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Tea for Two for Piano Solo
SheetMusicPlus
Piano solo
Sheetmusic to print
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Three Chromicons for piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
10.83 €
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Piano solo
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Audacious Binary Forms for Pianist (one or two pianos)
Piano solo
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Centur…
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Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00
18.04 €
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Piano solo
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Paul Copeland
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Audacious Binary Forms for Pianist
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Paul Copeland
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SheetMusicPlus
Tea for Two for Piano Solo (from Art Tatum's 1933 recording)
Piano solo
Composed by Vincent Youmans. Arranged by Flavio Regis Cunha. 20th Century, Jazz, Blu…
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Composed by Vincent Youmans. Arranged by Flavio Regis Cunha. 20th Century, Jazz, Blues, Bebop, Recital. Score. 16 pages. Published by Flavio Regis Cunha
$5.99
5.4 €
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Piano solo
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Vincent Youmans
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Tea for Two for Piano Solo
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Flavio Regis Cunha
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SheetMusicPlus
Solitude is Oneself [piano]
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Co…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:<br> <br> 1 NeverUnderestimate the Difficulties of Simple Things<br> <br> 2 Too MuchBut Still Not Enough<br> <br> 3 Waitingfor Perfection is Waiting Forever<br> <br> Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.<br> <br> You can "use" this music formeditation, study, learning, sleeping, relax or praying.<br> <br> The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adúriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").<br> <br> Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.<br> <br> NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.<br> <br> Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.<br> <br> About the ArtWork / Cover Art of Solitudeis Oneself:<br> <br> It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.<br> <br> The music is dedicated to Mr. Cadmiel Pérez from República Dominicana.<br> <br> Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.<br> <br> In Spotify is here:<br> <br> https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h<br> <br> In Bandcamp is here:<br> <br> https://juanmariasolare.bandcamp.com/album/solitude-is-oneself<br> <br> If you readSpanish you can find more about this music here:<br> <br> https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00
2.71 €
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Piano solo
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
Piano solo
Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). C…
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Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). Contemporary Classical, Minimalism, Christmas. Score. 8 pages. Published by Dalrymple Designs
Angels We HaveHeard on High (minimalist)<br> <br> Christmas carolarrangement for piano solo with narration by Stephen R Dalrymple<br> <br> sequenced by thecomposer<br> <br> © 2018, ℗ 2020 Stephen R Dalrymple<br> <br> In 2017 I began researching andwriting a university level music textbook explaining contemporary classicalmusic composition techniques. In 2018 I finished the 300+ page manuscript and usedit to teach two university music course in Haiti that year.<br> <br> It had been many years since I hadtaken the course myself, and needed to add to my knowledge of late 20thCentury and early 21st Century classical music composition techniques.During my research I grew interested in a classical music minimalist styleinfluenced by Terry Riley and Philip Glass. I have tried to use some of theirideas in this composition. There are 10 sections that can be repeated,reordered, and combined so that the performer actually makes a contribution tothe creation of the work.<br> <br> Playing the piano at church behind areading of Luke 2, was my first experiment in this new form of music. When Ireturned home, I began to experiment in writing down the experience andrefining the work according to these minimalist ideas. The composition could beperformed with or without the narration, with a single narrator in a singlelanguage, or with the narration in multiple languages and/or with multiplevoices.<br> <br> Suitable for preludes,offertories, concerts, personal meditation. Includes 2 versions 1) piano score,letter size 2) piano score, small pageformat for performing from 10.1 inch tablet. UpdatedDecember 2020.<br> <br> (Note: Tell your computer whichpages you want to print. There are programs online that will allow you to splitpdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.06 €
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Piano solo
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Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
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Dalrymple Designs
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SheetMusicPlus
Tea For Two
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.785595 By Liberace. By Vincent Youm…
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Piano Solo - Level 5 - Digital Download SKU: A0.785595 By Liberace. By Vincent Youmans. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show. Score. 10 pages. Timothy Stapay #6216707. Published by Timothy Stapay (A0.785595). Tea For Two is arranged for piano solo, in the style of famous piano showman Liberace! Now you can learn
$7.99
7.21 €
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Piano solo
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Liberace
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Tea For Two
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Timothy Stapay
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SheetMusicPlus
Gold 2 - Finger Olympiad (piano)
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.924231 Composed by Cynthia Moyes. I…
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Piano Solo - Level 1 - Digital Download SKU: A0.924231 Composed by Cynthia Moyes. Instructional. Score. 23 pages. Cynthia Moyes #3222373. Published by Cynthia Moyes (A0.924231). Gold 2 – Teaches transposition and scales.Gold 2 is the third level in the Finger Olympiad warm up and recognition series. Students in the Gold 2 level are comfortable with two hand playing and with the instrument in general. Continuing in the style of Bronze and Silver, note reading is not required. Focus on finger coordination, musicianship, and solid practice habits will be further enforced, and transposition in the keys F#, C#, Ab, Eb, Bb, and F learned. Scales in the same six keys will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter. Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Following Gold 1, Gold 2 also prepares the student for more creative activities. This 2 book progression is comfortably paced for most students. However, adults or other students wishing to transpose to all keys in one book should use Gold Complete. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Gold medal may be ordered to recognize the completion of this level.PRINTING TIPS: This product works best with color, 2 sided printing. Pages 21-23 may be printed on cardstock for better durability. For more practice tips, follow Finger Olympiad on facebook.
