Download Digital Sheet Music of The Orchestra for Piano solo

The Orchestra
Piano solo

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo) Piano solo

Piano Solo - Level 4 - Digital Download SKU: A0.1136271 By Johann Sebastian Bach. B…(+)

Piano Solo - Level 4 - Digital Download SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #736279. Published by Flavio Regis Cunha (A0.1136271). Bach: Erbarme dich mein Gott - MatthÃ¤uspassion - (for Piano Solo).This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano Solo. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: MatthÃ¤us-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam MatthÃ¦um translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Advanced Intermediate.Format: Concert 9 x 12 inches.12 Pages.
$4.99 4.46 € #Piano solo #Johann Sebastian Bach #J.S. Bach - "Erbarme dich" from "Matthäus-Passion" #Flavio Regis Cunha #SheetMusicPlus

Chopin.Concerto in e (1st theme, mov't 1) Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.803378 Composed by Frederic Chopin.…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.803378 Composed by Frederic Chopin. Arranged by Paul Taylor. Contemporary. Score. 2 pages. Paul Taylor #6666251. Published by Paul Taylor (A0.803378). A setting of this beautiful melody with the orchestra and piano solo combined. Suggested pedaling is provided in the opening, and then ped. sim appears for the pianist to incorporate their own pedaling choices. Broadly speaking, this work is suitable for the intermediate pianist as a solo, and/or incidental music for church or the theatre.
$1.99 1.78 € #Piano solo #Frederic Chopin #Chopin.Concerto in e #Paul Taylor #SheetMusicPlus

Rachmaninov 3rd (1st movement, second theme) transposed to C Piano solo

Piano Solo - Digital Download SKU: A0.1263398 Composed by RACHMANINOV. Arranged by …(+)

Piano Solo - Digital Download SKU: A0.1263398 Composed by RACHMANINOV. Arranged by Paul Taylor. Romantic Period. Score. 2 pages. Paul Taylor #856362. Published by Paul Taylor (A0.1263398). This portion of the Rachmaninov 3rd concerto has been transposed to C major from B-flat. The arranger combined both the orchestra and piano solo so make aÂ self-standing piano solo. There are dynamics, rubato indicationsÂ (accelerandi and ritardandi) and pedal markings to simulate how an artist might interpret this piece.Â But they are merely editorial suggestionsÂ to the players that might spur the players to develop their own.
$1.99 1.78 € #Piano solo #RACHMANINOV #Rachmaninov 3rd #Paul Taylor #SheetMusicPlus

Beethoven Piano Concerto #5 (themes from the second movement) Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.803298 Composed by Ludwig van Beeth…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.803298 Composed by Ludwig van Beethoven. Arranged by Paul Taylor. Classical. Score. 3 pages. Paul Taylor #4718073. Published by Paul Taylor (A0.803298). This shortened arrangement of Beethoven's Emperor piano concerto (second movement only) is aimed at the intermediate piano student. The orchestra and the piano solo parts are melded together into a single texture and the keys have been transposed to accommodate the intermediate student. Some notes have been altered to avoid difficult skips and the entire movement has been diluted to forty measures. The intent is to give the interested student a chance to experience this masterpiece in a simplified yet tasteful format. .
$1.99 1.78 € #Piano solo #Ludwig van Beethoven #Beethoven Piano Concerto #5 #Paul Taylor #SheetMusicPlus

The Ocean Deep, Piano Version Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1022838 Composed by Leif Jack. 20th…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1022838 Composed by Leif Jack. 20th Century,Contemporary. Score. 6 pages. Leif Thomas Marken Jack #6009669. Published by Leif Thomas Marken Jack (A0.1022838). The Ocean Deep is inspired by the majesty of the ocean, its deceiving calmness and our limited knowledge of its greatest depths. It depicts one rising from the calm, sparse mesopelagic layer (the Twilight Zone) to the life-saturated epipelagic layer (the Sunlight Zone). Upon reaching the ocean's surface, a wave of awesome propotions is encountered... This 5-minute work for piano is perfect for both intermediate and advanced players. Inspire yourself and your audience with music reminiscent of Debussy which celebrates the ocean! This work is easily accessible, and features various sections of the orchestra, and various players, who are always supported by other instruments. This work is perfect for private entertainment, or a public concert related to the ocean or nature. An excellent way to enrich a concert program with contemporary music which is not overly avant-garde or advance your own technical ability as pianist.Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$2.25 2.01 € #Piano solo #Leif Jack #The Ocean Deep, Piano Version #Leif Thomas Marken Jack #SheetMusicPlus

