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String Quartet: 2 violins, viola, cello
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53
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38
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31
String Trio: 2 violins, cello
28
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27
Viola (band part)
22
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21
2 Violas (duet)
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Double Bass
19
2 Harps (duet)
15
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4 Cellos
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12
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11
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9
Harp, Flute (duet)
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Harp, Voice
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5
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2 Double basses (duet)
4
String Quintet: 2 violins, 2 violas, cello
4
String Trio: 2 violins, viola
4
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3
Piano Trio: Violin, Viola, Piano
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3
String quartet: 4 violins
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Cello, String Bass (duet)
2
String Quartet : 4 violas
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Vibraphone
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Marimba
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Xylophone
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Snare drums
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Alto Saxophone and Piano
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.88 €
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Alto Saxophone and Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
When the Roll is Called Up Yonder, Gospel Hymn for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593475 Composed by James …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593475 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421179. Published by David McKeown (A0.593475). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Alto Saxophone and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
2.26 €
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Alto Saxophone and Piano
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James Milton Black
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When the Roll is Called Up Yonder, Gospel Hymn for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Highland Cathedral
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1121449 By Amy Grant. By …
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1121449 By Amy Grant. By Michael Korb and Ulrich Roever. Arranged by Thomas Graf. Christmas,Pop. Score and part. 13 pages. Thomas Graf - the-hit-factory.com #722623. Published by Thomas Graf - the-hit-factory.com (A0.1121449). This song is perfect for any church service or recital, will work fine also with piano or P/B/Guit. German version is very famous as it is a signature song of Cologne - Du bes die Stadt. The town hymn. Enjoy! About this arrangement: Instrumentation: Full Score Alto Saxophone Organ / Piano Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$5.00
4.53 €
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Alto Saxophone and Piano
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Amy Grant
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Highland Cathedral
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
The Corona Suite for Alto Saxophone and Piano by Simon Peberdy
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.757107 Composed by Simon …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.757107 Composed by Simon Peberdy. Concert,Contemporary,Standards. Score and part. 40 pages. Simon Peberdy #5756235. Published by Simon Peberdy (A0.757107). (The Youtube video at https://youtu.be/Ca6Mh5_7Hok is a flute arrangement of the suite)This is an arrangement for Alto Saxophone (E flat) & Piano of a new suite of pieces in a variety of styles that was originally written for trombone & piano for Caspar Peberdy during the lockdown due to the Corona Virus in 2020.Feel free to put sections up an octave to suite personal taste.The pieces are also available separately, so you can call them up individually and preview them if you wish.Simply search them out, or find them on www.simonpeberdymusic.com
$8.99
8.15 €
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Alto Saxophone and Piano
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Simon Peberdy
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The Corona Suite for Alto Saxophone and Piano by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Now And Then
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1320028 By The Beatles. B…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1320028 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. 20th Century,Pop,Rock. Score and part. 4 pages. MP Sheet Music #908583. Published by MP Sheet Music (A0.1320028). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.
$4.99
4.52 €
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Alto Saxophone and Piano
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The Beatles
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Now And Then
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MP Sheet Music
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SheetMusicPlus
Now And Then
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1320025 By The Beatles. B…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1320025 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. 20th Century,Pop,Rock. Score and part. 4 pages. MP Sheet Music #908580. Published by MP Sheet Music (A0.1320025). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.
$4.99
4.52 €
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Alto Saxophone and Piano
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The Beatles
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Now And Then
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MP Sheet Music
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SheetMusicPlus
We Have Heard the Joyful Sound (Jesus Saves): Alto Sax and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.524659 Composed by Willia…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.524659 Composed by William J. Kirkpatrick. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Spiritual,Traditional. Score and part. 16 pages. John A. Dempsey #6138965. Published by John A. Dempsey (A0.524659). This lively hymn arrangement is designed to inject energy and enthusiasm into your worship service with its jazzy rhythm, upbeat tempo and flavorful melody. Â This is an enduring hymn with eternal truth as its message. Â Musically influenced by both Cajun and Celtic styles, this duet arrangement for alto sax and piano is recommended for traditional church services, praise gatherings, youth rallies and other worship events, as a prelude, postlude, an offertory, interlude and special music. Â 12 pages of music (that includes a separate three-page alto sax part). Â Concert Key (Piano): Bb major. Â Alto Sax Key: G major.