$3.99
3.6 €
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Piano solo
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Cynthia Moyes
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Gold 2 - Finger Olympiad
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Cynthia Moyes
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SheetMusicPlus
Gold 1 - Finger Olympiad (Piano)
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.924232 Composed by Cynthia Moyes. I…
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Piano Solo - Level 1 - Digital Download SKU: A0.924232 Composed by Cynthia Moyes. Instructional. Score. 23 pages. Cynthia Moyes #3222365. Published by Cynthia Moyes (A0.924232). Gold 1 – Teaches transposition and scales.Gold 1 is the third level in the Finger Olympiad warm up and recognition series. Students in the Gold 1 level are comfortable with two hand playing and with the instrument in general. Continuing in the style of Bronze and Silver, note reading is not required. Focus on finger coordination, musicianship, and solid practice habits will be further enforced, and transposition in the keys C, G, D, A, E, and B learned. Scales in the same six keys will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter. Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Gold 1 is the third complete warm up book in the Finger Olympiad warm-up and recognition series. Gold 2 follows, training the remaining keys. This 2 book progression is comfortably paced for most students. However, adults or other students wishing to transpose to all keys in one book should use Gold Complete. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Gold medal may be ordered to recognize the completion of this level. For more practice tips, follow Finger Olympiad on facebook.
$3.99
3.6 €
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Piano solo
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Cynthia Moyes
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Gold 1 - Finger Olympiad
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Cynthia Moyes
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SheetMusicPlus
Tropical Dance 2 (Classical Music for Tablet Series)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.818294 By Stephen R Dalrymple. By J…
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Piano Solo - Level 3 - Digital Download SKU: A0.818294 By Stephen R Dalrymple. By Justin Elie. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Romantic Period. Score. 10 pages. Stephen R Dalrymple #4994299. Published by Stephen R Dalrymple (A0.818294). Tropical Dance 2 by Justin Elie (Classical Music for Tablet Series) ♫ Justin Elie 1883-1931 was one of the few Haitian composers whose works were published outside Haiti and enjoyed an international reputation for his works. He received his early education in Haiti, studying with pianist Ermine Faubert from 1889 to 1894 and enrolling briefly at the prestigious institution de Saint Louis de Gonzague in Port-au-Prince. ♫ In 1895, at the age of 12 he traveled to France and enrolled at the Cours Masset, a preparatory school for the Paris Conservatory. In 1901 at the age of 17 he entered the Paris Conservatoire. Elie returned to Haiti in 1905. ♫ He undertook a concert tour in 1909 and 1910, featuring works by European composers, and visited Jamaica, Puerto Rico, St. Thomas, Curaçao, Venezuela, and Cuba. Elie's concerts were especially well received in Jamaica. Justin Elie enjoyed the most prominent international reputation of all the Haitian composers. ♫ Justin Elie drew on Native American music for his creative inspiration. Elie wrote several pieces that used Native American (Haitian, and Central and South American) musical motifs and descriptive programs that put these native cultures at the center of Haitian musical life. Unlike Lamothe, whose audience was primarily drawn from Haiti, Elie developed his career in the United States. ♫ Eager to make a career of music composition, Justin Elie emigrated to the US in 1922 moving to New York City. His wife, Lily, joined him in New York in 1923 and the two of them performed frequently in recitals that included Elie's compositions. (based on http://chevalierdesaintgeorges.homestead.com/Elie.html) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.6 €