Go Tell It on the Mountain Piano solo

Piano Solo - Level 5 - Digital Download SKU: A0.1125796 By Michael Swedberg. By Tra…(+)

Piano Solo - Level 5 - Digital Download SKU: A0.1125796 By Michael Swedberg. By Traditional Spiritual. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726536. Published by Niska Music Publishing (A0.1125796). One of the more technically demanding preludes in this set, it is a definite workout for the right hand as it is nonstop triplets from beginning to end. Not only must the wrist remain loose, but the melody is contained in the right hand amidst the steady torrent of sixteenth note triplets. There is also a wonderful two measure hemiola figure where the meter seems to shift temporarily before returning to the established meter. The exuberance and excitement of the good news of Christâ€™s birth is the driving force behind this arrangement. Symphonic in its conception, the pianist needs to keep that in mind as they bring all the forces of the orchestra to bear. There are instances of brass chords, swirling string lines, singing woodwinds and thundering timpani, sometimes happening all at the same time. A tour de force and an excellent concert finale!
$3.99 3.56 € #Piano solo #Michael Swedberg #Go Tell It on the Mountain #Niska Music Publishing #SheetMusicPlus

Rachmaninoff Piano Concerto no. 3 (Opening Theme) Piano solo

Piano Solo - Level 4 - Digital Download SKU: A0.818463 Composed by Sergei Rachmanin…(+)

Piano Solo - Level 4 - Digital Download SKU: A0.818463 Composed by Sergei Rachmaninoff. Arranged by Thomas Ling of Sibu. Concert,Romantic Period. Score. 4 pages. Thomas Swee Chin #3568827. Published by Thomas Swee Chin (A0.818463). Arranged for piano solo with as much faithfulness to the Orchestra score as one hopes to be. Still satisfying though itâ€™s just the opening theme. The sound of Rachmaninoff is there, somewhat.
$6.99 6.24 € #Piano solo #Sergei Rachmaninoff #Rachmaninoff Piano Concerto no. 3 #Thomas Swee Chin #SheetMusicPlus

Nearer, My God, To Thee III Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1200456 By Keith James. By Lowell M…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1200456 By Keith James. By Lowell Mason. Arranged by Keith James. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 5 pages. Keith James Productions #799283. Published by Keith James Productions (A0.1200456). Said to be the last song played by the orchestra on the RMS Titanic, this is the third of a collection of Keith James arrangements of this tune.Keith James Music On Facebook
$1.99 1.78 € #Piano solo #Keith James #Nearer, My God, To Thee III #Keith James Productions #SheetMusicPlus

Piano Concerto No 2 in C minor Main Theme 1st Movement Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1311391 Composed by RACHMANINOV. Ar…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1311391 Composed by RACHMANINOV. Arranged by Marcus Martin. 20th Century,Film/TV,Romantic Period. Score. 2 pages. Cornelius Edition (uk) #900396. Published by Cornelius Edition (uk) (A0.1311391). Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between June 1900 and April 1901. The piece established his fame as a concerto composer and is one of his most enduringly popular pieces. It features in many film soiundtracks - notably 1945 'Brief Encounter'. The memorable main theme is here transcribed from the orchestra to solo piano.
$3.99 3.56 € #Piano solo #RACHMANINOV #Piano Concerto No 2 in C minor Main Theme 1st Movement #Cornelius Edition #SheetMusicPlus

Accompaniment for Aleluia (HALLELUJAH), of the Messiah by Handel - facilitated version Piano solo

Piano - Digital Download SKU: A0.1072159 Composed by George Frideric Handel. Arrang…(+)

Piano - Digital Download SKU: A0.1072159 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Accompaniment. Duration 171. Leyandder Trustworthy #6331257. Published by Leyandder Trustworthy (A0.1072159). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich HÃ¤ndel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99 2.67 € #Piano solo #George Frideric Handel #Accompaniment for Aleluia #Leyandder Trustworthy #SheetMusicPlus

Rachmaninov Piano Concerto No 2 1st movement theme for Piano solo Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1318239 Composed by Sergei Rachmani…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1318239 Composed by Sergei Rachmaninoff. Arranged by Marcus Martin. 20th Century,Film/TV. Score. 2 pages. Cornelius Edition (uk) #906910. Published by Cornelius Edition (uk) (A0.1318239). The main theme for this popular concerto first heard in the orchestra is arranged here to be played by solo piano.
$4.99 4.46 € #Piano solo #Sergei Rachmaninoff #Rachmaninov Piano Concerto No 2 1st movement theme for Piano solo #Cornelius Edition #SheetMusicPlus