$6.99
6.34 €
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Alto Saxophone and Piano
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William J
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We Have Heard the Joyful Sound
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John A. Dempsey
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SheetMusicPlus
Air on the G String by Bach for Alto Sax and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1045601 Composed by Johan…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1045601 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650180. Published by Woods Only, Arrangements (A0.1045601). This easy arrangement for alto sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
1.8 €
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Alto Saxophone and Piano
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Johann Sebastian Bach
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Air on the G String by Bach for Alto Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Let Me Call You Sweetheart (Alto Saxophone Solo, Chords, Piano Accompaniment)
Alto Saxophone and Piano
Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780914 Com…
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Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780914 Composed by Music by Leo Friedman and Words by Beth Slater Whitson. Arranged by Cathy Stamegna. Film/TV,Holiday,Standards,Traditional,Wedding. Score and part. 11 pages. Cathy Stamegna #5775915. Published by Cathy Stamegna (A0.780914). This timeless piece from 1910 is a winner for Weddings or Anniversaries with a memorable refrain. Recorded by various artists from The Peerless Quartet (1911) to Bing Crosby and Fats Domino. Featured in numerous films and TV shows including Downton Abbey and The Murdoch Mysteries (The Artful Detective). An intermediate level piano accompaniment with chords for guitar or mallet instruments to join in. Lyrics included for a sing-along. Concert Key, Bb. Set of Parts.
$4.99
4.52 €
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Alto Saxophone and Piano
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Music by Leo Friedman and Words by Beth Slater Whitson
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Let Me Call You Sweetheart
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Cathy Stamegna
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SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Alto Saxophone and Piano with Chord Notations
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1409048 Composed by Anton…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1409048 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Score and part. 3 pages. Glauco Fernandes #991653. Published by Glauco Fernandes (A0.1409048). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$6.99
6.34 €
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Alto Saxophone and Piano
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Antonio Vivaldi
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1409050 Composed by Anton…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1409050 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. Score and part. 3 pages. Glauco Fernandes #991655. Published by Glauco Fernandes (A0.1409050). Dive into the exuberance of the Baroque era with our exclusive arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons. Tailored for musicians who are honing their skills at the intermediate level, this arrangement captures the joyful and rejuvenating spirit of spring, making it a valuable addition to the repertoire of both developing students and professionals seeking practicality and versatility in their performances.For educators and music teachers, this score represents an excellent pedagogical tool, introducing students to Vivaldi's distinctive style and the depth of Baroque music in a way that is both challenging and accessible. It offers an opportunity for technical and expressive growth, enriching students' repertoire with one of the most celebrated works of classical music.Beyond being ideal for those advancing musically, this arrangement is also extremely useful for professional musicians looking to expand their repertoire with pieces that combine elegance and simplicity for special occasions, such as weddings. The iconic nature and timeless beauty of La Primavera ensure its warm reception at any event, providing performers with the chance to shine with a work of recognized mastery.Thus, our arrangement emerges as a versatile choice, promising to enrich both the musical learning of students and the repertoires of professional musicians with a piece that is both accessible and deeply expressive. It maintains the essence and charm of Vivaldi's original composition, promising to be an enriching experience for all involved.Tags: intermediate sheet music, Antonio Vivaldi, The Four Seasons, La Primavera, Baroque music, music education, versatile arrangement, repertoire for events, wedding music, musical growth, classical music.
$6.99
6.34 €
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Alto Saxophone and Piano
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Antonio Vivaldi
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
Gabriel: His Eye Is On The Sparrow for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548755 Composed by Gabrie…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548755 Composed by Gabriel. Arranged by James M. Guthrie. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416293. Published by jmsgu3 (A0.548755). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.