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Piano solo
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Stephen R Dalrymple
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Tropical Dance 2
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Stephen R Dalrymple
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SheetMusicPlus
Tea for Two
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1379823 Composed by Vincent Youmans…
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Piano Solo - Level 3 - Digital Download SKU: A0.1379823 Composed by Vincent Youmans. Arranged by MICHAEL TARRO. Broadway,Jazz,Musical/Show,Ragtime,Standards. Score. 3 pages. Michael Tarro #964529. Published by michael Tarro (A0.1379823). This arrangement has been modified by changing the original style of the music from Cha-Cha to Ragtime and jazz. It also contains a tag ending, which creates variety on the ending. The song is arranged for Intermediate pianists.Michael Tarro is  currently an author for Hal Leonard and Santorella Publications.  Additional pieces by Michael Tarro are available on this website.  https://www.sheetmusicplus.com/search?Ntt=michael+tarroThank you for your interst!Michael.
$4.99
4.5 €
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Piano solo
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Vincent Youmans
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Tea for Two
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michael Tarro
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SheetMusicPlus
Tea For Two
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.948601 Composed by Irving Caesar an…
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Piano Solo - Level 3 - Digital Download SKU: A0.948601 Composed by Irving Caesar and Vincent Youmans. Arranged by Robert Blond. Contemporary. Score. 5 pages. Robert blond #5298343. Published by robert blond (A0.948601). Standard from 1924 Broadway musical No, No, NanetteContrasting styles: standard bounce; swing in style of Bob Zurke (simplified)Quotes from the introduction of Leonard Bernstein's New York, New York (in the intro) and from the introduction of In the Mood ( in the ending)Melody alternatively in right hand and left hand.
$4.99
4.5 €
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Piano solo
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Irving Caesar and Vincent Youmans
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Tea For Two
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robert blond
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SheetMusicPlus
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès N…
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
7.17 €
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Piano solo
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bagatelle in G major for Late Elementary Solo Piano
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1167665 Composed by Sibylle Kuder. …
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Piano Solo - Level 2 - Digital Download SKU: A0.1167665 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional,Traditional. Score. 2 pages. Sibylle Kuder #768014. Published by Sibylle Kuder (A0.1167665). Very classical sounding, with Alberti Bass eighth notes, and right hand melody which consists mostly of quarter notes and occasional eighth and half notes. More pleasing than exciting. Musical interest will come from observing the articulation, especially the two-note slurs, and the staccato notes. The biggest challenge is probably balance between the hands: the right hand must sing above the left hand: mezzo forte actually means probably close to forte for the right hand, while the left hand must be piano. Bagatelle means trifle. The form is A-B-A* where the form of the A section in itself is A-B-B*-A* which means there is not that much material to learn. A student at this level will be familiar with Alberti Bass but does probably not have the stamina for a full page of continuous eighth notes, therefore, at the end of every four-measure phrase, the left hand gets a break, in the form of two quarter notes or a half note, instead of continuous eighth notes. Two pages, Level 2. ~ I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file!
