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Once-A-Year-Day
Alto Saxophone and Piano
Sheetmusic to print
14 sheet music found
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1
There is a Fountain (Alto Sax and Piano)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.524713 Composed by Willia…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.524713 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #6233247. Published by John A. Dempsey (A0.524713). This alto sax and piano duet of the moving hymn There is a Fountain is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Â Popular and appropriate year round, this music is especially welcome for the Lord's Supper as well as Easter worship, including Palm Sunday services, Good Friday worship and Easter sunrise services. Â 8 pages of music (that includes a separate two-page alto sax part). Â Concert Key (Piano): Bb major. Â Alto Sax Key: G major.
$6.99
6.46 €
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Alto Saxophone and Piano
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William Cowper, Lowell Mason
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There is a Fountain
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John A. Dempsey
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SheetMusicPlus
Glorious Day (Living He Loved Me)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.626676 By Casting Crowns.…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.626676 By Casting Crowns. By Mark Hall and Michael Bleecker. Arranged by Stephen DeCesare. Christian,Gospel. Score and part. 14 pages. Exultet Music #5756143. Published by Exultet Music (A0.626676). The song by American Christian rock band Casting Crowns has now been freshly arranged for a Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year but especially during the Easter season.
$4.99
4.61 €
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Alto Saxophone and Piano
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Casting Crowns
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Glorious Day
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Exultet Music
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SheetMusicPlus
The Wedding Album, for Solo Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Variou…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.23 €
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Alto Saxophone and Piano
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Various
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The Wedding Album, for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
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Alto Saxophone and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Sullivan - The Lost Chord in B flat Major - Easy
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1108456 Composed by Sir A…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1108456 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 13 pages. Piacere Music Sheets #711098. Published by Piacere Music Sheets (A0.1108456). Opus/Catalog Number: IAS 42 Key/Tone: B-flat Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 3/12 (Easy) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Alto Saxophone with piano accompaniment. Included: Full score and separated parts for each instrument.
$8.95
8.27 €
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Alto Saxophone and Piano
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Sir Arthur Seymour Sullivan
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Sullivan - The Lost Chord in B flat Major - Easy
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Piacere Music Sheets
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SheetMusicPlus
"Winter" from the Four Season 1 st Mov. - Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.759880 Composed by Antoni…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.759880 Composed by Antonio Vivaldi. Arranged by Raymond Fenech. Baroque,Contest,Easter,Festival,Holiday,Wedding. Score and part. 19 pages. Raymond Fenech #3422853. Published by Raymond Fenech (A0.759880). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1721 and were published in 1725. The Four Seasons is the best known of Vivaldi's works. Winter is arranged for Alto Saxophone and Piano. The level is Difficult and the duration is 3.37 minutes.
$5.95
5.5 €
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Alto Saxophone and Piano
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Antonio Vivaldi
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"Winter" from the Four Season 1 st Mov. - Alto Saxophone and Piano
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Raymond Fenech
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SheetMusicPlus
Handel: Largo (from Xerxes) for alto sax and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.522293 Composed by G F Handel. Arranged by Colin Kirkpatrick. Christmas,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6637671. Published by Colin Kirkpatrick Publications (A0.522293). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in E flat major concert (alto sax in C major) and the top note is the C above the treble clef and the piece generally requires the use of a long and sustained tone quality. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a recital. The audio sample was performed by Alastair Penman https://www.alastairpenman.co.uk
$7.95
7.34 €
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Alto Saxophone and Piano
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G F Handel
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Were You There (Trio for Two Alto Saxes and Piano)
Alto Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Downloa…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.522888 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Sacred,Spiritual,Traditional. Score and parts. 12 pages. John A. Dempsey #3001327. Published by John A. Dempsey (A0.522888). This Easter trio for two alto saxes and piano weaves the moving spiritual Were You There? into the rich tapestry of a beautiful Chopin etude (Tristesse, Op. 10, No. 3). Recommended for traditional Easter church services and other worship events, including Good Friday services, Easter sunrise worship and Communion. Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Appropriate year round! 8 pages of music (that includes separate parts for alto sax 1 and alto sax 2). Concert Key (Piano): Bb major. Alto Sax Key: G major. Sax Level: Intermediate. Piano Level: Late Intermediate .
