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Sonata in G minor
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You've selected:
Sonata in G minor
Alto Saxophone and Piano
Sheetmusic to print
5 sheet music found
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1
Telemann: Four Sonatas for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551668 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,In...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551668 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330387. Published by jmsgu3 (A0.551668). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Sonata in G Minor BWV 1020, First Movement, - Alto Saxophone & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Johann Sebastian Bach
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Andrew Middleton
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Sonata in G Minor BWV 1020, Fi
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Andrew Middleton
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrew Middleton. Baroque. Score and part. 12 pages. Andrew Middleton #4310301. Published b...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrew Middleton. Baroque. Score and part. 12 pages. Andrew Middleton #4310301. Published by Andrew Middleton
$4.99
Chopin: Largo from Op. 65 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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James M
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Cello, Op
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Chopin: Largo from Op. 65 for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Stand...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
Sonata #1 Movement 1 in D Minor for Alto Sax and Piano
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Alto Saxophone and Piano
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Instructional
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Handel, G
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Nick Lacanski
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Sonata #1 Movement 1 in D Mino
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theupperstaff.com
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SheetMusicPlus
Composed by Handel, G.F. Arranged by Nick Lacanski. Classical Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts. 7 pag...
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Composed by Handel, G.F. Arranged by Nick Lacanski. Classical Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts. 7 pages. Published by theupperstaff.com (S0.148517). - Score,Set of Parts - Classical Period,Repertoire,General Instructional,Technique Training,Recital - theupperstaff.com
$3.99
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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