$1.99
1.8 €
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Piano solo
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Sibylle Kuder
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Bagatelle in G major for Late Elementary Solo Piano
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Sibylle Kuder
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SheetMusicPlus
3 Pieces for the Piano - Opus 1
Piano solo
Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Conte…
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Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Contemporary. Score. 31 pages. Eamon Mukhopadhyay #692177. Published by Eamon Mukhopadhyay (A0.1087984). These three pieces are to mimic studies of voicing and touch through lyrical forms. Each specific BPM marking in the tempo is intentionally preceded with ossia rather than ca.. This is to emphasize complete tempo freedom for the performer. The BPM markings are simply given as an initial baseline, showing the general tempo that the composer would perform these pieces at. Neither of the three pieces finish with a triad. Instead, they end with some form of extended harmony, whether it be through a chord or arpeggio. Neither the specific meaning of the piece nor the method to play the piece is included in the piece descriptions following this sentence, as those choices are specific to the performer. Nocturne in A Major (Op. 1 No. 1) uses both contemporary and traditional harmonic concepts, with add9 chords and extended harmonies integrating further color into the piece. Much material of Winter Landscapes in E-Flat Minor (Op. 1 No. 2) is built upon a simple four-note motif (in regards to scale degrees, the motif follows the pattern of 1-7-2-1). To note - this piece never resolves to the traditional E-Flat minor triad. Lastly, Tribute in D major (Op. 1 No. 3), similar to the other two pieces (of the Op. 1 set), uses multiple forms of extended harmonies through chords and arpeggios, such as add9 and dominant thirteenth harmony.
$1.99
1.8 €
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Piano solo
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Eamon Mukhopadhyay
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3 Pieces for the Piano - Opus 1
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Eamon Mukhopadhyay
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Descant Recorder and Piano
Piano solo
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.594420 Composed by G F…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.594420 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and individual part. 4 pages. David McKeown #6658355. Published by David McKeown (A0.594420). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Descant Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.15 €
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Piano solo
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G F Handel
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Two-Part Inventions
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1411457 Composed by Keaton Springfi…
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Piano Solo - Level 3 - Digital Download SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #993724. Published by Songburd Music (A0.1411457). The Two-Part Inventions by Keaton Springfield take their inspiration from the Two-Part Inventions of J.S. Bach.  As students of music become familiar with the inventions of J.S. Bach in the course of their studies, it is unsurprising that they should come to admire and champion these works in music studios and performances. For composers, these works present an opportunity to learn from, model and at times emulate musical styles of the Baroque.  While these two-part inventions are Baroque in nature, musical elements are present that exceed their historical bounds such as the modulations found in No. 5 and No. 6.Performance considerations have been made for the sake of practical instruction, while still retaining a Baroque aesthetic.  For example, typical pieces of the Baroque era are without tempi or dynamic indications.  In keeping with this, the tempi provided in parenthesis should be viewed only as recommended approximations and not as fixed directives.  Liberty is also afforded to the performer and music teacher regarding dynamics, which are entirely absent in the score. Performers are encouraged to seek out their own inspiration on the matter of dynamics and tempi through experimentation and a judicious ear.  The provided ornamentation may be augmented or even done away with entirely depending on the needs and tastes of the performer. While the range of style and difficulty in this collection varies widely, it is suitable for use in music education, worship service, and public performance.  For piano instructors, the following order is recommended to fit a general progressive study: 8, 2, 4, 3, 1, 10, 9, 6, 5, 7, which may be adjusted to accommodate the skills and temperament of individual students.
$21.99
19.84 €
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Piano solo
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Keaton Springfield
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Two-Part Inventions
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Songburd Music
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SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano solo
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
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Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
23.45 €
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Piano solo
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John Pitts (1976-)
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How to Play Indian Sitar Rāgas on a Piano
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SheetMusicPlus
Chronicles of a Dream before Life tears it apart
Piano solo
Piano Solo - Digital Download SKU: A0.1256227 By Scholler. By Scholler. Arranged by…