$11.99
11.08 €
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Alto Saxophone and Piano
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Traditional Spiritual, Frederic Chopin
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Were You There
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John A. Dempsey
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SheetMusicPlus
Were You There (Alto Sax and Piano)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523271 Composed by Tradit…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.523271 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and part. 8 pages. John A. Dempsey #3416725. Published by John A. Dempsey (A0.523271). This alto sax and piano duet weaves the moving spiritual Were You There? into the rich tapestry of Chopin's Etude, Op. 10, No. 3 (Tristesse).  Recommended for traditional Easter church services and other worship events, including Good Friday services, Easter sunrise worship and Communion.  Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music.  Appropriate year-round!  5 pages of music (that includes a separate alto sax part).  Concert Key (Piano): F major.  Alto Sax Key: D major .
$6.99
6.46 €
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Alto Saxophone and Piano
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Traditional Spiritual, Frederic Chopin
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Were You There
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John A. Dempsey
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587590 Composed by Jeremi…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587590 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367400. Published by David McKeown (A0.587590). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Alto Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.25 €
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Alto Saxophone and Piano
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Jeremiah Clarke
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
We'll Meet Again
Alto Saxophone and Piano
Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780806 Com…
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Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780806 Composed by Hughie Charles and Ross Parker. Arranged by Cathy Stamegna. Broadway,Film/TV,Musical/Show,Patriotic,Standards,Traditional. Score and part. 8 pages. Cathy Stamegna #5337471. Published by Cathy Stamegna (A0.780806). We’ll Meet Again (Alto Saxophone Solo, Chords, Piano Accompaniment). Concert Key - Eb. Featured in movies and television, and recorded by many over the years, it was Dame Vera Lynn who put this 1939 song on the map. Her performances uplifted many during World War II. The flowing melody still provides hope and comfort today. Families and friends may consider collaborating musically via Face Time, Skype and other video chat platforms (lyric page included). Chords added for mallet percussion or guitars to play along. Set of Parts. Arranged during a time of social distance because of the coronavirus pandemic.
$4.99
4.61 €
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Alto Saxophone and Piano
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Hughie Charles and Ross Parker
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We'll Meet Again
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Cathy Stamegna
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SheetMusicPlus
If You Were the Only Girl (In the World) (Alto Saxophone Solo, Chords, Piano Accompaniment)
Alto Saxophone and Piano
Large Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780906 Com…
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Large Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780906 Composed by Music by Nat D. Ayer, Lyrics by Clifford Grey. Arranged by Cathy Stamegna. Film/TV,Holiday,Jazz,Standards,Wedding. Score and part. 8 pages. Cathy Stamegna #5758815. Published by Cathy Stamegna (A0.780906). Concert key, Ab. Most recently heard in the Downton Abbey series, this piece was a hit from the 1916 London musical revue, The Bing Boys Are Here, and has been recorded by many notable artists and performed in films throughout the years. Most have placed it in waltz time as opposed to its original 4/4 meter (this arrangement is in 3/4). Chords added for guitar or mallet instruments to accompany. Set of Parts.
$4.99
4.61 €
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Alto Saxophone and Piano
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Music by Nat D
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If You Were the Only Girl
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Cathy Stamegna
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SheetMusicPlus
Con-Tse-To
Alto Saxophone and Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, …
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To – a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements – 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.<br> <br> The first movement – Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe “Trio” section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buñol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient’s wife. Kenneth Tse’s wife’s name is Melanie so this movement is dedicated to her.<br> <br> The second movement – Lamento was adapted from a melody of mine “El año del Trumpetista” originally composed in 2010. I thought the beautiful sound of Dr. Tse’s saxophone playing would be very complimentary for this melody.<br> <br> The third movement – Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.<br> <br> Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.<br> <br> The piano transcription was done by Derek Remeš.
$20.00
18.48 €
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Alto Saxophone and Piano
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Gregory Fritze
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Con-Tse-To
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Musica Nova USA
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SheetMusicPlus
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