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Premier Concert
Alto Saxophone and Piano
Sheetmusic to print
18 sheet music found
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1
New York Concerto for Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1008704 Composed by Vince…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1008704 Composed by Vince Corozine (ascap). Contemporary,Standards. Score and part. 32 pages. Vince Corozine #5218553. Published by Vince Corozine (A0.1008704). The New York Concerto for Saxophone and Piano was performed by Dr. William Ford and was premiered the the Minnesota Concert Series. Solo part for saxophone (8 pages), piano (20 pages); length 9:04 minutes. Digital download. .I. Im Late: expresses the hectic start of a new day; the fast hash and the mad dash. II. Bryant Park at Noon: brings forth contemporary concerto in three movements which depicts the hustle and bustle of New York City. Ia more relaxed mood, resting, eating lunch,gazing the the trees..III. Skyscrapers at Dusk: brings forth the angular, dissonant textures of the NY skyline. novin22@verizon.net; www.vincecorozine.com.
$14.95
13.71 €
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Alto Saxophone and Piano
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Vince Corozine
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length 9:04 minutes
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New York Concerto for Saxophone and Piano
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Vince Corozine
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SheetMusicPlus
Premiers Pas
Alto Saxophone and Piano
Chamber Music & Piano Accompaniment Alto Saxophone, Piano - Grade 2 - Digital Download …
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Chamber Music & Piano Accompaniment Alto Saxophone, Piano - Grade 2 - Digital Download SKU: FX.FX073547 Composed by Pascal Saint-Leger. Original Composition. Classical, Educational. Score and Set of Parts. Duration 2 minutes, 15 seconds. FLEX Editions - Digital Sheet Music #FX073547. Published by FLEX Editions - Digital Sheet Music (FX.FX073547). The young musicians will love playing this piece that will find its place in an exam or a concert. - Pascal SAINT-LEGER ; A piece that can be played from 2 years of instrument practice ; Instruments: 1 Alto Saxophone 1 Piano.
$7.95
7.29 €
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Alto Saxophone and Piano
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Pascal Saint-Leger
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Premiers Pas
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Hippolyte Escudié: Première Fantaisie Originale for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Digital Download SKU: A0.533230 Composed by Hippolyte Escudi…
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Alto Saxophone,Piano - Digital Download SKU: A0.533230 Composed by Hippolyte Escudié. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2112289. Published by Musik Fabrik Music Publishing (A0.533230). Hippolyte Escudié was born in 1816 in Castelnaudary, France and died in Paris in 1881. He wrote four fantaisies for saxophone and piano and a number of works for saxophone and organ, including the six Andantes The first Fantasy is in four sections: an opening arioso with a cadenza, a thème and two variations, an expressive Andante et a final brilliant coda.
$12.95
11.88 €
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Alto Saxophone and Piano
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Hippolyte Escudié
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Hippolyte Escudié: Première Fantaisie Originale for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bolero
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.648117 Composed by Arbos,…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.648117 Composed by Arbos, Ferdinand Enrique. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 16 pages. Theupperstaff #3052837. Published by theupperstaff (A0.648117). Arbos was a great violinist, serving as concertmaster which included orchestras in Berlin and Boston. He was also quite an accomplished conductor. He conducted the premieres in Spain of Stravinsky's Rite of Spring and Strauss' Don Quixote. Arbos was a composer as well. Less known for this talent however, as you can see by this composition still very talented. This dance is full of his native flair, passion and fervor. This demands accomplished performers. Enjoy!
$9.99
9.16 €
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Alto Saxophone and Piano
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Arbos, Ferdinand Enrique
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Bolero
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theupperstaff
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SheetMusicPlus
Gregory Sullivan Isaacs: Song Without Words for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533371 Composed by Gregor…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533371 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618655. Published by Musik Fabrik Music Publishing (A0.533371). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
10.96 €
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Alto Saxophone and Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song Without Words for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.22 €
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Alto Saxophone and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.22 €
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Alto Saxophone and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antoni…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.22 €
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Alto Saxophone and Piano
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
A Christmas Sonnet
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.699252 Composed by Kennet…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.699252 Composed by Kenneth D. Friedrich. Christmas. Score and part. 11 pages. KFS Publishing #2926413. Published by KFS Publishing (A0.699252). Written originally for a quartet, including a trio of 5th grade flute players and a 7th grade marimba player, A Christmas Sonnet premiered in December 2005 at a Christmas concert in front of over 700 family and friends at a Catholic church in Austin, TX . This arrangement for solo and piano is great for Christmas concerts, church services, or home performances. .