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Piano Solo - Digital Download SKU: A0.1256227 By Scholler. By Scholler. Arranged by Scholler. Classical,Contemporary,Film/TV,Multicultural,New Age,World. Score. 5 pages. Scholler #848648. Published by Scholler (A0.1256227). Introducing Chronicles of a Dream Before Life Tears It Apart - a mesmerizing neo-classical piano solo that takes you on a journey through the depths of emotions. This enchanting composition showcases both transparency and dense, floating accompaniment, requiring the skillful touch of an exceptional pianist and musician for its interpretation.With its evocative melodies and intricate harmonies, Chronicles of a Dream Before Life Tears It Apart invites the listener to delve into a realm where dreams and reality intertwine. The piece encompasses moments of profound introspection and delicate vulnerability, balanced with sections of richly layered textures that seem to float effortlessly through the air.Crafted with meticulous attention to detail, this composition demands a pianist who can navigate its nuanced dynamics and express the subtleties embedded within its musical tapestry. The interplay between the two hands creates a captivating dialogue, blending delicate passages with moments of soaring intensity, immersing the listener in a captivating musical experience.Embrace the transformative power of musicschollermusic
$2.99
2.7 €
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Piano solo
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Scholler
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Chronicles of a Dream before Life tears it apart
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Scholler
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SheetMusicPlus
"Flowers For Iris" for Piano-Video
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.633386 Composed by Fishel Pustilnik…
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Piano Solo - Level 3 - Digital Download SKU: A0.633386 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Holiday,Jazz,Love,Pop. Score. 3 pages. F & N Enterprise #3388923. Published by F & N Enterprise (A0.633386). Piano piece from famous Volume 3 of Jazz & Pop Piano Paradise. https://www.youtube.com/watch?v=CFVxvFrkun0The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.8 €
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Piano solo
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Fishel Pustilnik
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Pop Piano Paradise
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"Flowers For Iris" for Piano-Video
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F & N Enterprise
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SheetMusicPlus
Lua Branca - by Chiquinha Gonzaga - For Piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1083332 By Idalmo Santos. By Franci…
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Piano Solo - Level 4 - Digital Download SKU: A0.1083332 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Score. 4 pages. Idalmo Santos #687534. Published by Idalmo Santos (A0.1083332). One of the most famous Brazilian songs and one of the best known compositions by Chiquinha Gonzaga, the modinha Lua branca has a history surrounded by mystery. It was written for the burleta Forrodobó, performed at Teatro São José in June 1912, as a modinha for the characters Sá Zeferina and Escandanhas, whose original verses maintain the caricature spirit of the play. In 1929, this romantic version appeared with the title Lua branca (White Moon), recorded by the singer Gastão Formenti, without the authorship of the verses and the new title being known to this day. Between the two versions, there was an arrangement on disc with the title Lua de fulgores by the singer R. Ricciardi, pseudonym of the paulista Paraguassu, but it was the version recorded by Gastão Formenti, accompanied on the piano by professor J. Otaviano, and the Irmãos Vitale edition with harmonization by the pianist that became famous. Chiquinha Gonzaga had to claim authorship of the modinha, denouncing plagiarism and obtaining victory through Sbat, an entity she founded. The original version was recorded as a comic scene by Pinto Filho and Maria Vidal, in 1930, with the title Sá Zeferina. Also the original melody with verses by Paulo César Pinheiro, entitled Serenata de uma mulher (A Woman's Serenade), was recorded by OlÃvia Hime in 1998. The version canonized as Lua branca has numerous phonograph records by singers and instrumentalists such as Paulo Tapajós, Paulo Fortes, Rosemary, Vânia Carvalho, Maria Bethânia, Verônica Sabino, Leila Pinheiro, Joana, Alessandra Maestrini, Antonio Adolfo, Eudóxia de Barros, Rosária Gatti, Marcus Vianna, Maria Teresa Madeira, and Leandro Braga.
$1.99
1.8 €
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Piano solo
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Idalmo Santos
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Lua Branca - by Chiquinha Gonzaga - For Piano
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Idalmo Santos
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SheetMusicPlus
3 Preludes for a Quarantine for Solo Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach.…
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Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00
9.02 €
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Piano solo
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Anthony Bannach
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3 Preludes for a Quarantine for Solo Piano
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Anthony Bannach Music
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SheetMusicPlus
Coming to a Close (Level 4 piano solo)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.876864 Composed by Rhonda Bradley. …
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Piano Solo - Level 5 - Digital Download SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Music #2907497. Published by Miss Rhonda’s Piano Music (A0.876864). Coming to a Close from the piano solo CD Where Everything is MusicAdvanced piano solo by Rhonda Bradley5 pages (including cover)This crowd-pleaser is worth every moment of your efforts because you'll continue playing it for a lifetime. Built on a strong and unforgettable melody, this song shines thanks to its' backdrop of busy and relentless harmony in the key of C minor. It's a combination of the Baroque, Classical, and New Age genres that never fails to stop passersby from asking What song is that?This piece does not include finger numbers but instead leaves them up to the choice of the performer. There are a handful of finger numbers written into the first two measures as a suggestion.Please check out the MP3 sample above -- it's listed just below the smaller thumbnail underneath the words look inside.Tips for learning this piece:- Write in the finger numbers as you choose them. Determining which finger numbers you'll use is the greatest challenge.- Memorize as you go. It won't be possible to read and perform this song at a professional level. Your hands will be all over the keyboard and you'll need your eyes to be there, too!Please let me know if there's any way I can help you in learning this piece. Enjoy!
