Download Digital Sheet Music of So for Tenor voice

So

For Once In My Life #Tenor voice #INTERMEDIATE/ADVANCED #Pop music #Stevie Wonder #Michael Pilley #For Once In My Life #Michael Pilley Music #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.746173 By Stevie Wonder. By Orlando Murden. Arranged by Michael Pilley. Pop. 5 pages. Michael...(+)

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.746173 By Stevie Wonder. By Orlando Murden. Arranged by Michael Pilley. Pop. 5 pages. Michael Pilley Music #3684029. Published by Michael Pilley Music (A0.746173). THE ARRANGEMENTA few years ago, good friends of mine were getting married and asked if I could arrange this song for their ceremony, to be sung by a tenor with piano accompaniment. I wanted to write a completely new take on this classic song, so decided to set it as a ballad, rather than the popular Stevie Wonder version which is uptempo. I also had a very good pianist and tenor soloist, so consequently, the difficulty of the arrangement is at an advanced intermediate level, with the tenor going up to a Bb and the piano part containing a lot of black notes! I was really happy with how it turned out, but unfortunately couldn't fly to Australia just for the wedding and they didn't record it. So now it's available to purchase, in the hope that someone would enjoy singing it and maybe even send me a recording!Â THE SONGWritten for the Motown label, it first was recorded by Barbara McNair, followed by a host of others in a ballad style, until Stevie Wonder pumped up the tempo and reached #2 on the U.S. Billboard charts. It eventually was the title track for his album of the same name, and features the amazing Funk Brothers, most notably James Jamerson for his incredible bass playing on this track, known to be one of the greatest example of his style. Stevie Wonder also provided the harmonica solo on the track.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOWÂ for digital download. We suggest you print on 80gsmÂ paper, to ensure that the copies last longer in your library.More music can be found atÂ www.michaelpilleymusic.comÂ and follow me atÂ https://www.facebook.com/MichaelPilleyMusic/Â orÂ https://twitter.com/MPilleyMusic

Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano

#Gregory Sullivan Isaacs: Songs

Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book â€“ Leaves of Grass â€“ but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in â€œclustersâ€ of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called â€œthe love of comrades,â€ â€œmanly loveâ€ or with the code word, â€œadhesiveness.â€ The concept of homosexuality, as we know it today, was very different in Whitmanâ€™s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a â€¦ very large and aromatic grass, or root, spears three feet highâ€”often called 'sweet flag'â€”grows all over the Northern and Middle States.â€ The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of itâ€™s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer

Para Que No Me Olvides #Tenor voice #BEGINNER #Rafael Gil Dominguez #juan carlos esteve / Gran Coda #Para Que No Me Olvides #Juan Carlos Esteve #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1103094 Composed by Rafael Gil Dominguez. Arranged by juan carlos esteve / Gran Coda. 20th Ce...(+)

Tenor Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1103094 Composed by Rafael Gil Dominguez. Arranged by juan carlos esteve / Gran Coda. 20th Century,Latin,Pop,Singer/Songwriter,Spiritual. 5 pages. Juan Carlos Esteve #706423. Published by Juan Carlos Esteve (A0.1103094). â€¢ Transcription of Melody without chords So you don't forget me. â€¢ The download contains 4 pages in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) â€¢ Total number of measures: 95.

Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano

#Carson Cooman

#Carson Cooman: Rossini in the

Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano #Tenor voice #INTERMEDIATE/ADVANCED #Carson Cooman #Carson Cooman: Rossini in the #Musik Fabrik Music Publishing #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabri...(+)

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.