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Tenor Saxophone and Piano
Sheetmusic to print
16 sheet music found
<
1
The First Noel for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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Traditional
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James M
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The First Noel for Tenor Sax &
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Scor...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Lo! How a Rose E'er Blooming
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1500224 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score an...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1500224 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 12 pages. Roger Wallace #1076299. Published by Roger Wallace (A0.1500224). Tenor Sax Solo with Piano Accompaniment. Can also be played by Trombone/Tuba/Euphonium/Bassoon/Cello. Package includes parts for Treble Clef Trombone, Baritone Sax/Eb Bass and Horn in F.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Cello solo.Full and Piano Accompaniment demonstrations (in MP3) of a Cello solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Cello solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$5.99
Because He Lives
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Tenor Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Bill Gaither and Gloria Gaithe
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John A
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Because He Lives
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John A. Dempsey
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1421103 Composed by Bill Gaither and Gloria Gaither. Arranged by John A. Dempsey. Christian,Co...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1421103 Composed by Bill Gaither and Gloria Gaither. Arranged by John A. Dempsey. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 13 pages. John A. Dempsey #1002488. Published by John A. Dempsey (A0.1421103). Arranged as a duet for tenor sax and piano, this Gaither gospel classic with its strong, steadfast message of belief in Christ and His death, burial and Resurrection is recommended for traditional church services and other worship events including Good Friday and Easter services, as a prelude, postlude, an offertory, and special music. Â The structure of the arrangement is: piano intro, first verse, chorus, second verse, chorus and a repeat of the last line of the chorus. Â The tenor sax note range is more expansive during the second verse and chorus. Â 9 pages of music (that includes a two-page tenor sax part). Â Concert Key: F major.
$7.99
Lo! How a Rose E'er Blooming
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1151194 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score an...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1151194 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 12 pages. Roger Wallace #751373. Published by Roger Wallace (A0.1151194). Tenor Sax Solo with Piano Accompaniment. Can also be played by Treble Clef Trombone. Package includes parts for Trombone/Baritone/Euphonium/Cello, Horn in F and Viola. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano). The audio sample (“Listenâ€) represents a Trombone solo. The YouTube sample (“Watchâ€) represents a Cello solo.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$3.99
O Come All Ye Faithful for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Gabriel: His Eye Is On The Sparrow for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Gabriel
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James M
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Gabriel: His Eye Is On The Spa
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548770 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548770 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416341. Published by jmsgu3 (A0.548770). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.
$24.95
'Twas The Eve Of Christ's Birth (Tenor Saxophone and Piano)
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Tenor Saxophone and Piano
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EASY
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Stephen DeCesare
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Stephen DeCesare
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'Twas The Eve Of Christ's Birt
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Exultet Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1506760 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Ch...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1506760 By Stephen DeCesare. By Franz Xaver Gruber. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,Standards,Traditional. Score and part. 14 pages. Exultet Music #1082132. Published by Exultet Music (A0.1506760). A new poem about the first Christmas in the style of Clement Clark Moore's 'Twas The Night Before Christmas is interspersed with Silent Night. This harmonically lush version of Silent Night starts off as a tender 4/4 ballad then progresses to the a lullaby-like 6/8 for the second verse to a glorious 3/4 finale. Scored for a Tenor Saxophone solo with Piano accompaniment. An accompaniment track is also available.
$5.99
Après un rêve (Fauré) for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1303419 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Rom...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1303419 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892993. Published by SCORE EDITIONS (A0.1303419). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
$5.99
Silent Night for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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Gruber
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James M
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Silent Night for Tenor Sax & P
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387061. Published by jmsgu3 (A0.548490). Silent Night for Tenor Sax & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Handel: Largo from Xerxes for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
O When the Saints, Gospel Song for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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O When the Saints, Gospel Song
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593101 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,S...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593101 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6416309. Published by David McKeown (A0.593101). O When the Saints is a beautiful spiritual arranged here for Solo Tenor Saxophone and Piano.The origins of O When the Saints are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck Berry.
$2.49
Hark, the Herald Angels Sing (Solo Tenor Sax and Piano)
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Tenor Saxophone and Piano
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EASY
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Sacred music
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Charles Wesley, Felix Mendelss
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.723369 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Ch...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.723369 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132659. Published by Lagom Music (A0.723369). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99
Adeste Fideles (O Come, All Ye Faithful) - tenor sax and piano
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Tenor Saxophone and Piano
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BEGINNER
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1096945 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Chri...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1096945 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #700912. Published by Melo Music (A0.1096945). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play tenor saxophone version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
Adeste Fideles (O Come, All Ye Faithful) - alto sax, tenor sax, piano
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Tenor Saxophone and Piano
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EASY
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1100489 Composed by John Francis Wade...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1100489 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. 3 pages. Melo Music #704266. Published by Melo Music (A0.1100489). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Francis Wade, the tune has been attributed to several musicians, from John Reading and his son, to Handel, and even the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement is a beautiful duet for alto and tenor saxophones, with piano accompaniment and chords, for optional guitar accompaniment. Key: G Major.
$4.45
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