$24.95
22.62 €
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Alto Saxophone and Piano
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Gabriel
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Gabriel: His Eye Is On The Sparrow for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
The Carnival of the Animals - 13. The Swan
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camill…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.948140 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and part. 10 pages. Sam Bateman #3434245. Published by Sam Bateman (A0.948140). And so we come to the second-to-last movement, which is The Swan. This was the only movement performed publicly during Saint-Saëns's lifetime, as he considered the rest of the suite too frivolous, or too silly, for his career as a serious composer. Understandably so, as it is considered by many to be one of the most beautiful pieces of music ever written, depicting a swan gracefully paddling across the surface of the water, with a calm, gentle mood. Quite ironically, the piece is in G major, which has gained a completely different meaning in Internet culture. But in any case, if you'd like to perform this piece on the alto saxophone, here it is for just 10 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$10.00
9.07 €
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Alto Saxophone and Piano
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Camille Saint-Saens
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The Carnival of the Animals - 13. The Swan
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Sam Bateman
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SheetMusicPlus
WHEN THE ROLL IS CALLED UP YONDER (Duet – Alto Sax and Piano/Score and Parts)
Alto Saxophone and Piano
Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.613861 Composed by James M. Black. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 8 pages. The Lanier Company #41831. Published by The Lanier Company (A0.613861). WHEN THE ROLL IS CALLED UP YONDER is an arrangement by Gary Lanier for Alto Sax and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (8 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: WHEN THE ROLL IS CALLED UP YONDER (Piano Accompaniment for Alto Sax).
$6.99
6.34 €
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Alto Saxophone and Piano
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James M
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WHEN THE ROLL IS CALLED UP YONDER
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The Lanier Company
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SheetMusicPlus
Fantasy Duo on Jesus Calls Us for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1203221 Composed by Ron P…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1203221 Composed by Ron Planting. Christian,Sacred. Score and part. 6 pages. Converging Prospect Music #801894. Published by Converging Prospect Music (A0.1203221). Juxtaposed against free, melodic roaming is the recurring, incessant rhythm of this traditional hymn tune itself, in this original setting. Approximate duration:Â 3 min.
$5.00
4.53 €
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Alto Saxophone and Piano
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Ron Planting
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Fantasy Duo on Jesus Calls Us for Alto Saxophone and Piano
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Converging Prospect Music
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SheetMusicPlus
Waltz Of The Flowers (Tchaikovsky)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1238844 By Fabio Eduardo …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1238844 By Fabio Eduardo de Oliveira. By Peter Ilyich Tchaikovsky. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 6 pages. Fabio Eduardo #834261. Published by Fabio Eduardo (A0.1238844). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadThe Waltz of the Flowers (1892) is a piece of orchestral music from the second act of The Nutcracker, a ballet composed by Tchaikovsky. Tchaikovsky told his fellow musicians he was working on a fantastic ballet called The Nutcracker.
$1.99
1.8 €
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Alto Saxophone and Piano
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Fabio Eduardo de Oliveira
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Waltz Of The Flowers
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Fabio Eduardo
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SheetMusicPlus
Entry of the Gladiators - Alto Sax, Bari Sax and Piano
Alto Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.721390 Composed by Julius Fucik. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Film/TV,Wedding. Score and parts. 18 pages. Music-Scores.com #4602499. Published by Music-Scores.com (A0.721390). Entry of the Gladiators has been called Grand Chromatic March, and Thunder and Blazes in 1901 in an arrangement by Laurendeau for windband. This arrangement became popular as a Screamer march, which is circus music to introduce clowns and stir up the crowd. It is also played for rousing concert performances, as in Last Night of the Proms. This version is for Mixed ensemble of Alto Sax, Baritone Sax and Piano.Playing time 2 minutes, 40 secondsArranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
6.3 €
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Alto Saxophone and Piano
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Julius Fucik
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Entry of the Gladiators - Alto Sax, Bari Sax and Piano
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Music-Scores.com
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
10.84 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.09 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
10.84 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle, Gaetano Donizetti
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Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.62 €
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Alto Saxophone and Piano
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Wade
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O Come All Ye Faithful for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.84 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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