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PIANO & KEYBOARDS

Piano solo 23 Organ 4 Piano, Voice 4 Piano, Vocal and Guitar 3 1 Piano, 4 hands 1

GUITARS

VOICE

Choral SATB 15 Choral 3-part 4 Choral TTBB 3 Vocal duet, Piano 2 Soprano voice, Piano 1

Choral 2-part 1 Baritone voice, Piano 1 Choral SSAA 1 Alto voice, Piano 1 Medium voice, Piano 1 Low voice, Piano 1 High voice 1 Mezzo-Soprano voice, Piano 1

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WOODWIND

English horn, Piano 5 Alto Saxophone and Piano 5 Soprano Saxophone and Piano 4 Tenor Saxophone and Piano 3 Clarinet and Piano 3

Flute and Piano 3 Oboe, Piano (duet) 3 Clarinet Quartet: 4 clarinets 2 Tenor Recorder 2 Descant (Soprano) Recorder 1 Descent (Soprano) Recorder, Piano 1 2 Flutes, Piano 1 Flute, Clarinet (duet) 1 Clarinet, Cello, Piano (trio) 1 Tenor Saxophone 1 Flute, Violin, Piano 1 3 Clarinets (trio) 1 2 Oboes (duet) 1 2 Clarinets (duet) 1 Flute, Oboe, Piano (trio) 1 Clarinet Quartet: Clarinet, Violin, Viola, Cello 1 Flute, Clarinet, Piano (trio) 1 Oboe (band part) 1

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WOODBRASS

Trumpet, Piano 6 Tuba and Piano 5 English horn, Piano 5 Trombone and Piano 3 Euphonium, Piano (duet) 2

4 Tubas 1 Trumpet 1 French Horn and Piano 1 Tuba 1 2 Tubas (duet) 1 French horn 1

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STRINGS

Violin and Piano 10 String Quartet: 2 violins, viola, cello 7 Viola, Piano 3 Cello, Piano 3 2 Violins (duet) 2

Violin 1 String Trio: 2 violins, cello 1 Double Bass 1 2 Cellos (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 9 Orchestra 8 Chamber Orchestra 4 String Orchestra 3 Jazz combo 1

Jazz Ensemble 1

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Premier Music Publishing

Tenor Saxophone and Piano

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3 sheet music found

Bach-Gounod: Ave Maria for Tenor Saxophone and Piano Tenor Saxophone and Piano

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus. The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement. Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

$7.95 7.33 € #Tenor Saxophone and Piano #J #Bach-Gounod: Ave Maria for Tenor Saxophone and Piano # Colin Kirkpatrick Publications #SheetMusicPlus

Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano Tenor Saxophone and Piano

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587902 Composed by G F H…(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042565. Published by David McKeown (A0.587902). Ombra Mai FÃ¹ is the beautiful opening aria from Handelâ€™s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handelâ€™s best-loved works nearly two hundred years later. Ombra Mai FÃ¹ is often referred to as Handelâ€™s Largo. In 1906 Ombra Mai FÃ¹ gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai FÃ¹ is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai FÃ¹ ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$4.60 4.24 € #Tenor Saxophone and Piano #G F Handel #Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano #David McKeown #SheetMusicPlus

Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano Tenor Saxophone and Piano

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587927 Composed by G F H…(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044841. Published by David McKeown (A0.587927). Lascia châ€™io Pianga is a beautiful aria from Handelâ€™s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handelâ€™s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia châ€™io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia châ€™io Pianga is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia châ€™io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$4.60 4.24 € #Tenor Saxophone and Piano #G F Handel #Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano #David McKeown #SheetMusicPlus