 Organ, Piano (duet) 2 1 Piano, 4 hands 2 Organ 1

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Bass guitar 2

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Choral SATB 13 Low voice, Piano 6 Baritone voice, Piano 2 Choral 2-part 2 Choral 3-part 1

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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 18 Flute, Oboe, Clarinet, Bassoon 17 Clarinet Quartet: 4 clarinets 11 Flute ensemble 6 Bass Clarinet, Piano 6

Clarinet and Piano 2 Saxophone Quartet: 4 saxophones 2 Clarinet, Bassoon (duet) 2 Oboe, Bassoon (duet) 2 Clarinet 2 3 Saxophones (trio) 1 Tenor Saxophone and Piano 1 Flute Trio: 3 flutes 1 Flute, Violoncello 1 3 Clarinets (trio) 1 Clarinet, Bassoon, Piano (trio) 1 Bass Clarinet 1 Flute, Clarinet and Bassoon. 1 Flute Quartet: 4 flutes 1 Alto Saxophone and Piano 1 Recorder Quartet 1 Clarinet Quintet: 5 clarinets 1 Saxophone Quintet: 5 Saxophones 1 3 Recorders (trio) 1 2 Clarinets (duet) 1

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Brass quartet : 2 trumpets, trombone, tuba 3 Brass Quintet: 2 trumpets, horn, trombone, tuba 3 Trombone and Piano 1 Euphonium 1 French Horn and Piano 1

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Violin 9 Cello 2 Violin, Viola (duet) 1 Violin, Bassoon (duet) 1

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Seconds Out - String Bass

Piano solo

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5 sheet music found

Etude in C, Le Couppey-Nolte Piano solo

Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …(+)

Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'AgilitÃ©, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldnâ€™t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which Iâ€™ve since learned was known to every pianist who ever achieved prodigious speed. Hereâ€™s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, thatâ€™s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirÃ©e, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original studyâ€™s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.

$3.99 3.68 € #Piano solo #Eric Paul Nolte and Felix Le Couppey #Etude in C, Le Couppey-Nolte #Eric Paul Nolte #SheetMusicPlus

Have Yourself A Merry Little Christmas Piano solo

Piano Solo - Level 1 - Digital Download SKU: A0.902437 By Colbie Caillat. By Hugh M…(+)

Piano Solo - Level 1 - Digital Download SKU: A0.902437 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Rebecca Peacock. Contemporary. Score. 4 pages. Rebecca Peacock #6168483. Published by Rebecca Peacock (A0.902437). Have Yourself a Merry Little ChristmasSung by Judy Garland in the film 'Meet Me in St. Louis'. Also recorded by Frank Sinatra, among many others.This arrangement is about a grade 1 difficulty. It's great for Piano students who want to learn a non-religious Christmas song.Each hand plays only single notes (no tricky chords to work out!)The piece is in D major, but also includes chromatic sharps and natural notes.The range of each hands notes covers the majority of treble and bass clef (doesn't use notes on ledger lines).This arrangement lasts approximately 1 minute 30 seconds.

$4.99 4.6 € #Piano solo #Colbie Caillat #Have Yourself A Merry Little Christmas #Rebecca Peacock #SheetMusicPlus

Frayed End Piano solo

Piano Solo - Level 5 - Digital Download SKU: A0.835809 Composed by Paul Burnell. 20…(+)

Piano Solo - Level 5 - Digital Download SKU: A0.835809 Composed by Paul Burnell. 20th Century,Contemporary. Score. 5 pages. Paul Burnell #3602773. Published by Paul Burnell (A0.835809). Frayed End, composed by Paul Burnell in 2000.For amplified piano with echo effectDuration 4:45The piano should be amplified and the sound output processed with a delay/echo effect (four repeats) spaced at the quaver. At crotchet = 126bpm this is equivalent to a delay of 230 milliseconds. Each echo should be slightly quieter than the last but clearly distinct.The performer/sound engineer should feel free to experiment with the spatial location of the original amplified sound and each delay. However, sounds should not be spaced in any way that fragments the combined rhythmic 'flow'.The piece may be played on an electronic keyboard instrument, and the left hand part may be played/doubled with a bass sound such as electric bass guitar.Programme note:'Frayed End' was composed by Paul Burnell in 2000. It is for amplified piano with an echo effect. A recorded version of the piece appears on the album 'Leaving the Party on Pluto'.

$1.99 1.83 € #Piano solo #Paul Burnell #Frayed End #Paul Burnell #SheetMusicPlus

Fragment V Piano solo

Piano Solo - Level 2 - Digital Download SKU: A0.998877 Composed by Robert A. Howard…(+)

Piano Solo - Level 2 - Digital Download SKU: A0.998877 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 4 pages. Robert A. Howard #6480939. Published by Robert A. Howard (A0.998877). The Fragment series of short piano pieces was conceived for pianists of almost any standard. As suggested in the title, each piece is based on a single compositional fragment or sketch that had otherwise remained incomplete and dormant. Fragment V is based on a 28-bar added-note chord sequence in a persistently syncopated rhythm. This pattern appears four-fold, each with cumulative variation. The initial sequence is purely harmonic, while the second cycle adds a simple bass line outlining cadences. The third appearance transforms the aforementioned bass line into a more scalic pattern. Following a sudden silence, the fourth cycle is curtailed and adds a simple melodic line in the treble part, before a final resolution. The piece is highly accessible and is appropriate for almost all standards of pianist, including students and more advanced players. Other works from the Fragment cycle are also available via Sheet Music Plus.Duration: 4 minutes 00 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

$3.49 3.22 € #Piano solo #Robert A #Fragment V #Robert A. Howard #SheetMusicPlus

Satisfying Syncopation (An original composition for Solo Piano) Piano solo

Piano Solo - Level 2 - Digital Download SKU: A0.1024629 Composed by Jonathan Ryan. …(+)

Piano Solo - Level 2 - Digital Download SKU: A0.1024629 Composed by Jonathan Ryan. Concert,Contemporary,Pop. Score. 4 pages. Jonathan Ryan #5204769. Published by Jonathan Ryan (A0.1024629). Satisfying Syncopation is exactly what it says on the tin!A mix of different syncopated rhythms combined with a developing melody which could be performed at a recital or as a solo piece in a concert.The music is relatively easy to learn due to the left hand (bass) only playing one and in some cases two notes at a time.The repetitive dotted crochet, dotted crochet, crochet rhythms helps the music to sound happy and lively as well as grounding the piece rhythmical.This piece is around 1 minute and 40 seconds in lengthSubscribe to my Youtube to see my other compositions!https://www.youtube.com/channel/UC8OO9ny-Dcd1tnO6G8KhRaA/ .

$1.99 1.83 € #Piano solo #Jonathan Ryan #Satisfying Syncopation #Jonathan Ryan #SheetMusicPlus