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Sunday Song
SheetMusicPlus
Alto Saxophone and Piano
Sheetmusic to print
8 sheet music found
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1
O Come All Ye Faithful for Alto Sax & Piano
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Alto Saxophone and Piano
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and pa...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Jingle Bells for Alto Sax & Piano
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Alto Saxophone and Piano
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BEGINNER
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Christmas
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James Pierpont
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James M
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piano
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Jingle Bells for Alto Sax & Pi
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and pa...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408939. Published by jmsgu3 (A0.548664). Jingle Bells arranged for alto sax & piano. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the piece as One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but people began to think of it more as a Christmas song over time. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford, Massachusetts, in 1850. Sleigh races were undoubtedly famous in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square, claiming it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses usually had bell-laden straps to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.Â
$24.95
Crown Him With Glory (treble Eb instrument duet, parts only)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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George Job Elvey, Holden, and
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Sandra Zylstra
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Crown Him With Glory
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.712404 Composed by George Job Elvey, Holden, and Melc...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.712404 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra. Christian,Easter,Sacred. Score and parts. 2 pages. Sandra dee zylstra #5044487. Published by sandra dee zylstra (A0.712404). Crown Him With Glory is arranged with the songs All Hail the Power of Jesus Name, All Glory Laud and Honor and Crown Him With Many Crowns. This would make a great prelude or Postlude on Easter Sunday morning! This medley is arranged as an intermediate treble Eb instrument duet. This is the instrument part only. Duet combinations available are treble C, bass C, treble and bass C, treble Bb, treble Eb and treble F. (Approximately 3 minutes, 2 pages) Â You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855Â and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$2.50
Crown Him With Glory (treble Eb instrument duet)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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George Job Elvey, Holden, and
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Sandra Zylstra
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Crown Him With Glory
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.712397 Composed by George Job Elvey, Holden, and Melc...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.712397 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra. Christian,Easter,Sacred. Score and parts. 8 pages. Sandra dee zylstra #5044423. Published by sandra dee zylstra (A0.712397). Crown Him With Glory is arranged with the songs All Hail the Power of Jesus Name, All Glory Laud and Honor and Crown Him With Many Crowns. This would make a great prelude or Postlude on Easter Sunday morning! This medley is arranged as an intermediate treble Eb instrument duet with piano accompaniment plus separate instrumental parts. Duet combinations available are treble C, bass C, treble and bass C, treble Bb, treble Eb and treble F. (Approximately 3 minutes, 7 pages) Â You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855Â and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$4.25
Crown Him With Glory (treble Eb instrument solo)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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George Job Elvey, Holden, and
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Sandra Zylstra
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Crown Him With Glory
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sandra dee zylstra
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.711874 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra....
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.711874 Composed by George Job Elvey, Holden, and Melchior Teschner. Arranged by Sandra Zylstra. Christian,Easter,Sacred. Score and part. 6 pages. Sandra dee zylstra #9087. Published by sandra dee zylstra (A0.711874). Crown Him With Glory is arranged with the songs All Hail the Power of Jesus Name, All Glory Laud and Honor andCrown Him With Many Crowns. This would make a great prelude or postlude on Easter Sunday morning! This medley is arranged as an intermediate treble Eb instrument solo with piano accompaniment and a separate instrument part. (Approximately 3 minutes, 5 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.75
Via Dolorosa
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Alto Saxophone and Piano
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EASY
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Sacred music
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Christian contemporary
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Sandi Patty
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Stephen DeCesare
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Via Dolorosa
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Exultet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.628646 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christia...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.628646 By Sandi Patty. By Billy Sprague and Niles Borop. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and part. 12 pages. Exultet Music #6204257. Published by Exultet Music (A0.628646). The beautiful Passion song by Sandi Patty which talks about a street within the Old City of Jerusalem, held to be the path that Jesus walked on the way to his crucifixion. Perfect for Palm Sunday, Holy Week, Tenebrae and Good Friday. Also concert appropriate. Scored for an Alto Saxophone solo with Piano accompaniment.
$4.99
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
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