$15.00
13.76 €
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Alto Saxophone and Piano
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Kenneth D
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A Christmas Sonnet
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KFS Publishing
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SheetMusicPlus
Handel: Largo from Xerxes for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.22 €
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Alto Saxophone and Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587925 Composed by G F Ha…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587925 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044837. Published by David McKeown (A0.587925). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Alto Saxophone and Piano
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G F Handel
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Sonata for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1452043 By Diana Mascari.…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1452043 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Score and part. 78 pages. Diana Mascari Music #1031355. Published by Diana Mascari Music (A0.1452043). Diana Mascari's Sonata for Alto Saxophone and Piano is a long-awaited composition from her catalog.It is the first piece which features the alto sax and with piano accompaniment that she has written (completed in January 2024. The movements are: I. Swing, II. Introspection, III. Beguine and the total duration is approximately 11'40.In addition to the jazz influence so characteristic of Ms. Mascari's work, this sonata is the reflects the love she has for classical works for this instrument. In addition to four saxophone quartets (one with pipe organ), a piece for Tenor Saxophone and pipe organ, Diana composed a concerto for Alto Saxophone and Orchestra which was premiered in Switzerland in the late 1990s. For questions about Diana Mascari's compositions and/or composition lessons please visit: www.dianamascari.com.
$19.95
18.3 €
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Alto Saxophone and Piano
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Diana Mascari
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Sonata for Alto Saxophone and Piano
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Diana Mascari Music
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SheetMusicPlus
In the Language of Meditation for alto saxophone & piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.787269 Composed by Greg B…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.787269 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and part. 32 pages. Burke & Bagley #17401. Published by Burke & Bagley (A0.787269). IN THE LANGUAGE OF MEDITATION was originally composed in 2013 for violist Brett Deubner and pianist Caroline Fauchet in memory of Ingrid Buschmann (1954 - 2013). The adaptation for alto saxophone & piano was made in 2014. Total duration: approx. 14 minutes. IN THE LANGUAGE OF MEDITATION is in three parts: I. Observations from a Rooftop Garden II. Contemplating a Mountain with Love III. Reflecting on a Visit with Birds Watch the premiere performance on YouTube: http://youtu.be/Vgc6jKsEMXw?list=PLC467B58A453D766A
$24.99
22.92 €
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Alto Saxophone and Piano
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Greg Bartholomew
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piano was made in 2014
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In the Language of Meditation for alto saxophone & piano
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Burke & Bagley
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SheetMusicPlus
Hockney
Alto Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Cello,Instrumental Duet,Piano - Level 5 - Digital D…
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Instrumental Duet,Piano Alto Saxophone,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021983 Composed by Mark Engebretson. 20th Century,Contemporary. 63 pages. Effiny Music #6269039. Published by Effiny Music (A0.1021983). Hockney, or Performance as Painting for alto saxophone, cello and piano. Hockney was commissioned on behalf of Vandoren by DANSR Incorporated for Sean Miller, the Vandoren Emerging Artist Prize Winner 2019. The premiere performance was presented as part of the Chamber Music National Festival by Sean Miller (saxophone), Shu-Li Cheah (cello) and Matt Umphries (piano) at the Vandoren Showcase Chamber Music Concert held at the Indiana Historical Society in Indianapolis, Indiana on March 14, 2019.Hockney uses special techniques on the cello like chop, crunch, feedback, and fingerboard slap and saxophone techniques like slap tongue, multiphonics, and tone color changes. Duration: ca. 11:00
$20.00
18.34 €
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Alto Saxophone and Piano
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Mark Engebretson
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Hockney
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Effiny Music
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587705 Composed by Gabrie…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587705 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810593. Published by David McKeown (A0.587705). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Alto Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.22 €
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Alto Saxophone and Piano
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Gabriel Faure
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Pie Jesus, from Fauré's Requiem, for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Ha…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042587. Published by David McKeown (A0.587913). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Alto Saxophone and Piano
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G F Handel
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46 (1988) [Piano score]
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lu…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1048927 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and part. 25 pages. DoReMi Edition #653319. Published by DoReMi Edition (A0.1048927). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.33 €
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Alto Saxophone and Piano
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxophone and Piano, Op.46
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DoReMi Edition
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Alto Saxophone and Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.29 €
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Alto Saxophone and Piano
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J
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
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