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lyrics: S
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Alto Saxophone and Piano
Sheetmusic to print
91 sheet music found
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1
26
51
76
It's Been A Long, Long Time
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Alto Saxophone and Piano
#
ADVANCED
#
Contemporary
#
Jule Styne
#
Christopher Esther
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It's Been A Long, Long Time
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Christopher Esther
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.795875 Composed by Jule Styne. Arranged by Chri...
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Instrumental Duet,Piano Alto Saxophone,Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.795875 Composed by Jule Styne. Arranged by Christopher Esther. Contemporary. Score and parts. 16 pages. Christopher Esther #5317565. Published by Christopher Esther (A0.795875). Perhaps better known for its appearance in Avengers: Endgame, It's Been a Long, Long Time is a pop song written by Jule Styne and Sammy Cahn that was a hit at the end of World War II. The lyrics are written from the perspective of a person welcoming home his or her spouse or lover at the end of the war.
$15.99
Grieg: Ase's Death from Peer Gynt Suite for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Roma...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549533 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505785. Published by jmsgu3 (A0.549533). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
It's You I Like from MISTER ROGERS' NEIGHBORHOOD
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
#
Fred Rogers
#
Cathy Stamegna
#
Set of Parts. 
#
It's You I Like from MISTER RO
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Cathy Stamegna
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.780504 Composed by Fred Rogers. Arranged by Cathy Stamegna. Children,Contemporar...
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Small Ensemble Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.780504 Composed by Fred Rogers. Arranged by Cathy Stamegna. Children,Contemporary,Film/TV,Jazz,Pop. Score and part. 12 pages. Cathy Stamegna #4979325. Published by Cathy Stamegna (A0.780504). It's You I Like from MISTER ROGERS' NEIGHBORHOOD (Alto Saxophone Solo, Chords, Piano Acc.) begins with Mister Rogers' thoughtful lyrics/traditional melody and transitions to a jazz/pop sound. Set of Parts. Other vocal and instrumental arrangements available. Graded Advanced Intermediate because of rhythms, harmonies in the jazz/pop section.
$4.99
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Sax & Piano
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Rom...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549555 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507663. Published by jmsgu3 (A0.549555). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
O Jesulein süss by Bach for Alto Sax and Piano
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Alto Saxophone and Piano
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Ander
#
O Jesulein süss by Bach for A
#
Woods Only, Arrangements
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049986 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. ...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049986 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654384. Published by Woods Only, Arrangements (A0.1049986). This easy arrangement for alto sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Away In A Manger: for Alto Sax & Piano
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Alto Saxophone and Piano
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BEGINNER
#
Christmas
#
the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for Alto Sax
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. ...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386519. Published by jmsgu3 (A0.548472). Traditional Christmas song arranged for alto sax & piano. Final verse features an alternate harmonization.Score: 2 pages. Part: 1 page.Away in a Manger – Alto Sax Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Can You Feel The Love Tonight
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Alto Saxophone and Piano
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EASY
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Elton John
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Harry Walker
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Can You Feel The Love Tonight
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SCORE EDITIONS
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471274 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,C...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1471274 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Musical/Show,Pop. Score and part. 9 pages. SCORE EDITIONS #1048936. Published by SCORE EDITIONS (A0.1471274). Can You Feel the Love Tonight is a song composed by Elton John with lyrics by Tim Rice, featured in Disney's animated film The Lion King (1994). The song captures a pivotal moment in the movie, reflecting themes of love, unity, and harmony. It has become one of Elton John’s most beloved ballads and a timeless classic in both pop and film music. Can You Feel the Love Tonight is more than just a song from a movie; it is a celebration of love and connection. Its ability to convey deep emotions through its melody and lyrics has made it a beloved classic. The song’s impact on popular culture and its enduring legacy highlight the genius of Elton John and Tim Rice, and their contribution to the magical world of The Lion King. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
Bohm: Calm as the Night for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Al
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549402 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Stand...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549402 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493313. Published by jmsgu3 (A0.549402). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
Wichita Lineman
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Alto Saxophone and Piano
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INTERMEDIATE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1078294 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standar...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1078294 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682500. Published by jmsgu3 (A0.1078294). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
What Was I Made For?
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Alto Saxophone and Piano
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INTERMEDIATE
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Pop music
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Billie Eilish
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Benzaiten Editions
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What Was I Made For?
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Benzaiten Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1277531 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzait...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1277531 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 6 pages. Benzaiten Editions #869219. Published by Benzaiten Editions (A0.1277531). Hey there! Are you a saxophone enthusiast who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate Sax Sheet Music with piano accompaniment The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate sax arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your sax. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$5.99
What Was I Made For?
