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You've selected:
In A Good Time!
Tenor Saxophone and Piano
Sheetmusic to print
13 sheet music found
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1
I Got It Bad And That Ain't Good
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761674 Composed by Duke …
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761674 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 5 pages. Standard Time #4288987. Published by Standard Time (A0.761674). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for tenor sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.
$9.99
9.24 €
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Tenor Saxophone and Piano
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Duke Ellington
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I Got It Bad And That Ain't Good
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Standard Time
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SheetMusicPlus
Lullabye (Goodnight, My Angel)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.796633 By Billy Joel. By…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.796633 By Billy Joel. By Billy Joel. Arranged by Gary D. Belshaw (ASCAP). Pop,Rock. Score and part. 7 pages. DR GARY D BELSHAW #3141205. Published by DR GARY D BELSHAW (A0.796633). How would you answer a 7-year-old's question, Where do we go when we die? From Billy Joel's final album, River of Dreams (1993), this song presents the songwriter's own thoughts. The hint of Medieval ambience in the bridge in the solo piano came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose; it's got plenty of meaning without getting gushy or sentimental.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$5.99
5.54 €
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Tenor Saxophone and Piano
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Billy Joel
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Feeling Good
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1158734 By Michael Buble…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1158734 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Blues,Broadway,Jazz,Musical/Show,Standards. Score and part. 15 pages. Roger Wallace #758994. Published by Roger Wallace (A0.1158734). Tenor Sax Solo with Piano Accompaniment. The Leslie Bricusse & Anthony Newley classic from The Roar of the Greasepaint – The Smell of the Crowd, performed as a 12/8 Blues Chorus with 4/4 Stop-Time Bridge. Can also be performed by Baritone TC and Trombone TC. Additional solo parts include Trombone/Euphonium/Bassoon/Cello, Baritone Sax, Horn in F and Viola. The Audio Sample features a Trombone. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99
4.61 €
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Tenor Saxophone and Piano
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Michael Buble
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Feeling Good
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Roger Wallace
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SheetMusicPlus
Ladybird Romp - Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.722225 Composed by Anne …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.722225 Composed by Anne Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and part. 3 pages. Music-Scores.com #6087809. Published by Music-Scores.com (A0.722225). There are a lot of ladybugs around here in July: Black with red spots, red with black spots, young yellow ones and the black and yellow larvae. They seem to be having a good time and are doing a great job eating blackflies, so this song is dedicated to these cheerful little beetles.A jazzy swing piece for Tenor Sax and Piano.Duration: 1 minute.By Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.5 €
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Tenor Saxophone and Piano
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Anne Christopherson GRSM ARCM at https://www
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Anne Christopherson GRSM ARCM
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Ladybird Romp - Tenor Sax & Piano
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Music-Scores.com
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.46 €
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Tenor Saxophone and Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Minuet by Boccherini for Tenor Sax
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160615 Composed by Luig…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160615 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760910. Published by Woods Only, Arrangements (A0.1160615). This simple arrangement adapted for tenor saxophone and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
1.84 €
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Tenor Saxophone and Piano
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Luigi Boccherini
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Minuet by Boccherini for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Will the Circle Be Unbroken? for Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968373 Composed by Charl…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968373 Composed by Charles H. Gabriel. Arranged by Lawrence H. Underwood. Christian,Country,Gospel,Jazz,Sacred. Score and part. 9 pages. Lawrence H Underwood #6561073. Published by Lawrence H Underwood (A0.968373). Arranged by veteran performer and music educator, Lawrence Underwood, as the fourth installment in his 2021 Hymn Song Collection series, this brand new setting of Will the Circle Be Unbroken? is a rollicking good time! Alternating between blues, a fast country two-step, and swing, this arrangement is a journey in fun. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be an audience favorite!
$5.99
5.54 €
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Tenor Saxophone and Piano
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Charles H
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Will the Circle Be Unbroken? for Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
This Little Light of Mine for Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968363 Composed by Tradi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968363 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Jazz,Sacred,Spiritual. Score and part. 9 pages. Lawrence H Underwood #6560949. Published by Lawrence H Underwood (A0.968363). Arranged by veteran performer and music educator, Lawrence Underwood, as the third installment in his 2021 Hymn Song Collection series, this brand new setting of This Little Light of Mine is a rollicking good time! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be an audience favorite!
$5.99
5.54 €
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Tenor Saxophone and Piano
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Traditional
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This Little Light of Mine for Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
Handel: Largo from Xerxes for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by Georg…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.46 €
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Tenor Saxophone and Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Tenor Saxophone and Piano
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Traditional
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The First Noel for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
23.07 €
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Tenor Saxophone and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Tenor Saxophone and Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587703 Composed by Gabri…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587703 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810589. Published by David McKeown (A0.587703). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Tenor Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.25 €
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Tenor Saxophone and Piano
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Gabriel Faure
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Pie Jesus, from Fauré's Requiem, for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
O Jesulein süss by Bach for Tenor Sax and Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049988 Composed by Joha…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049988 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654386. Published by Woods Only, Arrangements (A0.1049988). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
1.84 €
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Tenor Saxophone and Piano
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Johann Sebastian Bach
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O Jesulein süss by Bach for Tenor Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
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