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Tension
Tenor Saxophone and Piano
Sheetmusic to print
6 sheet music found
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1
O For a Thousand Tongues to Sing for Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968503 Composed by Words…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968503 Composed by Words by Charles Wesley, Music by Lowell Mason. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Lawrence H Underwood #6569399. Published by Lawrence H Underwood (A0.968503). Arranged by veteran performer and music educator, Lawrence Underwood, as the eleventh installment in his 2021 Hymn Song Collection series, this brand-new setting of O For a Thousand Tongues to Sing takes this beloved melody on a tour through meter and style, building in musical tension until its dramatic conclusion! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to make an impact!
$5.99
5.53 €
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Tenor Saxophone and Piano
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Words by Charles Wesley, Music by Lowell Mason
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O For a Thousand Tongues to Sing for Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
Symphony No. 5 by Beethoven for Tenor Sax
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1154911 Composed by Ludw…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1154911 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755187. Published by Woods Only, Arrangements (A0.1154911). This adaptation was intended for a small group of tenor saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
1.84 €
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Tenor Saxophone and Piano
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Ludwig van Beethoven
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Symphony No. 5 by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Jogo de Cartas (for Tenor Sax and Piano)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Bran…
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Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99
10.14 €
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Tenor Saxophone and Piano
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Making the Darkness Conscious
Tenor Saxophone and Piano
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download …
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95
13.8 €
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Tenor Saxophone and Piano
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the end of the piece, the soloist’s character is transformed into something more ruthless and tortured
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
O Mio Babbino Caro - G.Puccini - Tenor Sax and Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1073257 Composed by G.Pu…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1073257 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 11 pages. Raymond Fenech #677520. Published by Raymond Fenech (A0.1073257). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
3.68 €
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Tenor Saxophone and Piano
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G
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O Mio Babbino Caro - G.Puccini - Tenor Sax and Piano
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Raymond Fenech
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SheetMusicPlus
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