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Alto Saxophone and Piano
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INTERMEDIATE
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Pop music
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Billie Eilish
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Benzaiten Editions
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What Was I Made For?
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Benzaiten Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1277533 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzait...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1277533 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 6 pages. Benzaiten Editions #869221. Published by Benzaiten Editions (A0.1277533). Hey there! Are you a saxophone enthusiast who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate Sax Sheet Music with piano accompaniment and chords The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate sax arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your sax. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$5.99
My Heart Will Go On (Love Theme From 'titanic')
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Alto Saxophone and Piano
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INTERMEDIATE
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Celine Dion
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Harry Walker
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My Heart Will Go On
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SCORE EDITIONS
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1505017 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Centu...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1505017 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. SCORE EDITIONS #1080420. Published by SCORE EDITIONS (A0.1505017). My Heart Will Go On, composed by James Horner with lyrics by Will Jennings and famously performed by Céline Dion, is the iconic love theme from the 1997 film Titanic. This powerful ballad, which has become one of the best-selling singles of all time, encapsulates the timeless love story between Jack and Rose, conveying themes of eternal love and remembrance. The song's structure features a haunting flute introduction, expressive verses, a full orchestral chorus, and a dramatic instrumental bridge, concluding with a gentle outro. Winning the Academy Award, Golden Globe, and four Grammy Awards, My Heart Will Go On remains a cultural staple and a key part of Céline Dion's repertoire. Its beautiful melody, poignant lyrics, and emotional depth ensure its enduring popularity in concert programs worldwide. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
My Way
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Alto Saxophone and Piano
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EASY
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Elvis Presley
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Raymond Fenech
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My Way
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.760801 By Elvis Presley. By Claude Francois and Jacques Revaux. Arrange...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.760801 By Elvis Presley. By Claude Francois and Jacques Revaux. Arranged by Raymond Fenech. Contemporary,Easter,Pop,Rock,Standards. Score and part. 20 pages. Raymond Fenech #5988789. Published by Raymond Fenech (A0.760801). My Way is a song popularized in 1969 by Frank Sinatra. Its lyrics were written by Paul Anka and set to the music of the French song Comme d'habitude co-composed and co-written (with Jacques Revaux), and performed in 1967 by Claude François. Anka's English lyrics are unrelated to the original French song. The song was a success for a variety of performers including Sinatra, Elvis Presley, and the Sex Pistols. Sinatra's version of My Way spent 75 weeks in the UK Top 40, a record which still stands. This popular song is arranged for (Alto Saxophone; Piano and Optional Drum Set). The Duration is approx. 2.23 minutes and the level is Intermediate.
$4.99
My Way
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Alto Saxophone and Piano
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INTERMEDIATE
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Elvis Presley
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Raymond Fenech
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My Way
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Drums,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760120 By Elvis Presley. By Claude Francois and...
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Instrumental Duet,Piano Alto Saxophone,Drums,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760120 By Elvis Presley. By Claude Francois and Jacques Revaux. Arranged by Raymond Fenech. Easter,Pop,Rock,Standards,Wedding. Score and parts. 22 pages. Raymond Fenech #3507143. Published by Raymond Fenech (A0.760120). My Way is a song popularized in 1969 by Frank Sinatra. Its lyrics were written by Paul Anka and set to the music of the French song Comme d'habitude co-composed and co-written (with Jacques Revaux), and performed in 1967 by Claude François. Anka's English lyrics are unrelated to the original French song. The song was a success for a variety of performers including Sinatra, Elvis Presley, and the Sex Pistols. Sinatra's version of My Way spent 75 weeks in the UK Top 40, a record which still stands. This popular song is arranged for (2 Alto Saxes; Piano and Optional Drum Set). This arrangement could be used either as a Solo Alto Sax OR 2 Alto Saxes; Piano and optional Drum Set The Duration is approx. 2.23 minutes and the level is Intermediate.
$5.99
The Wedding Album, for Solo Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Al
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standard...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587624 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594683. Published by David McKeown (A0.587624). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Alto Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Luther: Out of the Depths for Alto Sax & Piano
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Alto Saxophone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards....
