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Who's Got A Match
Piano solo
Sheetmusic to print
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Seabiscuit's Run for solo piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.787299 Composed by Greg Bartholomew…
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Piano Solo - Level 4 - Digital Download SKU: A0.787299 Composed by Greg Bartholomew. 20th Century,Children,Concert,Contemporary. Score. 4 pages. Burke & Bagley #7785. Published by Burke & Bagley (A0.787299). Composed in 2014, SEABISCUIT'S RUN is an homage to the champion racehorse. This one-minute piece is dedicated to Mexican pianist Joel Juan Qui, who will give the premiere performance in 2015. A small horse, Seabiscuit had an inauspicious start to his racing career, but became an unlikely champion and a symbol of hope to many Americans during the Great Depression. He didn't run the leave-'em-in-the-dust races of other famous horses, but liked to intimidate and tease his opponents by looking them in the eye and then finally leaving them behind. He never quit, in spite of his small size, odd gait, and serious injury. Seabiscuit's career culminated in the 1938 Match of the Century against War Admiral at Pimlico Race Course. War Admiral was the favorite but Seabiscuit won by four lengths, and Seabiscuit was named American Horse of the Year for 1938. According to some, he got more press in 1938 than Franklin Roosevelt and Winston Churchill combined. A 2015 Piano Contest feature.
$4.49
4.05 €
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Piano solo
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Greg Bartholomew
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Seabiscuit's Run for solo piano
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Burke & Bagley
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.5 €
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Piano solo
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John Hatton
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
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