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You've selected:
On the Pond
Alto Saxophone and Piano
Sheetmusic to print
7 sheet music found
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1
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
The Carnival of the Animals - 13. The Swan
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals -
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Sam Bateman
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and part. 10 pages. Sam Bateman #3434245. Published by Sam Bateman (A0.948140). And so we come to the second-to-last movement, which is The Swan. This was the only movement performed publicly during Saint-Saëns's lifetime, as he considered the rest of the suite too frivolous, or too silly, for his career as a serious composer. Understandably so, as it is considered by many to be one of the most beautiful pieces of music ever written, depicting a swan gracefully paddling across the surface of the water, with a calm, gentle mood. Quite ironically, the piece is in G major, which has gained a completely different meaning in Internet culture. But in any case, if you'd like to perform this piece on the alto saxophone, here it is for just 10 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$10.00
Schubert: Moment Musicaux for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Guthrie: Toccata Agitato for Alto Saxophone & Piano
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Alto Saxophone and Piano
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ADVANCED
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James M
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Guthrie: Toccata Agitato for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1384419 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Weddin...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1384419 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 26 pages. Jmsgu3 #968693. Published by jmsgu3 (A0.1384419). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Sonata for Alto Saxophone and Piano, Op. 4
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Alto Saxophone and Piano
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Contemporary
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Tyler J
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Sonata for Alto Saxophone and
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMusic #6117625. Published by TJHoltMusic (A0.1021612). I was inspired to compose the Sonata for Alto Saxophone and Piano, Op. 4 towards the end of the Snow Pond Composer’s Workshop that I attended in the summer of 2017. I was compelled even further upon learning that the classical saxophone repertoire is limited. This work presented a challenge, as this is the first work I have composed for the saxophone. The first movement resembles a traditional Sonata-Allegro form, with the first theme being inspired by Petrouchka by Igor Stravinsky. All of the themes in this sonata are presented as the movement progresses. The second movement is slow and lyrical, based on quartal harmonies and tonal ambiguity as well as a varying accompanying passage. The third movement is a short, yet frantic interlude based on augmented arpeggios. Henri Tomasi’s Trumpet Concerto serves as an inspiration for the fourth movement, in terms of its spontaneous character.I. Allegro con gioiaII. Andante AppassionatoIII. InterludeIV. ScherzoComposed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer .
$20.00
Let All Mortal Flesh Keep Silence - Alto Sax solo
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Sile
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budaful music
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1038738 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Tradit...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1038738 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643716. Published by budaful music (A0.1038738). This haunting tune, arranged for piano and alto sax, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page alto sax part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99
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