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Vampire
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Alto Saxophone and Piano
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INTERMEDIATE
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Pop music
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Olivia Rodrigo
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Benzaiten Editions
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Vampire
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Benzaiten Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1269927 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. ...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1269927 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 7 pages. Benzaiten Editions #862399. Published by Benzaiten Editions (A0.1269927). Hey! Are you a saxophonist who wants to learn how to play Vampire by Olivia Rodrigo? It's your lucky day! 🎵Vampire by Olivia Rodrigo - Intermediate Sax Sheet Music with piano accompaniment and chords The Benzaiten Editions Arrangement Prepare to be entranced by the haunting and emotive ballad, Vampire by Olivia Rodrigo! This poignant song showcases Olivia's incredible songwriting and vocal prowess, making it a powerful and captivating piece for saxophone. Our sax and piano arrangement of Vampire allows you to embody the raw emotion and vulnerability of Olivia's performance. Through delicate melodies and expressive chords, you'll be able to convey the bittersweet essence of this mesmerizing track. Perfect for intermediate sax players who want to explore Olivia Rodrigo's music or simply appreciate heartfelt compositions, this arrangement strikes a balance between accessibility and musicality. About the song Vampire by Olivia Rodrigo is a soul-stirring ballad that delves into themes of love, heartbreak, and emotional vulnerability. Olivia's evocative lyrics and haunting melody resonate deeply with listeners, capturing the raw essence of human emotions. This saxophone arrangement allows you to embody the song's bittersweet beauty and express your own feelings through its touching melodies and chords. Whether you're a devoted fan of Olivia Rodrigo or a sax enthusiast seeking emotive compositions, Vampire offers a powerful musical journey that speaks straight to the heart.
$5.99
O Holy Night for Alto Sax & Piano
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Alto Saxophone and Piano
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BEGINNER
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Christmas
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Adam
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James M
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O Holy Night for Alto Sax & Pi
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and pa...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Ave Maria (Bach/Gounod)
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Alto Saxophone and Piano
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INTERMEDIATE
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Charles Francois Gounod
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Robert Stevens
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Ave Maria
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SAXpress.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,C...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1487496 Composed by Charles Francois Gounod. Arranged by Robert Stevens. 19th Century,Chamber,Christmas,Classical,Religious. Score and part. 20 pages. SAXpress.com #1064450. Published by SAXpress.com (A0.1487496). Ave Maria (Bach/Gounod) (1853) Charles Gounod (1818 - 1893) Any Saxophone Solo and Piano Ave Maria (Bach/Gounod) by Charles Gounod (after J. S. Bach) (based on music of J. S. Bach) arranged for Any Saxophone Solo and Piano. B-flat and E-flat solo sax parts are included. This arrangment is in the key of C major, as was the 1853 original version. Tempo is around 78 bpm. The solo part is an exercise in expressive legato playing. Some rubato may be added in the last few bars of the music. The Bach/Gounod Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria. It was first published in 1853 as “Méditation sur le Premier Prélude de Piano de S. Bach“. Gounod improvised an original melody that he paired with a slightly changed version of a familiar Bach Prelude (Prelude No. 1 in C major, BWV 846, Book I of The Well-Tempered Clavier). The 1853 publication is an instrumental piece. There was no text. Gounod reworked the piece in 1859, finally settling on the Latin prayer “Ave Maria” as lyrics. The new version proved to be an irresistible force. It attracted a phenomenal level of acclaim, becoming immensely popular, even improving Gounod’s faltering reputation with the contemporary public. It is a standard at holiday times, weddings, quinceañeras, church services, and other solemn occasions.
$6.95
What Was I Made For?
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Alto Saxophone and Piano
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EASY
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Pop music
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273336 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273336 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865489. Published by Milanov (A0.1273336). What Was I Made For? From Barbie by Billie Eilish for alto sax and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
Lullabye (Goodnight, My Angel)
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Alto Saxophone and Piano
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INTERMEDIATE
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Rock
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.796636 By Billy Joel. By Billy Joel. Arranged by Gary D. Belshaw (ASCAP). Pop,Rock. Score and p...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.796636 By Billy Joel. By Billy Joel. Arranged by Gary D. Belshaw (ASCAP). Pop,Rock. Score and part. 7 pages. DR GARY D BELSHAW #3141353. Published by DR GARY D BELSHAW (A0.796636). How would you answer a 7-year-old's question, Where do we go when we die? This achingly beautiful melody is Billy Joel's answer. The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose; it's got plenty of meaning without getting gushy or sentimental. Perfect for any and every social occasion, as well as recitals and concerts.Thank you for considering this work; your opinions are valuable to us. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$5.99
What Was I Made For?
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Alto Saxophone and Piano
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EASY
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Pop music
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273337 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1273337 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865490. Published by Milanov (A0.1273337). What Was I Made For? From Barbie by Billie Eilish for alto sax and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
Ave Maria (Schubert) - Pdf + Mp3 Playback + Mp3 Demo
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Alto Saxophone and Piano
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BEGINNER
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Classical
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1265245 By Fabio Eduardo de Oliveira. By Franz Schubert. Arranged by Fabio Eduardo de Oliveira....
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1265245 By Fabio Eduardo de Oliveira. By Franz Schubert. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 7 pages. Fabio Eduardo #858092. Published by Fabio Eduardo (A0.1265245). Backing Track and Demo Free DonloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99
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