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44
1 Piano, 4 hands
42
Piano Trio: piano, violin, cello
18
2 Pianos, 4 hands
16
Piano Accompaniment
16
Piano Quartet: piano, violin, viola, cello
7
Piano (band part)
7
Accordion
6
Keyboard
5
Organ, Piano (duet)
4
Piano Quartet: piano, 2 violins, cello
3
2 Pianos, 8 hands
2
Harpsichord
2
Piano Quintet: piano, 2 violins, viola, cello
1
Organ, Trumpet (duet)
1
+ 16 instrumentations
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296
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117
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24
Bass guitar
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9
Guitar (band part)
8
Banjo
8
4 Guitars (Quartet)
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3 Guitars (trio)
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Baritone Ukulele
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Electric Bass (band part)
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Band Scores
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Mandolin
1
Guitar, Violin, Cello (trio)
1
Guitar, Orchestra
1
+ 15 instrumentations
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Voice
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699
Choral 3-part
164
Choral 2-part
146
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123
Choral TTBB
84
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46
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45
Vocal duet, Piano
41
Choral SSAA
38
Tenor voice
27
Baritone voice, Piano
26
Soprano voice
26
Vocal duet
21
Soprano voice, Piano
18
Choral
9
High voice
9
Voice solo
8
Medium voice, Piano
4
Choral SSAATTBB
3
Tenor voice, Piano
3
Choral SSATB
1
Low voice, Piano
1
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1
Low voice
1
Choral SSAB a cappella
1
Mezzo-Soprano voice, Piano
1
+ 21 instrumentations
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Woodwind
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169
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157
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129
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112
Flute and Piano
105
2 Saxophones (duet)
104
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94
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89
Oboe, Piano (duet)
82
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80
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78
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77
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66
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62
Oboe (band part)
58
2 Flutes (duet)
57
Alto Saxophone
47
2 Clarinets (duet)
47
Soprano Saxophone and Piano
44
Tenor Saxophone
34
Flute ensemble
33
Baritone Saxophone, Piano
30
3 Saxophones (trio)
29
Clarinet Ensemble
26
Flute Quartet: 4 flutes
26
Flute, Clarinet (duet)
22
3 Clarinets (trio)
21
Clarinet (band part)
21
Flute (band part)
19
Saxophone ensemble
18
Clarinet, Violin (duet)
16
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15
Flute Quintet : 5 flutes
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14
Saxophone, Clarinet (duet)
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2 Oboes (duet)
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12
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11
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9
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8
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8
Oboe
8
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7
Recorder Quartet
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Clarinet and Viola
7
Oboe, Clarinet, Bassoon (trio)
7
2 Recorders (duet)
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7
Flute, Saxophone (duet)
7
Flute, Violin, Piano
7
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6
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6
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6
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5
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5
Flute, Trumpet (duet)
4
Soprano Saxophone
4
Flute, Viola (duet)
4
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4
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4
Piccolo
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3
Flute, Oboe, Piano (trio)
3
3 Recorders (trio)
3
Harmonica
3
Flute, Viola and Piano
3
Flute, Violin and Violoncello
3
Flute, Clarinet and Bassoon.
3
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3
Saxophone
3
2 Oboes, Piano
3
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3
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2
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2
Baritone Saxophone
2
Saxophone and Harp
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2
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2
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2
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2
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2
Flute, trombone and piano
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1
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1
Oboe, Harp
1
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1
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1
Oboe, Violin, Piano
1
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1
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1
Flute, Organ (duet)
1
Flute, Harp and Cello
1
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1
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1
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181
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90
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88
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77
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63
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61
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58
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56
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53
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45
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39
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38
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37
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36
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34
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24
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20
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16
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15
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13
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9
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8
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7
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6
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6
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6
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6
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5
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3
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3
Brass Quintet: 2 trumpets, horn, 2 trombones
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3
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3
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4 Tubas
3
Tuba or Euphonium or Saxhorn
2
Bass Trombone
2
Brass Quartet: 2 trumpets, 2 trombones
2
Trombone, Organ
2
French Horn and Harp
2
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Trumpet, Harp
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3 Trombones (trio)
1
Trumpet, Tuba (duet)
1
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1
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332
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141
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118
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105
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102
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93
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83
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68
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56
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56
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55
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47
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34
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32
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32
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32
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23
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20
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18
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13
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11
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11
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10
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8
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7
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7
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7
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7
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6
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5
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4
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4
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3
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3
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3
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3
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3
Viola ensemble
3
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3
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2
2 Violas, Piano
2
2 Cellos, Piano
2
String Quartet : 4 violas
2
Cello, Organ
2
Harp and Piano
1
Harp, Violin, Violoncello
1
Cello Ensemble
1
String Quintet: 2 violins, 2 violas, cello
1
String trio
1
String Trio: 3 violas
1
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596
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195
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128
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126
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96
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67
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56
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16
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14
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5
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4
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What the?
Tenor voice, Piano
Sheetmusic to print
3 sheet music found
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1
Just Another Song About The Blues
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Tenor voice, Piano
#
INTERMEDIATE/ADVANCED
#
Eric S
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Just Another Song About The Bl
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Eric Selman Klein
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1020488 Composed by Eric S. Klein. Blues,Concert,Contemporary,Jazz. 10 pages. Eric Selman Kle...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1020488 Composed by Eric S. Klein. Blues,Concert,Contemporary,Jazz. 10 pages. Eric Selman Klein #4890227. Published by Eric Selman Klein (A0.1020488). A sultry and bluesy jazz song about - what else? - The Blues!Note: Vocal part plays in audio sample as software-generated oohsFrom the Collection Coffee House Songs - Equally at home in both concert and informal settings!
$3.99
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Tenor voice, Piano
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ADVANCED
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Contemporary
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
Clouds, A Fantasy for Voice, Violin and Piano
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Tenor voice, Piano
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INTERMEDIATE/ADVANCED
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Debbie Allen
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Debbie Allen
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Clouds, A Fantasy for Voice, V
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Nottingham Scores
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.730826 By Debbie Allen. By Debbie Allen. Arranged by Debbie Allen. Classical,Contemporary,Con...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.730826 By Debbie Allen. By Debbie Allen. Arranged by Debbie Allen. Classical,Contemporary,Contest,Festival,Instructional,Spiritual. 22 pages. Nottingham Scores #339083. Published by Nottingham Scores (A0.730826). Art reflects what we see and hear, as well as what we imagine. Music is sonic art. The sequence of sounds we hear spark our interest, imagination, and emotions. This vocal music, with instrumental accompaniment, is meant to represent the wonder of the clouds in the atmosphere above us. The text expresses our understanding of the purpose of clouds, as well as our curiosity about how they form and how they look as we gaze up at the sky. The shift between major and minor keys represents the dynamic nature of the clouds. Sometimes clouds are welcome. Sometimes clouds are a hindrance. Sometimes clouds create dangerous situations. The vocal part may be sung by a soprano or a tenor. Dramatic interpretation is encouraged and welcome, allowing the artists to share their relationship with clouds.
$7.99
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