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Where Is The One
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1,685
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666
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173
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131
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116
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45
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35
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29
1 Piano, 4 hands
21
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13
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12
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6
Organ, Trumpet (duet)
6
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4
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3
Piano Quartet: piano, 2 violins, cello
3
Big Note Piano
1
Piano (band part)
1
1 Piano, 6 hands
1
Harpsichord
1
+ 14 instrumentations
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65
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28
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Medium voice, Piano
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Voice solo
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1
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Tenor voice
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+ 16 instrumentations
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Retract
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273
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183
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131
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128
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117
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110
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84
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76
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55
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54
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53
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47
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30
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25
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25
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24
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19
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17
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17
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16
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16
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16
3 Clarinets (trio)
16
Flute, Violin
16
Flute and Guitar
15
English horn, Piano
13
2 Oboes (duet)
12
Soprano Saxophone
12
Clarinet and Viola
12
Flute Trio: 3 flutes
12
Oboe, Flute
11
Flute Quintet : 5 flutes
11
2 Recorders (duet)
11
2 Saxophones, Piano
11
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10
Flute, Trombone (duet)
10
Flute, Trumpet (duet)
9
Clarinet Quintet: 5 clarinets
8
Flute, Viola (duet)
8
Treble (Alto) Recorder
8
3 Recorders (trio)
8
Clarinet, Guitar (duet)
8
Saxophone and Organ
8
Oboe, Clarinet, Bassoon (trio)
7
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7
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7
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6
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6
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5
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5
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4
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4
Ocarina
3
Flute, Cello, Piano (trio)
3
5 Recorders
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2
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2
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2
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2
2 Flutes, Piano
2
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2
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2
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2
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1
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1
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1
Saxophone
1
Clarinet, Trombone (duet)
1
Recorder, Piano
1
Flute, Clarinet and Bassoon.
1
2 Clarinets, Piano
1
Clarinet, Harp (duet)
1
Oboe, Violin, Piano
1
Bass Clarinet
1
Tenor Recorder
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Clarinet, Organ
1
Oboe, Violin (duet)
1
Oboe
1
Clarinette, Viola and Piano (trio)
1
Treble (Alto) Recorder, Basso continuo
1
Treble (Alto) Recorder, Piano
1
Flute, Oboe, Bassoon
1
Oboe, Harp
1
+ 98 instrumentations
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Retract
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Trombone and Piano
230
Brass Quintet: 2 trumpets, horn, trombone, tuba
178
Brass quartet : 2 trumpets, trombone, tuba
128
French Horn and Piano
56
Trombone
52
Trumpet, Piano
45
Trumpet
40
Trombone ensemble
37
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31
Brass Quartet: 2 trumpets, horn, trombone
30
2 Trombones (duet)
27
Trumpet, Saxophone (duet)
26
Brass Quartet
25
Trumpet, Trombone (duet)
24
English horn, Piano
13
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12
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11
French horn
11
2 French horns (duet)
11
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11
Tuba
10
Trumpet (band part)
8
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7
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7
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6
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5
Brass Quartet: 4 trumpets
5
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4
3 Trombones (trio)
4
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4
4 Tubas
4
French horn and Basson (duet)
3
Tuba and Piano
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2
Tuba (band part)
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1
Trumpet, Bassoon (duet)
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Bass Trombone
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3 Euphoniums
1
Euphonium
1
2 Euphoniums and 2 Tubas
1
+ 42 instrumentations
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344
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172
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172
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77
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72
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69
Harp
45
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35
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34
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29
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23
2 Violas (duet)
20
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11
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10
4 Cellos
9
String quartet: 4 violins
8
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8
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8
String Quartet : 4 violas
8
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6
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6
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5
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1
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1
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1
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1
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1
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1
Cello, Orchestra
1
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1
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1
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1
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1
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Alto Saxophone and Piano
Sheetmusic to print
273 sheet music found
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251
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Caprice sur
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 page...
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
#
Alto Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Fantaisie su
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 page...
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Ali Ben Sou Alle, Wolfgang Ama
#
Paul Wehage
#
Ali Ben Sou Alle: Fantaisie su
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Ali Ben Sou Alle, Gaetano Doni
#
Paul Wehage
#
Ali Ben Sou Alle: Fantaisie su
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 page...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 page...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 page...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,R...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenir de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$9.95
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Saint-Saëns: The Swan for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Con...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Fantais
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Sc...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3604007. Published by Musik Fabrik Music Publishing (A0.534527). It was in the process of preparing the publication of the works of Demersseman and of Ali Ben Sou Alle that suggested to me the idea of the typical 19th century practice of the Fantasy and Variations on well-known themes.The saxophone lends itself perfectly for this stylistic exercise. I therefore chose to write for this instrument, which the piano supports seriously.My republican roots (in the French sense) suggested that I set several revolutionary songs from 1789. I therefore chose the emblematic “ Ah ça ira ! â€, after having seen the famous sequence of “Si Versailles l’était conté†where Piaf sings this song hanging of the grill of the Palace of Versailles, in the superbe version by Jean Françaix.I added at the end “ La Carmagnole †and the famous “ Il pleut bergère †a foreshadowing of the destiny of Marie-Antoinette who is said to have enjoyed singing this air. One will find, a bit hidden, a short citation of a work for organ by Bach.This isn’t a pastiche but rather a sort of modern update to this form in respecting its codes, its forms of this type of work which disappeared temporarily due to forced musical austerity.
