Download Digital Sheet Music of Translation for Tenor Saxophone and Piano

Translation

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com

Ukrainian National Anthem (Tenor Sax and Piano) Tenor Saxophone and Piano

Piano,Tenor Saxophone - Digital Download SKU: A0.1068269 Composed by Mykhailo Verby…(+)

Piano,Tenor Saxophone - Digital Download SKU: A0.1068269 Composed by Mykhailo Verbytsky. Arranged by Thomas R. Vozzella. 20th Century,Easter,Graduation,Sacred,World. Full Performance. Duration 94. Thomas R. Vozzella #6759763. Published by Thomas R. Vozzella (A0.1068269). This is an original arrangement of the Ukraine National Anthem for Tenor Sax and Piano in a bold and majestic style with music written by Mykhailo Verbytsky in 1863. The translation for the original title is Ukraine Is Not Yet Lost!.
$1.99 1.84 € #Tenor Saxophone and Piano #Mykhailo Verbytsky #Ukrainian National Anthem #Thomas R. Vozzella #SheetMusicPlus

What A Friend We Have In Jesus, Gospel Hymn for Tenor Saxophone and Piano Tenor Saxophone and Piano

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593453 Composed by J M S…(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593453 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421069. Published by David McKeown (A0.593453). What a Friend We Have in Jesus is a beautiful gospel song arranged here for Solo Tenor Saxophone and Piano.What a Friend We Have in Jesus was written by Joseph Scrivens in 1855 to comfort his Irish mother after he emigrated to Canada. In recent times the song has proved immensely popular in translation in Japan, Indonesia, India and Korea.
$2.49 2.3 € #Tenor Saxophone and Piano #J M Scriven, C C Converse #What A Friend We Have In Jesus, Gospel Hymn for Tenor Saxophone and Piano #David McKeown #SheetMusicPlus

O Jesulein süss by Bach for Tenor Sax and Piano Tenor Saxophone and Piano

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049988 Composed by Joha…(+)

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1049988 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654386. Published by Woods Only, Arrangements (A0.1049988). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein sÃ¼ÃŸ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein sÃ¼ss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99 1.84 € #Tenor Saxophone and Piano #Johann Sebastian Bach #O Jesulein süss by Bach for Tenor Sax and Piano #Woods Only, Arrangements #SheetMusicPlus

Ukrainian National Anthem (Piano Accompaniment for Tenor Sax) Tenor Saxophone and Piano

Piano,Tenor Saxophone - Digital Download SKU: A0.1068274 Composed by Mykhailo Verby…(+)

Piano,Tenor Saxophone - Digital Download SKU: A0.1068274 Composed by Mykhailo Verbytsky. Arranged by Thomas R. Vozzella. 20th Century,Concert,Easter,Sacred,World. Accompaniment. Duration 94. Thomas R. Vozzella #6853095. Published by Thomas R. Vozzella (A0.1068274). Accompaniment for use with TENOR SAX Arrangement - This is an original arrangement of the Ukraine National Anthem for Cello and Piano in a bold and majestic style with music written by Mykhailo Verbytsky in 1863. The translation for the original title is Ukraine Is Not Yet Lost!.
$2.99 2.76 € #Tenor Saxophone and Piano #Mykhailo Verbytsky #Ukrainian National Anthem #Thomas R. Vozzella #SheetMusicPlus

None but the Lonely Heart for Tenor Saxophone and Piano Tenor Saxophone and Piano

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1234476 Composed by P. I…(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1234476 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. Diego Marani #830013. Published by Diego Marani (A0.1234476). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for tenor sax with piano accompaniment is suitable for classroom, repertoire and recital.
$7.99 7.37 € #Tenor Saxophone and Piano #P #None but the Lonely Heart for Tenor Saxophone and Piano #Diego Marani #SheetMusicPlus

Feast of Love - Tenor Saxophone/Piano Tenor Saxophone and Piano

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844550 Composed by Rober…(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844550 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517837. Published by Phil Beaman (A0.844550). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99 4.61 € #Tenor Saxophone and Piano #Robert Franz #Feast of Love - Tenor Saxophone/Piano #Phil Beaman #SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.