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Three Short Turns, for keyboard
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Piano solo
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Three Short Turns, for keyboard
Piano solo
Sheetmusic to print
3 sheet music found
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Sonata for Piano No. 5 "GILT-EDGE"
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Piano solo
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ADVANCED
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Sean A
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Sonata for Piano No. 5 "GILT-E
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Sean A Moore
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A Moore #980408. Published by Sean A Moore (A0.1397074). GILT-EDGE†is a piano sonata in three movements. The sonata features dissonance, clusters, irregular rhythmic patterns and meters, syncopation, and extremes in textures and dynamics. The work is mostly intervallically/motivically based with the entire keyboard being utilized as a sort of sonic canvas as diverse as the world itself. The first movement, “GILT-EDGEâ€, has the same name as the title of the composition. The movement is emotionally intense, beginning loudly with a forearm cluster crash at the low end of the instrument and with a fast tempo. However, the first movement of the sonata ends slowly, quietly and sometimes dreamlike all while expressing a very dark mood. “Hopewellâ€, the second and somewhat more melodic movement, has a more meditative quality. This movement is inspired by the image of a quiet country road and an uncomplicated way of living that sometimes isn’t always what it seems. The final movement, “Antiochâ€, written on three staves, returns the listener back to the emotional complexities of the first movement. However, this movement does not end quietly. In this short explosive last movement, the sonata reaches its dramatic conclusion.
$12.99
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Piano solo
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EASY
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Instructional
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Charles-Louis Hanon
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Martin Woodward
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Hanon Piano / Keyboard Exercis
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Martin Woodward
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Mart...
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Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99
Pure Imagination (solo piano)
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Leslie Bricusse and Anthony N
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Rupert Austin
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Pure Imagination
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Rupert Austin
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Leslie Bricusse and Anthony Newley. Arranged by Rupert Austin. 9 pages. Published by Rupert Austin...
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Piano Solo - Advanced Intermediate - Digital Download By Leslie Bricusse and Anthony Newley. Arranged by Rupert Austin. 9 pages. Published by Rupert Austin
An arrangement for solo piano of the much loved song from the 1971 film Willy Wonka and the Chocolate Factory. A performance can be viewed at youtube.com/c/rupertaustin/videos.
The song is first presented in a gentle jazz ballad style (bars 1-24). The tempo then picks up for a swing exploration, at a relaxed tempo, of the song in bars 25-74. During bars 70-74 the tempo slows and the mood changes in preparation for a very different dream-like presentation of the song, where the melody is mostly played by the left hand with the right hand providing a rippling accompaniment that gently splashes across a wide range of the keyboard. In this section the accent marks in the score do not indicate strong accents, but indicate where moderate emphasis is required to bring out the melody above the surrounding accompaniment. In bars 99-115 the arrangement returns to the style of the opening. From bar 116 a coda takes the opening three notes of the melody and wistfully explores them in a chromatic and richly harmonized descent towards a peaceful close.
Performance duration is about 6 minutes, but shorter versions of the arrangement are possible such that the swing section or the dream section (or both) can be omitted, with directions for this marked in the score in bars 25 and 74.
Fingering suggestions are provided in many places, but these will not suit all hands and alternative effective fingerings are possible.
$7.00
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