$16.95
LOVE IS THE THEME (Trio – Alto Sax, Baritone Sax & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615785 Composed by Albert C. Fishe...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615785 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3036421. Published by The Lanier Company (A0.615785). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Alto Sax, Baritone Sax and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Alto Sax, Baritone Sax).
$8.99
LOVE IS THE THEME (Trio – Alto Sax, Trombone & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.615788 Composed by Albert C. Fisher. Arrange...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.615788 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3036465. Published by The Lanier Company (A0.615788). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Alto Sax, Trombone and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Alto Sax, Trombone).
$8.99
Ruby and Steel (for alto saxophone and piano)
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Jeffrey Hoover
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Ruby and Steel
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Musicart Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicar...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$19.95
LOVE IS THE THEME (Trio – Flute, Alto Sax & Piano with Score/Part)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615753 Composed by Albert C. Fisher. Arranged b...
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Instrumental Duet,Piano Alto Saxophone,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615753 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3030885. Published by The Lanier Company (A0.615753). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Flute, Alto Sax and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Flute, Alto Sax).
$8.99
LOVE IS THE THEME (Trio – Alto Sax, Bassoon & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615786 Composed by Albert C. Fisher. Arranged...
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Instrumental Duet,Piano Alto Saxophone,Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615786 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3036451. Published by The Lanier Company (A0.615786). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Alto Sax, Bassoon and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Alto Sax, Bassoon).
$8.99
LOVE IS THE THEME (Trio – Bb Trumpet, Alto Sax & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Trumpet - Level 3 - Digital Download SKU: A0.615793 Composed by Albert C. Fisher. Arranged...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Trumpet - Level 3 - Digital Download SKU: A0.615793 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3036663. Published by The Lanier Company (A0.615793). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Bb Trumpet, Alto Sax and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Bb Trumpet, Alto Sax).
$8.99
LOVE IS THE THEME (Trio – Bb Clarinet, Alto Sax & Piano with Score/Part)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615775 Composed by Albert C. Fisher. Arrange...
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Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615775 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3034091. Published by The Lanier Company (A0.615775). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Bb Clarinet, Alto Sax & Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Bb Clarinet, Alto Sax).
$8.99
LOVE IS THE THEME (Trio – Alto Sax, Viola & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
#
LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.615789 Composed by Albert C. Fisher. Arranged b...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.615789 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3036483. Published by The Lanier Company (A0.615789). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Alto Sax, Viola and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Alto Sax, Viola).
$8.99
LOVE IS THE THEME (Duet – Alto Sax & Piano with Score/Part)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
#
LOVE IS THE THEME
#
The Lanier Company
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.615741 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score an...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.615741 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages. The Lanier Company #3028799. Published by The Lanier Company (A0.615741). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The score, including cover and instrumental part is 9 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Alto Sax).
$6.99
LOVE IS THE THEME (Trio – Alto Sax, Horn in F & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Albert C
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Gary Lanier
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LOVE IS THE THEME
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The Lanier Company
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615787 Composed by Albert C. Fisher. Arranged by...
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Instrumental Duet,Piano Alto Saxophone,Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615787 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3036457. Published by The Lanier Company (A0.615787). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Alto Sax, Horn in F and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Alto Sax, Horn in F).
$8.99
LOVE IS THE THEME (Trio – Violin, Alto Sax & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
#
Sacred music
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Albert C
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Gary Lanier
#
LOVE IS THE THEME
#
The Lanier Company
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.615813 Composed by Albert C. Fisher. Arranged ...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.615813 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3038653. Published by The Lanier Company (A0.615813). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Violin, Alto Sax and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Violin, Alto Sax).
$8.99
LOVE IS THE THEME (Trio – Alto Sax, Cello & Piano with Score/Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
#
Sacred music
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Albert C
#
Gary Lanier
#
LOVE IS THE THEME
#
The Lanier Company
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615790 Composed by Albert C. Fisher. Arranged b...
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Instrumental Duet,Piano Alto Saxophone,Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615790 Composed by Albert C. Fisher. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 14 pages. The Lanier Company #3036487. Published by The Lanier Company (A0.615790). LOVE IS THE THEME is a hymn arrangement by Gary Lanier for Alto Sax, Cello and Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 14 pages long. This arrangement is perfect for any Church or gathering where hymns of the Love of Christ are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LOVE IS THE THEME (Piano Accompaniment for Alto Sax, Cello).
$8.99
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