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You've selected:
Another Star
Tenor Saxophone and Piano
Sheetmusic to print
5 sheet music found
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1
Another Star
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Pop music
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Soul/R&B
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Stevie Wonder
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Fishel Pustilnik
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Another Star
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.634470 By Stevie Wonder. By Stevie...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.634470 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score and parts. 9 pages. F & N Enterprise #3637153. Published by F & N Enterprise (A0.634470). An excellent arrangement of the famous Song Another Star by Stevie Wonder for Tenor Sax and Piano-Jazz/Pop Version.
$4.99
O Come All Ye Faithful for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Jogo de Cartas (for Tenor Sax and Piano)
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Tenor Saxophone and Piano
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ADVANCED
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multi...
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Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99
Sonata "Funtasies" for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Sonata "Funtasies" for Tenor S
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
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