$3.99
3.6 €
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Piano solo
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Rhonda Bradley
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Coming to a Close
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Miss Rhonda’s Piano Music
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SheetMusicPlus
Piano for My Soul - Volume Two (Hymns and Classics)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1050474 By Peggy Duquesnel. By Pegg…
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Piano Solo - Level 3 - Digital Download SKU: A0.1050474 By Peggy Duquesnel. By Peggy Duquesnel. Arranged by Peggy Duquesnel. Classical,Sacred,Spiritual,Traditional. Score. 27 pages. Duquesnel Music Publishing #654831. Published by Duquesnel Music Publishing (A0.1050474). Enjoy this collection of five arrangements from my album “Piano for My Soul.†The music is suitable for pianists of all ages and works well for churches, concerts, recitals and memorials as well as for your own playing pleasure! The first two pieces combine traditional hymns with well-known classical themes; the next one is a unique arrangement of a favorite hymn. The Prelude in C Major presents this popular classical piece in an easy to read format using eighth notes instead of the original sixteenth note version. All of the pieces include chord symbols and are notated in either the Key of C Major or A minor. The last piece includes an original melody that I composed for “The Lord’s Prayer†using the Prelude in C Major as the accompaniment, which includes the Cello part as the soloist in the score. There are 25 pages of notated music in the songbook. I hope you enjoy the music! Table of Contents: 1. O the Deep, Deep Love of Jesus / Waltz in A minor, Op. 34 No. 2; 2. Holy God We Praise Your Name / Sous le dome epais; 3. Were You There?; 4. Prelude in C Major, BWV 846; 5. Prelude in C Major, BWV 846 / The Lord’s Prayer (for Piano and Cello) Duquesnel Music Publishing Page on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/duquesnel-music-publishing/2288 Piano Orchestrations Website Sheet Music: https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asp Peggy Duquesnel Music & Social Media Links: https://linktr.ee/peggyduquesnel.
$9.99
9.01 €
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Piano solo
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Peggy Duquesnel
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Piano for My Soul - Volume Two
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Duquesnel Music Publishing
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SheetMusicPlus
Unforgivable Mistake
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.632308 Composed by Fishel Pustilnik…
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Piano Solo - Level 3 - Digital Download SKU: A0.632308 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,Instructional,Jazz,Pop. Score. 2 pages. F & N Enterprise #2835787. Published by F & N Enterprise (A0.632308). Piano piece from famous Volume 5 of Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.8 €
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Piano solo
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Fishel Pustilnik
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Pop Piano Paradise
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Unforgivable Mistake
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F & N Enterprise
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SheetMusicPlus
Come, O Thou King of Kings—Intermediate Piano Solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1075814 By Daniel Carter. By Anonym…
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Piano Solo - Level 3 - Digital Download SKU: A0.1075814 By Daniel Carter. By Anonymous. Arranged by Daniel Carter. Classical,Instructional,Praise & Worship,Sacred. Score. 3 pages. Daniel Carter #679990. Published by Daniel Carter (A0.1075814). Daniel Carter’s piano prelude arrangement of the anonymous hymn tune SANFORD, (often paired with the hymn text, “Come, O Thou King of Kingsâ€) is based on the idea of creating a type of two-part invention out of the melody. Two-part inventions teach finger independence and other technical and interpretive skills making it a great choice for piano students and piano teachers who tutor them. Suitable as a special musical number for worship and devotionals as well as such events as piano recitals and other settings.
$4.99
4.5 €
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Piano solo
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Daniel Carter
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Come, O Thou King of Kings—Intermediate Piano Solo
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Daniel Carter
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SheetMusicPlus
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