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You've selected:
That Gershwin Rhythm: Score
Piano solo
Sheetmusic to print
6 sheet music found
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1
Fascinating Rhythm
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.866860 By Various Artists. By Lauri…
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Piano Solo - Level 5 - Digital Download SKU: A0.866860 By Various Artists. By Laurie Mayer, Sharon Michelle Musgrave, Stephen Roberts, and William Orbit. Arranged by Erik Kihss. Contemporary. Score. 2 pages. Erik Kihss Digital Publishing #6090129. Published by Erik Kihss Digital Publishing (A0.866860). This is a solo piano arrangement of the Gershwin classic with a Latin flavor. It also has a Montuno section that may be open-ended for improvisation.
$4.99
4.47 €
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Piano solo
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Various Artists
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Fascinating Rhythm
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Erik Kihss Digital Publishing
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SheetMusicPlus
Summertime
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345046 Composed by Dorothy Heyward…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345046 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 4 pages. Phyllis Love #929996. Published by Phyllis Love (A0.1345046). Summertime for intermediate pianoThis arrangement of a Gershwin standard has a boogaloo rhythm. Students will appreciate the solo, which has the elements of a jazz duo featuring piano and bass.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.37 €
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Piano solo
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Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
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Summertime
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Phyllis Love
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SheetMusicPlus
Love Walked In
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1345042 Composed by George Gershwin…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345042 Composed by George Gershwin and Ira Gershwin. Arranged by Phyllis Love. Film/TV,Instructional,Jazz,Standards. Score. 2 pages. Phyllis Love #929992. Published by Phyllis Love (A0.1345042). Love Walked In for intermediate pianoThis arrangement has a George Shearing-esque treatment which starts off as a ballad, but then goes into a swing rhythm when the second A section goes into a finger-snapping piano arrangement. Perfect for intermediate students and fans of the American Songbook.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.47 €
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Piano solo
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George Gershwin and Ira Gershwin
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Love Walked In
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Phyllis Love
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SheetMusicPlus
Thad and Finas - Etude #13
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce D…
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Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Jazz. Score. 7 pages. Bruce Dudley #846791. Published by Bruce Dudley (A0.1253045). Thad and Finas (Etude #13) is based on the harmonic progression used by George Gershwin in his song, I Got Rhythm, widely known as rhythm changes. The form is AABA, divided into 8-measure phrases. The first chorus (mm. 1 -32) consists mostly of two-handed chordal textures with the melody on top in the right hand. This chorus includes harmonizations, chord voicings, and melodic shapes similar to those used by jazz composer and arranger Thad Jones. The second chorus (mm. 33 - 64) consists mainly of single solo melodic lines in the right hand with shell voicings in the left hand that lightly support the melodic lines harmonically and rhythmically. The third chorus (mm. 65 - 96) begins with melodic lines played in unison with both hands two octaves apart, a style of soloing that jazz pianist Phineas Newborn Jr. (Finas) perfected in the 1950s and 60s. In the fourth chorus, beginning in measure 97, the harmonic progression is altered in the A sections, borrowing a clever cycle of fifths progression that was first developed by jazz pianists Art Tatum and Thelonious Monk in the 1940s. Before the piece ends there is a brief moment of stride left hand accompaniment that propels the piece to an exciting conclusion.
$4.49
4.02 €
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Piano solo
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Bruce Dudley
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Thad and Finas - Etude #13
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Bruce Dudley
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.48 €
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Piano solo
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Someone to Watch Over Me
Piano solo
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1391232 By Christopher…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1391232 By Christopher Alexander. By George Gershwin. Arranged by Christopher Alexander. Broadway,Jazz,Musical/Show,Standards,Traditional. Score and individual part. 12 pages. Christopher Alexander #974764. Published by Christopher Alexander (A0.1391232). Perhaps now the most famous ballad of George and Ira Gershwin, this popular song was originally written in 1926 as an upbeat jazz, rhythmic tune first performed by Gertrude Lawrence in the musical Oh, Kay!. After the musical closed, the standout song became interepreted in many different fashions, including the slower-tempo torch song that has now becomes its standard. Typical of George Gershwin’s melodies, each phrase easily connects to the next and vividly illustrates the emotional journey to create a moving musical message for audiences to enjoy.Someone to Watch Over Me is included in the collection:Songs Without Words: Ten Popular Songs Arranged for Solo Instrument with Piano Accompaniment
$2.00
1.79 €
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Piano solo
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Christopher Alexander
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Someone to Watch Over Me
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Christopher Alexander
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SheetMusicPlus
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